[外语类试卷]GRE(VERBAL)模拟试卷31及答案与解析.doc
《[外语类试卷]GRE(VERBAL)模拟试卷31及答案与解析.doc》由会员分享,可在线阅读,更多相关《[外语类试卷]GRE(VERBAL)模拟试卷31及答案与解析.doc(17页珍藏版)》请在麦多课文档分享上搜索。
1、GRE( VERBAL)模拟试卷 31及答案与解析 SECTION 1 Directions: Each sentence below has one or two blanks, each blank indicating that something has been omitted. Beneath the sentence are five lettered or sets of words. Choose the word or set of words for each blank that best fits the meaning of the sentence as a wh
2、ole. 1 Like the theory of evolution, the big-bang model of the universes formation has undergone modification and _, but it has_ all serious challenges. ( A) alteration.confirmed ( B) refinement.resisted ( C) transformation.ignored ( D) evaluation.acknowledged ( E) refutation.misdirected 2 A univers
3、ity training enables a graduate to see things as they are, to go right to the point, to disentangle a _ of thought. ( A) line ( B) strand ( C) mass ( D) plethora ( E) skein 3 We have in America a _speech that is neither American, Oxford English, nor colloquial English, but _ of all three. ( A) motle
4、y.an enhancement ( B) hybrid.a combination ( C) nasal.a blend ( D) mangled.a medley ( E) formal.a patchwork 4 Rather than portraying Joseph as a radical reformer whose reign was strikingly enlightened, the play Amadeus depicts him as thinker, too wedded to orthodox theories of musical composition to
5、 appreciate an artist of Mozarts genius. ( A) a revolutionary ( B) an idiosyncratic ( C) a politic ( D) a doctrinaire ( E) an iconoclastic SECTION 2 Directions: In each of the following questions, a related pair of words or phrases is followed by five lettered pairs of words or phrases. Select the l
6、ettered pair that best expresses a relationship similar to that expressed in the original pair. 5 ZENITH : PEAK : ( A) urbanity : refinement ( B) accretion : decrease ( C) musician : artist ( D) debate : candidate ( E) coach : athlete 6 ODIOUS : HATRED : ( A) nascent : love ( B) negligent : care ( C
7、) culpable : blame ( D) noxious : harm ( E) obdurate : frustration 7 WILY : SLY : ( A) boring : different ( B) acute : slow ( C) profuse : abundant ( D) virtual : constant ( E) ambiguous : correct 8 WHET : SHARPEN : ( A) protract : prolong ( B) cut : paste ( C) assert : demonstrate ( D) create : ass
8、imilate ( E) increase : denounce 9 VEHEMENT : FORCEFUL : ( A) culpable : deserving ( B) cryptic : strange ( C) cordial : honest ( D) credulous : easy ( E) unstinting : generous SECTION 3 Directions: Each passage in this group is followed by questions based on its content. After reading a passage, ch
9、oose the best answer to each question. Answer all questions following a passage on the basis of what is stated or implied in the passage. 9 Unlike the carefully weighted and planned compositions of Dante, Goethes writings have always the sense of immediacy and enthusiasm. Line He was a constant expe
10、rimenter with life, with (5) ideas, and with forms of writing. For the same reason, his works seldom have the qualities of finish or formal beauty which distinguish the masterpieces of Dante and Virgil. He came to love the beauties of classicism but these were (10) never an essential part of his mak
11、e-up. Instead, the urgency of the moment, the spirit of the thing, guided his pen. As a result, nearly all his works have serious flaws of structure, of inconsistencies, of excesses and redundancies and extraneities. (15) In the large sense, Goethe represents the fullest development of the romantici
12、st. It has been argued that he should not be so designated because he so clearly matured and outgrew the kind of romanticism exhibited by Wordsworth, (20) Shelley, and Keats. Shelley and Keats died young; Wordsworth lived narrowly and aban- doned his early attitudes. In contrast, Goethe lived abunda
