CAN CSA-ISO IEC 15444-3A-2012 Information technology - JPEG 2000 image coding system Motion JPEG 2000 - AMENDMENT 1 Additional profiles for archiving applications.pdf

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1、Information technology JPEG 2000 image coding system: MotionJPEG2000 AMENDMENT1:AdditionalprofilesforarchivingapplicationsAmendment 1:2012 (IDT) toNational Standard of CanadaCAN/CSA-ISO/IEC 15444-3-08(ISO/IEC 15444-3:2007, IDT)NOT FOR RESALE.PUBLICATION NON DESTINE LA REVENTE.CSA Standards Update Se

2、rviceAmendment 1:2012 toCAN/CSA-ISO/IEC 15444-3-08March 2012Title:Information technology JPEG 2000 im age coding system: MotionJPEG2000 AMENDMENT1:AdditionalprofilesforarchivingapplicationsPagination:XX pages (XX preliminary and XX text)To register for e-mail notification about any updates to this p

3、ublication go on-line to shop.csa.caclick on E-mail Services under MY ACCOUNTclick on CSA Standards Update ServiceThe List ID that you will need to register for updates to this publication is 2419392.If you require assistance, please e-mail techsupportcsa.ca or call 416-747-2233.Visit CSAs policy on

4、 privacy at csagroup.org/legal to find out how we protect your personal information.Reference numberISO/IEC 15444-3:2007/Amd.1:2010(E)ISO/IEC 2010INTERNATIONAL STANDARD ISO/IEC15444-3Second edition2007-05-01AMENDMENT 12010-10-15Information technology JPEG 2000 image coding system: Motion JPEG 2000 A

5、MENDMENT 1: Additional profiles for archiving applications Technologies de linformation Systme de codage dimages JPEG 2000: Images JPEG 2000 animes AMENDEMENT 1: Profils additionnels pour raliser des applications ISO/IEC 15444-3:2007/Amd.1:2010(E) PDF disclaimer This PDF file may contain embedded ty

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10、er. ISO copyright office Case postale 56 CH-1211 Geneva 20 Tel. + 41 22 749 01 11 Fax + 41 22 749 09 47 E-mail copyrightiso.org Web www.iso.org ii ISO/IEC 2010 All rights reservedAmendment 1:2012 to CAN/CSA-ISO/IEC 15444-3-08ISO/IEC 15444-3:2007/Amd.1:2010(E) ISO/IEC 2010 All rights reserved iiiFore

11、word ISO (the International Organization for Standardization) and IEC (the International Electrotechnical Commission) form the specialized system for worldwide standardization. National bodies that are members of ISO or IEC participate in the development of International Standards through technical

12、committees established by the respective organization to deal with particular fields of technical activity. ISO and IEC technical committees collaborate in fields of mutual interest. Other international organizations, governmental and non-governmental, in liaison with ISO and IEC, also take part in

13、the work. In the field of information technology, ISO and IEC have established a joint technical committee, ISO/IEC JTC 1. International Standards are drafted in accordance with the rules given in the ISO/IEC Directives, Part 2. The main task of the joint technical committee is to prepare Internatio

14、nal Standards. Draft International Standards adopted by the joint technical committee are circulated to national bodies for voting. Publication as an International Standard requires approval by at least 75 % of the national bodies casting a vote. Attention is drawn to the possibility that some of th

15、e elements of this document may be the subject of patent rights. ISO and IEC shall not be held responsible for identifying any or all such patent rights. Amendment 1 to ISO/IEC 15444-3:2007 was prepared by Joint Technical Committee ISO/IEC JTC 1, Information technology, Subcommittee SC 29, Coding of

16、 audio, picture, multimedia and hypermedia information, in collaboration with ITU-T. The identical text is published as ITU-T Rec. T.802 (01/2005) Amd.1. Amendment 1:2012 to CAN/CSA-ISO/IEC 15444-3-08Amendment 1:2012 to CAN/CSA-ISO/IEC 15444-3-08ISO/IEC 15444-3:2007/Amd.1:2010 (E) Rec. ITU-T T.802 (

17、2005)/Amd.1 (04/2010) 1 INTERNATIONAL STANDARD RECOMMENDATION ITU-T Information technology JPEG 2000 image coding system: Motion JPEG 2000 Amendment 1 Additional profiles for archiving applications 1) Clause 2 Normative references Add the following items to the list of the normative references: ISO/

