SMPTE RP 39-1993 Specifications for Maintaining an Emulsion-in Orientation on Theatrical Release Prints《戏剧发行拷贝上定向感光乳剂维护规范》.pdf
《SMPTE RP 39-1993 Specifications for Maintaining an Emulsion-in Orientation on Theatrical Release Prints《戏剧发行拷贝上定向感光乳剂维护规范》.pdf》由会员分享,可在线阅读,更多相关《SMPTE RP 39-1993 Specifications for Maintaining an Emulsion-in Orientation on Theatrical Release Prints《戏剧发行拷贝上定向感光乳剂维护规范》.pdf(2页珍藏版)》请在麦多课文档分享上搜索。
1、SMPTE RP*39 73 8357403 OOOL337 406 SMPTE RECOMMENDED PRACTICE RP 39-1 993 Revisior: of RP 39-1 970 O Specifications for Maintaining an Emulsion-In Orientation on Theatrical Release Prints Introduction As the result of investigational work by members of the Society, a paper was published in the June
2、1965 issue of the SMPTE Journal, Effect of Winding on the Projection Performance of 35mm Motion-Picture Film, documenting the improvement in screen image quality to be gained when theatrical release prints are wound, used, and stored consistently in an emulsion- in orientation. Other advantages incl
3、ude minimal focus drift and a much lower tendency toward flutter and in-and-out of focus. It is recognized that many details of the projection process can influence screen image quality, and that the print winding procedures are but one part of this process. On the other hand, prints normally circul
4、ate through a large number of theaters and maintenance of the film in good condition has always been a responsibility shared among many. Therefore, it is proposed to describe this element of good projection in a recommended practice so that it can be more widely utilized, and its advantages added to
5、 the many other beneficial practices that can be independently controlled in each theater. 0 The specifications mentioned herein are designed to provide a simple and smooth transition from the tradi- tional emulsion-out handling to the recommended emulsion-in orientation and its advantages. 1 Scope
6、1.1 This practice specifies the necessary han- dling changes in the laboratory, film exchange, and projection room to achieve the emulsion-in orientation of theatrical release prints. 1.2 The practice also describes the advantages to be gained by the change to emulsion-in orientation of theatrical r
7、elease prints. Page 1 of 2 pages 1.3 The practice further discusses the con- sequences of returning to the emulsion-out orientation during the exhibition life of theatrical release prints. 1.4 The practice suggests, in the annex, the various minor modifications that might be neces- sary in equipment
8、 used for projection, film rewind, and film inspection. 2 Definitions 2.1 emulsion-in: When the film is examined on the reel, the emulsion side of each lap faces toward the hub of the reel. 2.2 emulsion-out: When the film is examined on the reel, the emulsion side of each lap faces toward the rim of
9、 the reel. 2.3 current procedures: This practice repre- sents a change from the common U.S. practice of having the projector supply reel emulsion-out, the projector take-up reel emulsion-in, and in the rewinding, converting to emulsion-out. This practice specifies that the film be kept emulsion- in
10、throughout its processed life. 3 Description The following procedures are recommended if maximum benefit is to be derived from the proposed change in release print winding orientation: 3.1 The release print must be wound emul- sion-in at the first winding after processing, and must be wound emulsion
11、-in every time thereafter. A single winding in the emulsion- out orientation, even briefly, will reduce the benefits very noticeably. Copyright O 1993 by the SOCIETY OF MOTION PICTURE AND TELEVISION ENGINEERS 595 W. Hartsdale Ave., White Plains, NY 10607 (914) 761-1100 Approved November 3, 1993 SMPT
12、E RP*39 93 8357401 0001318 342 M UP 39-1993 3.2 Specifically, the release print film should be wound emulsion-in on standard cores, as it exists from the processing machine. The emulsion-in orientation should be maintained when the new print is mounted onto shipping reels at the film exchange. Any s
13、ubsequent handling of the release print in the film ex- change, whether for inspection or rewind, should also be in the emulsion-in orientation only. In the projection room, the film reel should be loaded in the upper projector magazine so that the film will come from the front of the reel in a cloc
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