[考研类试卷]考研英语模拟试卷238及答案与解析.doc
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1、考研英语模拟试卷 238及答案与解析 一、 Section I Use of English Directions: Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D. (10 points) 1 As one works with color in a practical or experimental way, one is impressed by two apparently unrelated facts. Color as seen is a
2、mobile, changeable thing (1)_ to a large extent on the relationship of the color (2)_ other colors (3)_ simultaneously. It is not (4)_ in its relation to the direct stimulus which (5)_ it. On the other hand, the properties of surfaces that give (6)_ to color do not seem to change greatly under a wid
3、e variety of illumination color, usually (but not always) looking much the same in artificial light as in daylight. Both of these effects seem to be (7)_ in large part to the mechanism of color (8)_. When the eye is (9)_ to a colored area, there is an immediate readjustment of the (10)_ of the eye t
4、o color in and around the area (11)_. This readjustment does not promptly affect the color seen but usually does affect the next area to which the (12)_ is shifted. The longer the time of viewing, the higher the (13)_, and the larger the area, the greater the effect will be (14)_ its persistence in
5、the (15)_ viewing situation. As indicated by the work of Wright and Schouten, it appears that, at (16)_ for a first approximation, full adaptation takes place over (17)_ time if the adapting source is moderately bright and the eye has been in (18)_ darkness just previously. Also, (19)_ of the persis
6、tence of the effect if the eye is shifted around from one object to another, all of which are at similar brightness or have similar colors, the adaptation will tend to become (20)_ over the whole eye. ( A) liable ( B) focusing ( C) typical ( D) depending ( A) with ( B) between ( C) to ( D) upon ( A)
7、 pursued ( B) perceived ( C) realized ( D) conceived ( A) fixed ( B) firm ( C) bound ( D) open ( A) creates ( B) summons ( C) triggers ( D) introduces ( A) play ( B) way ( C) rise ( D) birth ( A) related ( B) due ( C) devoted ( D) close ( A) assimilation ( B) admission ( C) regulation ( D) adaptatio
8、n ( A) drawn ( B) left ( C) exposed ( D) subjected ( A) sensitivity ( B) curiosity ( C) decoration ( D) impression ( A) noticed ( B) alarmed ( C) neglected ( D) tolerated ( A) cheer ( B) sense ( C) gaze ( D) thought ( A) publicity ( B) necessity ( C) density ( D) intensity ( A) by means of ( B) in t
9、erms of ( C) with regard to ( D) in line with ( A) transparent ( B) succeeding ( C) simultaneous ( D) proceeding ( A) most ( B) worst ( C) least ( D) best ( A) brief ( B) complete ( C) light ( D) narrow ( A) efficient ( B) parallel ( C) relative ( D) respective ( A) regardless ( B) despite ( C) excl
10、usive ( D) because ( A) equivalent ( B) uniform ( C) contrastive ( D) complementary Part A Directions: Read the following four texts. Answer the questions below each text by choosing A, B, C or D. (40 points) 21 King Richard III was a monster. He poisoned his wife, stole the throne from his two youn
11、g nephews and ordered them to be smothered in the Tower of London. Richard was a sort of Antichrist the King “that bottled spider, that poisonous bunch-backed toad“. Anyway, that was Shakespeares version. Shakespeare did what the playwright does: he turned history into a vivid, articulate, organized
12、 dream-repeatable nightly. He put the crouchback onstage, and sold tickets. And who would say that the real Richard known to family and friends was not identical to Shakespeares memorably loathsome creation? The actual Richard went dimming into the past and vanished. When all the eye-witnesses are g
13、one, the artists imagination begins to twist. Variations on the King Richard Effect are at work in Oliver Stones JFK. Richard III was art, but it was propaganda too. Shakespeare took the details of his plot from Tudor historians who wanted to blacken Richards name. Several centuries passed before ot
14、her historians began to write about Richards virtues and suggest that he may have been a victim of Tudor malice and what is the cleverest conspiracy of all: art. JFK is a long and powerful harangue about the death of the man Stone keeps calling “the slain young king“. What are the rules of Stones ga
15、me? Is Stone functioning as commercial entertainer? Propagandist? Documentary filmmaker? Historian? Journalist? Fantasist? Sensationalist? Crazy conspiracy monger? Lone hero crusading for the truth against a corrupt Establishment? Answer: some of the above. The first superficial effect of JFK is to
16、raise angry little scruples like welts in the conscience. Wouldnt it be absurd if a generation of younger Americans, with no memory of 1963, were to form their ideas about John Kennedys assassination from Oliver Stones report of it? But worse things have happened including, perhaps, the Warren Commi
17、ssion report? Stone uses a suspect, mixed art form, and JFK raises the familiar ethical and historical problems of docudrama. But so what? Artists have always used public events as raw material, have taken history into their imaginations and transformed it. The fall of Troy vanished into the Iliad.
18、The Battle of Borodino found its most memorable permanence in Tolstoys imagining of it in War and Peace. Especially in a world of insatiable electronic storytelling, real history procreates, endlessly conjuring new versions of itself. Public life has become a metaphysical breeder of fictions. Waterg
19、ate became an almost continuous television miniseries although it is interesting that the movie of Woodward and Bernsteins All The Presidents Men stayed close to the known facts and, unlike JFK, did not validate dark conjecture. 21 Shakespeares creation is used in the text to introduce ( A) his powe
20、rful imaginations. ( B) artists distortion of history. ( C) his well-established fame. ( D) historians interest in art. 22 Which of the following can best describe the authors comments on Stones organization of plots? ( A) Bewildering. ( B) Superficial. ( C) Contradictory. ( D) Intricate. 23 The wor
21、d “harangue“ (Para. 5) connotes ( A) corruption. ( B) invention. ( C) confusion. ( D) diffusion. 24 It is implied that Warren Commission report ( A) is nothing more than illusions. ( B) lives up to historians expectations. ( C) is not based on valid facts. ( D) falls victim to harsh criticisms. 25 I
22、t can be inferred from the text that public life ( A) is often the stuff for artists fictions. ( B) lies outside the field of history. ( C) is the focus of public attention. ( D) remains memorable at all times. 26 For months the Japanese searched fitfully for the right word to describe what was happ
23、ening. At the Bank of Japan, the nations central bank, officials spoke of “an adjustment phase“. Prime Minister admitted only to “a difficult situation“. The Economic Planning Agency, the governments record keeper, referred delicately to a “retreat“. Then two weeks ago, for the first time since 1997
24、, the agency dropped its boilerplate reference to the “expansion, from its closely watched Monthly Economic Report, and the word game was over. Japans economy, the worlds second largest, conceded the experts, was in recession. That admission confirmed the bad news businessmen had been reading in the
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