13、ntly and developed his faith in the spirit, his understanding of nature and human nature, (25) and his reliance on feelings as mans essential motivating force. The result was an all- encompassing vision of reality and a philosophy of life broader and deeper than the partial visions and attitudes of
14、other romanticists. Yet the spirit (30) of youthfulness, the impatience with close reason- ing or “logic-chopping,“ and the continued faith in nature remained his to the end, together with an occasional waywardness and impulsiveness and a disregard of artistic or logical propriety (35) which savor s
15、trongly of romantic individualism. Since so many twentieth-century thoughts and attitudes are similarly based on the stimulus of the Romantic Movement, Goethe stands as particu- larly the poet of modern times as Dante stood for (40) medieval times and as Shakespeare for the Renaissance. 10 A charact
16、eristic of romanticism NOT mentioned in this passage is its ( A) elevation of nature ( B) preference for spontaneity ( C) modernity of ideas ( D) unconcern for artistic decorum ( E) simplicity of language 11 It can be inferred from the passage that classicism has which of the following characteristi
17、cs? . Sensitivity toward emotional promptings . Emphasis on formal aesthetic criteria . Meticulous planning of artistic works ( A) only ( B) only ( C) and ( D) and ( E) , , and 12 The authors attitude toward Goethes writings is best described as ( A) unqualified endorsement ( B) lofty indifference (
18、 C) reluctant tolerance ( D) measured admiration ( E) undisguised contempt 12 Given the context of social change in the early 1960s, Negro history was now the object of unprecedented attention among wide segments of Line the American population, black and white. In (5) academe nothing demonstrated t
19、his growing legitimacy of black history better than the way in which certain scholars of both races, who had previously been ambivalent about being identified as specialists in the field, now reversed (10) themselves. Thus Frenise Logan, returning to an academic career, decided to attempt to publish
20、 his doctoral dissertation on blacks in late nineteenth-century North Carolina. A 1960 award encouraged him to (15) do further research, and his expanded The Negro in North Carolina, 1876-1894 appeared in 1964. It is true that as late as 1963 a white professor advised John W. Blassingame to avoid bl
21、ack his- tory if he wanted to have “a future in the historic (20) cal profession.“ Yet more indicative of how things were going was that 1964-65 marked a turning point for two of Kenneth Stampps former students Nathan Huggins and Leon Litwack. The changing intellectual milieu seems to have (25) perm
22、itted Huggins, whose original intention of specializing in African and Afro-American his- tory had been overruled by practical concerns, to move into what became his long-range commit- ment to the field. By 1965 when his interest in (30) intellectual history found expression in the idea of doing a b
23、ook on the Harlem Renaissance, the fac- tors that earlier would have discouraged him from such a study had dissipated. For Litwack the return to Negro history was an especially vivid (35) experience, and he recalls the day he spoke at the University of Rochester, lecturing on Jacksonian democracy. S
24、ome students in the audience, sens- ing that his heart was just not in that topic, urged him to undertake research once again in the field (40) to which he had already contributed so signifi- cantly. He settled on the study that became Been in the Storm So Long (1979). In short, both ! Huggins and L
- 1.请仔细阅读文档,确保文档完整性,对于不预览、不比对内容而直接下载带来的问题本站不予受理。
- 2.下载的文档,不会出现我们的网址水印。
- 3、该文档所得收入(下载+内容+预览)归上传者、原创作者;如果您是本文档原作者,请点此认领!既往收益都归您。
下载文档到电脑,查找使用更方便
2000 积分 0人已下载
下载 | 加入VIP,交流精品资源 |
- 配套讲稿:
如PPT文件的首页显示word图标,表示该PPT已包含配套word讲稿。双击word图标可打开word文档。
- 特殊限制:
部分文档作品中含有的国旗、国徽等图片,仅作为作品整体效果示例展示,禁止商用。设计者仅对作品中独创性部分享有著作权。
- 关 键 词:
- 外语类 试卷 GRE VERBAL 模拟 31 答案 解析 DOC