18、IEC 14496-3:2009, Information technology Coding of audio-visual objects Part 3: Audio. ISO/IEC 26428-1:2008, Digital cinema (D-cinema) distribution master Part 1: Image characteristics. 2) Annex A 2.1) Clause A.1 In A.1, replace the following sentence: This Recommendation | International Standard de

19、fines two profiles: with This Recommendation | International Standard defines four profiles: In A.1, append the following numeration: 3) Motion Picture Archive Preservation Format. The brand mpap indicates the Motion JPEG 2000 motion picture archive preservation format profile, as defined below. 4)

20、Motion Picture Archive Access Format. The brand mpaa indicates the Motion JPEG 2000 motion picture archive access format profile, as defined below. 2.2) New clauses A.3 and A.4 Add the following clauses: A.3 Motion JPEG 2000 motion picture archive preservation format profile For the preservation of

21、motion picture content, the following profile is defined: 1) At least a single video track, using only JPEG 2000 visual samples is present. 2) Audio tracks may be present, as specified in Table A.1. 3) If more than one video track (e.g., different international versions or scenes) or more than one g

22、roup of multi-channel audio tracks are present, the tracks shall be distinguished and selected by the alternate_group field. In addition, Edit Boxes (edts) and Edit List Boxes (elst) are permitted in order to create compositions of the different tracks. 4) The image codestream profile shall have Rsi

23、z=7 (as specified in ITU-T T.800 | ISO/IEC 15444-1, clause A.10). 5) All color spaces are allowed, as long as they can be described with the metadata in the Colour Specification Box (colr) (as specified in ITU-T T.800 | ISO/IEC 15444-1, Annex I). 6) There is no restriction on frame rates. 7) The fil

24、e shall be self-contained; no data references are used, and therefore all media data shall be contained within the single file. 8) The presentation shall be described by a single Movie Box (moov) only, i.e., fragments are disallowed. Amendment 1:2012 to CAN/CSA-ISO/IEC 15444-3-08ISO/IEC 15444-3:2007

25、/Amd.1:2010 (E) 2 Rec. ITU-T T.802 (2005)/Amd.1 (04/2010) 9) The media data in the Media Data Box(es) shall be placed within the box(es) in temporal order. 10) If more than one track is present, the media data for the tracks shall be interleaved, with a granularity no greater than the greater of (a)

26、 the duration of a single sample (in file format terms) or (b) one second. 11) The transformation matrices used are restricted to uniform scaling and rotation by multiples of 90. Table A.1 Audio format specification for archive preservation format Supported data format raw (optional MPEG-4 SLS). Sup

27、ported sample rates Each Motion JPEG 2000 decoder shall support sample rates of 48 kHz, 44.1 kHz, 32 kHz and 96 kHz (as recommended in 2). A Motion JPEG 2000 encoder can use any desired sample rate. However, without any further agreements outside the scope of this Recommendation | International Stan

28、dard, correct decoding can be assumed only if the values recommended above are being used. Supported word lengths Each Motion JPEG 2000 decoder shall be able to correctly decode word lengths of 16 and 24 bits. A Motion JPEG 2000 encoder can use any desired word length. However, without any further a

29、greements outside the scope of this Recommendation | International Standard, correct decoding can be assumed only if a word length of 16 or 24 bits is being used. Channel format Discrete (i.e., no matrix encoding). Audio data shall be stored in a lossless manner. For this purpose the raw audio forma

30、t shall be used. All audio channels shall be organized as discrete channels. As an option, audio data can also be represented as MPEG-4 Scalable Lossless Coding (SLS) specified in ISO/IEC 14496-3 as a compressed but lossless audio format. Metadata should be stored together with image and other media

31、 data in the same file. Metadata can consist of any combination of structural, descriptive and historical metadata. In all cases, there should be a minimum set of structural metadata stored. For image data this should consist of all information relevant to the employed JPEG 2000 encoding parameters

32、and contain at least image size, frame rate, colour space, sub-sampling information, number and meaning of components and bit depth. For audio data this should consist at least of bit depth, sample rate, number and meaning of audio channels for each multi-channel audio representation and audio encod

33、ing standard. Descriptive and historical metadata should be stored in an XML 9 representation. A.4 Motion JPEG 2000 motion picture archive access format profile The profile optimized for access to and exchange of archived motion picture content has the following characteristics: 1) At least a single

34、 video track, using only JPEG 2000 visual samples, shall be present. 2) Audio tracks may be present, as specified in Table A.2. 3) If more than one video track (e.g., different international versions or scenes) or more than one group of multi-channel audio tracks are present, the tracks shall be dis

35、tinguished and selected by the alternate_group field. In addition, Edit Boxes (edts) and Edit List Boxes (elst) are permitted in order to create compositions of the different tracks. 4) The image codestream profile shall have Rsiz=5 or Rsiz=6 (as specified in ITU-T T.800 | ISO/IEC 15444-1, clause A.

