[考研类试卷]2012年北京航空航天大学英语专业(英美文学)真题试卷及答案与解析.doc
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1、2012 年北京航空航天大学英语专业(英美文学)真题试卷及答案与解析一、名词解释1 Symbol2 Tragedy3 Aesthetic distance4 Ambiguity5 Paradox二、翻译题6 Translate the following English into Chinese.No woman can be too rich or too thin. This saying often attributed to the late Duchess of Windsor embodies much of the odd spirit of our times. Being t
2、hin is deemed as such a virtue. The problem with such a view is that some people actually attempt to live by it. I myself have fantasies of slipping into narrow designer clothes. Consequently, I have been on a diet for the betteror worsepart of my life. Being rich wouldnt be bad either, but that won
3、t happen unless an unknown relative dies suddenly in some distant land, leaving me millions of dollars.7 Translate the following Chinese into English.人有时非常矛盾。本来活得好好的,各方面的环境都不错,然而当事者却常常心存厌倦.对人类这种因生命的平淡和缺少激情而苦恼的心态,有时是不能用不知足来解释的。我曾对件在森林的一对夫妻羡慕不已,因为森林里有清新的空气,有大片的杉树、竹林,有幽静的林间小道,有鸟语和花香。然而,当这对夫妇知道有人羡慕他们的住所
4、时,却神情诧异。他们认为这儿没有多少值得观光和留恋的景致,远不如城市丰富有趣。三、分析题8 In Shakespeares Hamlet, the tragic hero Hamlet seems to be delaying his revenge. Why? Please give your explanations by in-depth analysis with textual evidences.9 How do you understand the Enlightenment Spirit? Please illustrate your points by analyzing a
5、t least two literary works from the English eighteenth century.10 How do you understand the nature of the American Dream? Please analyze the theme of American Dream as revealed in literary works with at least two examples.10 When the sweet showers of April fall and shoot,Down throw the drought of Ma
6、rch to pierce the root,Bathing every vein in liquid powerFrom which there springs the endangering of the flower,When also Zephyrus with his sweet breathExhales an air in every grove and heathUpon the tender shoots, and the young sunHis half-course in the sign of the Ram has run,And the small fowl ar
7、e making melodyThat sleep away the night with open eyeThen people long to go on pilgrimages.11 Identify the author and the work from which the passage is selected.12 Why is the work regarded as a masterpiece?13 Comment on the language style of the writer.13 And yet nothing had changed since the mome
8、nts when he had been kissing her; or rather, nothing in the substance of things. But the essence of things had changed.These and other of his words were nothing but the perfunctory babble of the surface while the depths remained paralyzed. He turned away, and bent over a chair.Shefollowed him to the
9、 middle of the room where he was, and stood there staring at him with eyes that did not weep. Presently she slid down upon her knees beside his foot, and from this position she crouched in a heap.“In the name of our love, forgive me!“ she whispered with a dry mouth. “I have forgiven you for the same
10、 ! “And, as he did not answer, she said again“Forgive me as you are forgiven! I forgive you, Angel. “Youyes, you do. “But you do not forgive me?“O., forgiveness does not apply to the case! You were one person; now you are another. My Godhow can forgiveness meet such a grotesqueprestidigitation as th
11、at!“He paused, contemplating this definition; then suddenly broke into horrible laughteras unnatural and ghastly as a laugh in hell.“Dontdont! It kills me quite, that!“ she shrieked. “O have mercy upon mehave mercy!“He did not answer; and, sickly white, she jumped up.14 Identify the author and the w
12、ork from which the passage is selected.15 Analyze the significance of the books subtitle.16 Analyze the personality of the heroine and hero.16 She became aware of something about her. With an effort she roused herself to see what it was that penetrated her consciousness. The tall white lilies were r
13、eeling in the moonlight, and the air was charged with their perfume, as with a presence. Mrs. Morel gasped slightly in fear. She touched the big, pallid flowers on their petals, then shivered. They seemed to be stretching in the moonlight. She put her hand into one white bin: the gold scarcely showe
14、d on her fingers by moonlight. She bent down to look at the binful of yellow pollen; but it only appeared dusky. Then she drank a deep draught of the scent. It almost made her dizzy.Mrs. Morel leaned on the garden gate,looking out,and she lost herself awhile. She did not know what she thought. Excep
15、t for a slight feeling of sickness, and her consciousness in the child, herself melted out like scent into the shiny, pale air. After a time the child, too, melted with her in the mixing-pot of moonlight, and she rested with the hills and lilies and houses, all swum together in a kind of swoon.17 Id
16、entify the author and the work from which the passage is selected.18 Define the authors realism with the analysis of the above text.19 What is theme of his work? Also explain the authors understanding of sexuality.19 The founders of a new colony, whatever Utopia of human virtue and happiness they mi
17、ght originally project, have invariably recognised it among their earliest practical necessities to allot a portion of the virgin soil as a cemetery, and another portion as the site of a prison. In accordance with this rule, it may safely be assumed that the forefathers of Boston had built the first
18、 prison-house somewhere in the vicinity of Cornhill, almost as seasonably as they marked out the first burial-ground, on Isaac Johnsons lot, and round about his grave, which subsequently became the nucleus of all the congregated sepulchres in the old churchyard of Kings Chapel. Certain it is that, s
19、ome fifteen or twenty years after the settlement of the town, the wooden jail was already marked with weather-stains and other indications of age, which gave a yet darker aspect to its beetle-browed and gloomy front. The rust on the ponderous iron-work of its oaken door looked more antique than anyt
20、hing else in the New World. Like all that pertains to crime, it seemed never to have known a youthful era. Before this ugly edifice, and between it and the wheel-track of the street,was a grass-plot, much overgrown with burdock, pig-weed, apple-peru, and such unsightly vegetation, which evidently fo
21、und something congenial in the soil that had so early borne the black flower of civilised society, a prison. But, on one side of the portal, and rooted almost at the threshold, was a wild rose-bush, covered, in this month of June, with its delicate gems, which might be imagined to offer their fragra
22、nce and fragile beauty to the prisoner as he went in, and to the condemned criminal as he came forth to his doom, in token that the deep heart of Nature could pity and be kind to him.This rose-bush,by a strange chance, has been kept alive in history; but whether it had merely survived out of the ste
23、rn old wilderness, so long after the fall of the gigantic pines and oaks that originally overshadowed itor whether, as there is fair authority for believing, it had sprung up under the footsteps of the sainted Ann Hutchinson, as she entered the prison-door, we shall not take upon us to determine. Fi
24、nding it so directly on the threshold of our narrative, which is now about to issue from that inauspicious portal, we could hardly do otherwise than pluck one of its flowers, and present it to the reader. It may serve, let us hope, to symbolise some sweet moral blossom, that may be found along the t
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