SMPTE ST 247M-2003 Television Digital Recording - 19-mm Type D-2 Composite Format - Helical Data and Control Records.pdf
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1、SMPTE 2471111-2003 Revision of ANSIEMPTE 1993 SMPTE STANDARD for Television 19-mm Type Helical Data Digital Recording - D-2 Composite Format - and Control Records Page 1 of 25 pages 1 Scope 1.1 This standard specifies the content, format, and recording method of the data blocks forming the helical r
2、ecords on the tape containing video, audio, and ancillary data in the 19-rnm type D-2 helical-scan television recorder. In addition, clause 4 of this standard specifies the content, format, and recording method of the longitudinal record containing tracking information for the scanning head associat
3、ed with the helical records. Track dimensions and locations are specified in ANSVSMPTE 245M. 1.2 The standard applies to recorders operating in the 525-line television system with a frame frequency of 29.97 Hz nominal and in accord with SMPTE 244M. One video channel and four independent audio channe
4、ls are recorded. Audio channels operate in accord with ANSI S4.40 at a nominal 48-kHz sampling frequency. 1.3 Figures 1 and 2 show a block diagram of the processes involved in the recorder. 2 Normative references The following standards contain provisions which, through reference in this text, const
5、itute provisions of this standard. At the time of publication, the editions indicated were valid. All standards are subject to revision, and parties to agreements based on this standard are encouraged to investigate the possibility of applying the most recent edition of the standards indicated below
6、. ANSI S4.40-1992 (RI 998), Digital Audio Engineering - Serial Transmission Format for Two-Channel Linearly Represented Digital Audio Data ITU-R BT.470-6 (1 1/98), Conventional Television Systems 3 Helical record content 3.1 Introduction Six helical tracks are used to record each TV field. The helic
7、al track is recorded with the digital data from the video channel and the four audio channels. The audio data is contained in four recorded sectors per track, two at the beginning of the track and two at the end of the track. The audio data is recorded twice. The video data is recorded in a sector i
8、n the middle part of each track. An edit gap between sectors accommodates timing errors during editing. Figure 3 shows the arrangement of video and audio sectors on the tape. Copyright 92003 by THE SOCIEPI OF MOTION PICTURE AND TELEVISION ENGINEERS 595 W. Hartsdaie Ave., White Plains, NY 10607 (914)
9、 761-1100 Approved Februaiy 7,2003 SMPTE 247M-2003 VIDEO CHANNEL OUTER INTRA- .) SECTOR SWITCH CODER SHUFFLE ANALOG/ MUX I) ECC (ANALOG)* DIGITAL * t INTERFACE (DIGITAL) RECORD DRIVER .C AND HEAD HELICAL TRACK CHANNEL + INNER SYNC/ ID GEN. ECC CODER CODER Figure 1 - Block diagram - Record AUDIO AUDI
10、O OUTER AUDIO (ANALOG) DIGITAL ERROR 4 ECC e DATA (DIGITAL) - ANALOG/ INTERFACE CONCEAL DECODER DESHUFFLE -,-. VIDEO - ANALOG/ VIDEO CHANNEL OUTER INTRA- (ANALOG) DIGITAL 4 ERROR 4 DEMUX ECC 4 SECTOR 4 BUFFER (DIGITAL) INTERFACE CONCEAL SWITCH DECODER DESHUFFLE A 1 A CONTROL TRACK I P.B. CONTROL TRA
11、CK HEADS AND PLAYBACK INTERFACE TIME CODE CUUREF P.B. AMP Figure 2 - Block diagram - Reproduce Page 2 of 25 pages CMPTE 247M-2003 HEAD - - EDIT GAP 0 E AUDIO SECTOR EDIT GAP 1 AUDIO SECTOR (6 SYNC BLOCKS) - - - (6 SYNC BLOCKS) - - -i I i VIDEO SECTOR (204 SYNC BLOCKS) I L- E EDIT GAP E - - * - E AUD
12、IO SECTOR (6 SYNC BLOCKS) L, AUDIO SECTOR (6 SYNC BLOCKS) NOTES 1 T = Track preamble (62 bytes) 2 E = in-track preamble (28 bytes) 3 P = Postamble (6 bytes) 4 Sync block = 190 bytes 5 Edit gap = 156 bytes nominal Figure 3 - Sector arrangement on helical track Each sector (audio or video) is divided
