GRE17及答案解析.doc
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1、GRE17及答案解析(总分:26.98,做题时间:120 分钟)一、PART ONE (Time:30(总题数:7,分数:7.00)1.Research has proven that unlike their sober -|_|-who slowed down after making a mistake to try to correct their actions, men who imbibe alcohol show no signs of such -|_|-behavior.(分数:1.00)A.adversaries . laudatoryB.counterparts . c
2、orrectiveC.protagonists . conciliatoryD.functionaries . properE.contemporaries . edified2.The reality of governance is rarely -|_|-; institutions do not operate according to mechanical laws, they evolve organically.(分数:1.00)A.staticB.nobleC.proteanD.documentedE.inconsistent3.Ancient people felt much
3、 -|_|-concerning the notion that the appearance of comets was inauspicious, but nevertheless exhibited -|_|-concerning the proper reaction to the phenomenon.(分数:1.00)A.conviction . apprehensionB.apathy . ignoranceC.disparity . discordD.consensus . disagreementE.suspicion . hesitancy4.Except in times
4、 of -|_|-, we would scarcely allow public officials to declare states of emergency that replace some normal rules with those more -|_|-to extraordinary circumstances.(分数:1.00)A.debate diffidentB.serenity indifferentC.catastrophe germaneD.obedience ill-suitedE.disaster hostile5.An excellent philateli
5、st can detect a forged -|_|-with a single glance, for a true specimen bears markings and characteristics, without exception, that the -|_|-invariably lacks.(分数:1.00)A.painting imitationB.insect approximationC.coin originalD.stamp facsimileE.treatise falsehood6.Because many of the blacklists in the c
6、ommunications and entertainment industries were secret, the number of playwrights, script writers, novelists, and journalists who were -|_|-to stop writing permanently is -|_|-.(分数:1.00)A.happy . astoundingB.forced . unknownC.unafraid . impressiveD.inclined . unsurprisingE.remiss . inconceivable7.Wh
7、ile the causes of the Cretaceous-Tertiary extinction have received the most attention, Alvarezs paper points out work on the other major mass extinctions that may also be -|_|-for the tragedy.(分数:1.00)A.answerableB.indefensibleC.pitiableD.reprehensibleE.avoidable二、SECTION 2(总题数:1,分数:1.00)The distinc
8、tion between making art and thinking and writing about it should imply neither a mutual exclusiveness nor a hierarchic differentiation of these processes. Leonardo demonstrated that producing art and theorizing about Line it need not be antithetically opposed activities and that meaningful contribut
9、ions can be achieved successfully in more than one field. Inexplicably, few theorists have built as memorable architectural structures as his and even fewer artists have been entrusted with the directorship of an influential art institution. Unfortunately, as theory and practice became more speciali
10、zed in the modernera and their operational framework clearly defined both in the cultural milieu and the educational process, their independent paths and boundaries have curtailed possibilities of interaction. The creations of categories and divisions have further emphasized highly individualized id
11、iosyncrasies and, by exposing differences, diminished the value of a unifying artistic vocabulary. The transformative cultural process of the last decades has critically examined the artificial separations between theoretical and studio practices and disclosed viable connections between making, writ
12、ing, thinking, looking and talking about art. The recent dialogue between the various components of the artistic discourse has recognized the common denominators shared by theoretical analyses and artistic production, one of which is clearly exposed by the argument that the central objective of the
13、theorist and artist is to unmask and understand artistic meanings in painting or text. The notion that “true“ art is the product of individuals who are incapable of in-depth understanding, in stark contrast to erudite, restrained and controlled scholars, is an outdated model. The assumption that art
14、ists make art but cannot or do not have to talk or write about it and that theorists rarely know anything about the creative process, has been consistently refuted by the many texts written from Leonardo da Vinci to Mary Kelly. Even van Gogh, a martyr of the stereotypical “misunderstood genius,“ who
15、se artistic career has been distorted by scores of films and books, wrote with lucidity and insight about art and his work. Apparently, the “mystery“ of the creative process, jealously protected by artists but also selectively cultivated by some art historians has been both a fascination and frustra
16、tion for those extrinsic to the process and artists have exposed the intimacy of creativity while acknowledging the role of cognition in creativity. Even the ironic and subversive demise of authorship of the post-modern and electronic age acknowledges, at least indirectly, the value of the artists i
17、ndividual participation. However, many contemporary artists have abandoned the hierarchic segregation of the inner realm of the creator and, by combining theoretical and studio practices, brought a reconciliatory tone to the processes of making art and analyzing it. Their works, which are often simu
18、ltaneously artistic productions and critique of the artistic discourse, make use of visual and textual forms to expose the connection between looking and thinking as the essential attribute to both creating and understanding art. (分数:0.98)(1).According to the passage, the specialization of art and t
19、heory has tended to -|_|-.(分数:0.14)A.reduce the level of control artists have over artistic institutionsB.increase the usefulness of creating a unifying artistic vocabularyC.permit a greater level of development of knowledge concerning bothD.curtail interactions and establish false boundaries betwee
20、n the two fieldsE.complicate the educational process of artists in an unfortunate manner(2).It can be inferred from the passage that prior to the modern era artistic practice was regarded as -|_|-.(分数:0.14)A.a hermetic field without potential for collaboration, given that it was almost exclusively p
21、opulated by “misunderstood geniuses“B.a field less isolated from the practice of critical analysis than the artistic process of the present eraC.more meaningful and useful as a self-critical force than the aesthetic judgments of non-artists, especially art historiansD.primarily concerned with the ma
22、sking and concealment of artistic meanings from the general publicE.seldom times as specialized as the various branches of science from which art has traditionally been distinguished(3).Which of the following best states the authors main point about artists who have abandoned the hierarchical distin
23、ction between art and theory?(分数:0.14)A.Theirs is a sterile, abstract practice, unlikely to produce few lasting works.B.They have demonstrated that critics are less important to the art-making process than the public commonly believes.C.They have laudably focused their energy on exposing the extent
24、to which theory informs their own practice.D.They have, to the detriment of their work, lost track of inner realm of the creator.E.They have demonstrated a positive alternative to critics who have abandoned their field to become artists.(4).The passage suggests that the mystification of the artistic
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- GRE17 答案 解析 DOC