36、10). 5) The XYZ color space as defined in ISO/IEC 26428-1 shall be used and signalled in the Colour Specification Box (colr) (as specified in ITU-T T.800 | ISO/IEC 15444-1, Annex I). 6) There is no restriction on frame rates. If distribution to digital cinema is intended, then frame rates of 24 fram

37、es per second (fps) or 48 frames per second (fps) are recommended. 7) The file shall be self-contained; no data references are used, and therefore all media data shall be contained within the single file. 8) The presentation shall be described by a single Movie Box (moov) only, i.e., fragments are d

38、isallowed. 9) The media data in the Media Data Box(es) is placed within the box(es) in temporal order. 10) If more than one track is present, the media data for the tracks is interleaved, with a granularity no greater than the greater of (a) the duration of a single sample (in file format terms) or

39、(b) one second. 11) The transformation matrices used are restricted to uniform scaling and rotation by multiples of 90. Amendment 1:2012 to CAN/CSA-ISO/IEC 15444-3-08ISO/IEC 15444-3:2007/Amd.1:2010 (E) Rec. ITU-T T.802 (2005)/Amd.1 (04/2010) 3 Table A.2 Audio format specification for archive access

40、format Supported data format raw (optional MPEG-4 SLS). Supported sample rates Either 48 kHz or 96 kHz. Supported word lengths Either 16 bits or 24 bits. Channel format Discrete (i.e., no matrix encoding), a maximum of 16 channels per multi-channel representation. Audio data shall be stored in a los

41、sless manner. For this purpose the raw audio format shall be used. All audio channels shall be organized as discrete channels. As an option, audio data can also be represented as MPEG-4 Scalable Lossless Coding (SLS) specified in ISO/IEC 14496-3 as a compressed but lossless audio format. NOTE Metada

42、ta should be stored together with image and other media data in the same file. Metadata can consist of any combination of structural, descriptive and historical metadata. In all cases there should be a minimum set of structural metadata stored. For image data this should consist of all information r

43、elevant to the employed JPEG 2000 encoding parameters and contain at least image size, frame rate, colour space, sub-sampling information, number and meaning of components and bit depth. For audio data this should consist at least of bit depth, sample rate, number and meaning of audio channels for e

44、ach multi-channel audio track and audio encoding standard. Descriptive and historical metadata should be stored in an XML 9 representation. 3) Annex B Add the following clause: B.4 Digital cinema archives In this section practical guidelines for the use and application of motion picture archive form

45、ats are given. In the following paragraphs procedures are described that are meant to help in creating Archive Package files and how to use them to disseminate archived cinematic content to end users and to exchange archived materials between two or more archiving institutions. Implementations shoul

46、d be strict when writing, and tolerant when reading the described formats. B.4.1 Ingesting into cinematic archives Several ways exist to convert cinematic content to the motion picture archive formats. The content may come directly from various stages of an uncompressed digital production process or

47、 it can be a compressed digital distribution format, e.g., a Digital Cinema Package (DCP) 10. It is also possible to ingest images originating from scanned film material as well as access copies that were created through transferring original film images to some other type of analogue or digital med

48、ia, e.g., analogue or digital video tapes, digital versatile disk (DVD), etc. a) Ingesting uncompressed digitally produced material: Digitally produced material includes images that were recorded with an electronic camera and did not undergo any further processing, as well as the results of differen

49、t processing steps during post-production to the final cinematic product. This also includes scanned films that were subject of a digital restoration process. Common formats for this type of imagery are DPX 3, TIFF 4 or TGA 5 sequences. This type of material may also have its origin on a digital video tape format that has been ingested into a computer system. This type of material should be compressed using the JPEG 2000 profile for long-term storage of cinematic content. To be able to pre