13、into the following elements: - Preamble containing clock run-up sequence, sync pattern, and identification pattern; - Sync blocks containing sync pattern and identification pattern, followed by a fixed length data block with error control; - Postamble containing sync pattern and identification patte
14、rn. 3.2 Labelling conventions for audio and video data In this standard, the least significant bit is shown on the lef and is the first recorded to tape. The lowest numbered byte is shown at the left/top and is the first encountered in the input data stream. Byte values are expressed in hexadecimal
15、notation unless otherwise noted. 3.3 Sync block The sync block format is common to both audio and video sectors. Each sync block contains a sync pattern (2 bytes), and two inner code blocks. Each inner code block contains 85 data bytes (outer check bytes are considered data) plus 8 inner check bytes
16、. Inner code block O includes and protects the two bytes of an identification pattern. Figure 4 shows the sync block format. Page 3 of 25 pages SMPTE 247M-2003 3.3.1 Sync pattern (a) Length: 16 bits (2 bytes) (b) Pattern: 30 F5 (in hexadecimal notation) LSB MSB ByteO- O O O O 1 1 O O Byte 1 - 101011
17、11 (c) Protection: None 3.3.2 Identification pattern The first byte of the identification pattern identifies a particular sync block of a helical track. The second byte of the identification pattern identifies a particular track. Figure 5 shows the format of the identification pattern. The first and
18、 second audio copies have the same segment numbers. The audio segment number located at the start of a track (second copy) is the same as the video segment number on the same track. Each audio field is composed of 3 segments, the first segment number is Oh. (a) Length: 16 bits (2 bytes) (b) Arrangem
19、ent: The sync block number (byte 2) follows a coded sequence along the track. Figure 6 shows the sequence of sync block numbers. The sector ID (byte 3) identifies a particular sector. The V/A bit distinguishes between audio and video sectors. The T bit distinguishes between two tracks corresponding
20、to channels O and 1. The segment count is modulo 3, the field count for video sectors is modulo 4, and the field count for audio sectors is modulo 5. (See figure 7.) Page 4 of 25 pages SMPTE 247M-2003 c) The field address FO, FI (bits 4 and 5 of the sector ID for video sync blocks) shall identify th
21、e 4-field color sequence as defined in ITU-R BT.470-6, figure 5(c), and has the following values: Fo Fi Color frame A Field I O O Color frame A Field II 1 O Color frame 6 Field Ill O 1 Color frame 6 Field IV 1 1 (d) Protection: The identification pattern is protected by inner code block O. O ARRANGE
22、MENT . 1 I BY TE 2 BYTE 3 1 I I SYNC BLOCK NUMBER SECTOR ID OSECTORITRACK ID FOR AUDIO SYNC BLOCKS BYTE 3 LSB MSB I - d SEGMENT FIELD I =O TRACK 0 SECTORITRACK ID FOR VIDEO SYNC BLOCKS BYTE 3 LSB MSB O 1 2 3 4 5 6 7 VIA I TI so 1 SI I Fo I F1 1 01 MIC 1 I 1 I = O FOR COLOR = 1 FOR MONOCHROME I - SEG
23、MENT FIELD I -1 TRACK Figure 5 - Sync block identification format Page 5 of 25 pages SMPTE 247M-2003 HEAD TRACK PREAMBLE 3 AUDIO SECTOR 02 03 -FI o4 EDIT GAP AUDIO 1 1: 1 SECTOR 43 -w POSTAMBLE 1 IN-TRACK PREAMBLE VIDEO SECTOR POSTAMBLE EDIT GAP EDIT GAP I Figure 6 - Sync block ID number TAPEMOTION
24、NOTES 1 T = Track number (O, 1) 2 S = Segment number (O . 2) 3 F = Field number (O . 3) 4 Audio sectors not shown Figure 7 - Track, segment and field numbers Page 6 of 25 pages SMPTE 247M-2003 3.3.3 Sync block data fielderror correction coding The sync block format is common to both audio and video
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