ANSI ESTA E1.6-1-2012 Entertainment Technology - Powered Hoist Systems (Formerly PLASA E1.6-1).pdf
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1、 ANSI E1.6-1 2012 Entertainment TechnologyPowered Hoist Systems Document number Rig/2006-2011r5 blank page ANSI E1.6-1 2012 Entertainment TechnologyPowered Hoist Systems Copyright 2017 ESTA. All rights reserved. Rig/2006-2011r5 Approved as an American National Standard by the ANSI Board of Standards
2、 Review on 16 October 2012. This standard was originally published when the Entertainment Services and Technology Association was operating under the name of PLASA North America. ESTA has reverted to its original name, and this document has been rebranded with the current corporate name and logo. No
3、 changes have been made to the contents of the standard. page i NOTICE and DISCLAIMER ESTA does not approve, inspect, or certify any installations, procedures, equipment or materials for compliance with codes, recommended practices or standards. Compliance with a ESTA standard or an American Nationa
4、l Standard developed by ESTA is the sole and exclusive responsibility of the manufacturer or provider and is entirely within their control and discretion. Any markings, identification or other claims of compliance do not constitute certification or approval of any type or nature whatsoever by ESTA.
5、ESTA neither guarantees nor warrants the accuracy or completeness of any information published herein and disclaims liability for any personal injury, property or other damage or injury of any nature whatsoever, whether special, indirect, consequential or compensatory, directly or indirectly resulti
6、ng from the publication, use of, or reliance on this document. In issuing and distributing this document. In issuing this document, ESTA does not either (a) undertake to render professional or other services for or on behalf of any person or entity, or (b) undertake any duty to any person or entity
7、with respect to this document or its contents. Anyone using this document should rely on his or her own independent judgment or, as appropriate, seek the advice of a competent professional in determining the exercise of reasonable care in any given circumstance. Published by: Entertainment Services
8、and Technology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA Phone: 1-212-244-1505 Fax: 1-212-244-1502 Email: standardsesta.org page ii The ESTA Technical Standards Program The ESTA Technical Standards Program was created to serve the ESTA membership and the entertainment industry i
9、n technical standards related matters. The goal of the Program is to take a leading role regarding technology within the entertainment industry by creating recommended practices and standards, monitoring standards issues around the world on behalf of our members, and improving communications and saf
10、ety within the industry. ESTA works closely with the technical standards efforts of other organizations within our industry, including USITT and VPLT, as well as representing the interests of ESTA members to ANSI, UL, and the NFPA. The Technical Standards Program is accredited by the American Nation
11、al Standards Institute. The Technical Standards Council (TSC) was established to oversee and coordinate the Technical Standards Program. Made up of individuals experienced in standards-making work from throughout our industry, the Council approves all projects undertaken and assigns them to the appr
12、opriate working group. The Technical Standards Council employs a Technical Standards Manager to coordinate the work of the Council and its working groups as well as maintain a “Standards Watch” on behalf of members. Working groups include: Control Protocols, Electrical Power, Event Safety, Floors, F
13、og and Smoke, Followspot Position, Photometrics, Rigging, and Stage Lifts. ESTA encourages active participation in the Technical Standards Program. There are several ways to become involved. If you would like to become a member of an existing working group, as have over four hundred people, you must
14、 complete an application which is available from the ESTA office. Your application is subject to approval by the working group and you will be required to actively participate in the work of the group. This includes responding to letter ballots and attending meetings. Membership in ESTA is not a req
15、uirement. You can also become involved by requesting that the TSC develop a standard or a recommended practice in an area of concern to you. The Rigging Working Group, which authored this Standard, consists of a cross section of entertainment industry professionals representing a diversity of intere
16、sts. ESTA is committed to developing consensus-based standards and recommended practices in an open setting. page iii Contact Information Technical Standards Manager Karl G. Ruling Entertainment Services and Technology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA 1-212-244-1505 kar
17、l.rulingesta.org Assistant Technical Standards Manager Erin Grabe Entertainment Services and Technology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA 1-212-244-1505 erin.grabeesta.org Technical Standards Council Chairpersons Mike Garl Mike Garl Consulting LLC 1-865-389-4371 Mike Wo
18、od Mike Wood Consulting LLC 1-512-288-4916 Rigging Working Group Chairpersons Bill Sapsis Sapsis Rigging, Inc. 1-215-228-0888 x206 billsapsis- Christine Kaiser Syracuse Scenery Stage Technologies Group; CP Tray Allen; James Thomas Engineering, Inc.; MP Dana Bartholomew; Fisher Technical Services, I
19、nc.; CP William Beautyman; Limelight Productions, Inc.; DR Keith Bohn; Vitec Group plc; MP Ron Bonner; PLASA EU; G William Bradburn; Aerial Arts, Inc.; U Vincent J. Cannavale; Motion Laboratories; CP Joseph Champelli; ZFX Flying Inc.; CP Benjamin Cohen; Reed Rigging, Inc.; DR William Conner; Amer. S
20、ociety of Theatre Consultants; DE Kimberly Corbett; Schuler Shook; DE Stu Cox; ZFX Flying Inc.; CP Dan Culhane; SECOA; CP Bruce Darden; Rigging Innovators, Inc.; CP Don Dimitroff; Vitec Group plc; MP Brad Dittmer; Stage Labor of the Ozarks; U Scott Fisher; Fisher Technical Services, Inc.; CP Adrian
21、Forbes-Black; Total Structures Inc.; MP Howard Forryan; Harting KGAA; G Eric Foster; Hall Associates Flying Effects; CP Mike Garl; Vitec Group plc; MP Ed Garstkiewicz; Harting KGAA; G Ethan William Gilson; Advanced Lighting and Production Services; U William B. Gorlin; M.G. McLaren, P.C.; G Jerry Go
22、rrell; Theatre Safety Programs; G Pat Grenfell; Mainstage Theatrical Supply; DR Joshua Grossman; Schuler Shook; DE Joel A. Guerra; Texas Scenic Company; DR Donald Halchak; Mountain Productions Inc.; DR Rod Haney; I.A.T.S.E. Local 891; U Tim Hansen; Oasis Stage Werks; DR Pete Happe; Walt Disney Compa
23、ny; U Greg Hareld; Kleege Industries; U Herb Hart; Columbus McKinnon Corp.; MP Peter Herrmann; Motion Laboratories; CP David Herrmann; Motion Laboratories; CP Donald Hoffend III; Avista Designs, LLC; G Donald A. Hoffend Jr.; Avista Designs, LLC; G Wendy Holt; Alliance of Motion Picture and Televisio
24、n Producers; G Christine L. Kaiser; Syracuse Scenery DR Rodney F. Kaiser; Wenger Corp.; CP Theresa Kelley; Total Structures Inc.; MP Kandie Koed; Total Structures Inc.; MP Jerald Kraft; SECOA; CP Edwin S. Kramer; I.A.T.S.E. Local 1; U Kyle Kusmer; Steven Schaefer Associates; G Roger Lattin; I.A.T.S.
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