ANSI ESTA E1.6-3-2012 Selection and Use of Serially Manufactured Chain Hoists in the Entertainment Industry.pdf

《ANSI ESTA E1.6-3-2012 Selection and Use of Serially Manufactured Chain Hoists in the Entertainment Industry.pdf》由会员分享，可在线阅读，更多相关《ANSI ESTA E1.6-3-2012 Selection and Use of Serially Manufactured Chain Hoists in the Entertainment Industry.pdf（37页珍藏版）》请在麦多课文档分享上搜索。

1、 ANSI E1.6-3 2012 Selection and Use of Serially Manufactured Chain Hoists in the Entertainment Industry Rig/2008-2019r5 blank page ANSI E1.6-3 2012 Selection and Use of Serially Manufactured Chain Hoists in the Entertainment Industry Copyright 2017 ESTA. All rights reserved. Document number Rig/2008

2、-2019r5 Approved as an American National Standard by the ANSI Board of Standards Review on 3 July 2012. This standard was originally published when the Entertainment Services and Technology Association was operating under the name of PLASA North America. ESTA has reverted to its original name, and t

3、his document has been rebranded with the current corporate name and logo. No changes have been made to the contents of the standard. ANSI E1.6-3 2012 2017 ESTA page iv Rig/2008-2019r5 NOTICE and DISCLAIMER ESTA does not approve, inspect, or certify any installations, procedures, equipment or materia

4、ls for compliance with codes, recommended practices or standards. Compliance with a ESTA standard or an American National Standard developed by ESTA is the sole and exclusive responsibility of the manufacturer or provider and is entirely within their control and discretion. Any markings, identificat

5、ion or other claims of compliance do not constitute certification or approval of any type or nature whatsoever by ESTA. ESTA neither guarantees nor warrants the accuracy or completeness of any information published herein and disclaims liability for any personal injury, property or other damage or i

6、njury of any nature whatsoever, whether special, indirect, consequential or compensatory, directly or indirectly resulting from the publication, use of, or reliance on this document. In issuing and distributing this document. In issuing this document, ESTA does not either (a) undertake to render pro

7、fessional or other services for or on behalf of any person or entity, or (b) undertake any duty to any person or entity with respect to this document or its contents. Anyone using this document should rely on his or her own independent judgment or, as appropriate, seek the advice of a competent prof

8、essional in determining the exercise of reasonable care in any given circumstance. Published by: Entertainment Services and Technology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA Phone: 1-212-244-1505 Fax: 1-212-244-1502 Email: standardsesta.org ANSI E1.6-3 2012 2017 ESTA page v R

9、ig/2008-2019r5 The ESTA Technical Standards Program The ESTA Technical Standards Program was created to serve the ESTA membership and the entertainment industry in technical standards related matters. The goal of the Program is to take a leading role regarding technology within the entertainment ind

10、ustry by creating recommended practices and standards, monitoring standards issues around the world on behalf of our members, and improving communications and safety within the industry. ESTA works closely with the technical standards efforts of other organizations within our industry, including USI

11、TT and VPLT, as well as representing the interests of ESTA members to ANSI, UL, and the NFPA. The Technical Standards Program is accredited by the American National Standards Institute. The Technical Standards Council (TSC) was established to oversee and coordinate the Technical Standards Program. M

12、ade up of individuals experienced in standards-making work from throughout our industry, the Council approves all projects undertaken and assigns them to the appropriate working group. The Technical Standards Council employs a Technical Standards Manager to coordinate the work of the Council and its

13、 working groups as well as maintain a “Standards Watch” on behalf of members. Working groups include: Control Protocols, Electrical Power, Event Safety, Floors, Fog and Smoke, Followspot Position, Photometrics, Rigging, and Stage Lifts. ESTA encourages active participation in the Technical Standards

14、 Program. There are several ways to become involved. If you would like to become a member of an existing working group, as have over four hundred people, you must complete an application which is available from the ESTA office. Your application is subject to approval by the working group and you wil

15、l be required to actively participate in the work of the group. This includes responding to letter ballots and attending meetings. Membership in ESTA is not a requirement. You can also become involved by requesting that the TSC develop a standard or a recommended practice in an area of concern to yo

16、u. The Rigging Working Group, which authored this Standard, consists of a cross section of entertainment industry professionals representing a diversity of interests. ESTA is committed to developing consensus-based standards and recommended practices in an open setting. ANSI E1.6-3 2012 2017 ESTA pa

17、ge vi Rig/2008-2019r5 Contact Information Technical Standards Manager Karl G. Ruling Entertainment Services and Technology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA 1-212-244-1505 karl.rulingesta.org Assistant Technical Standards Manager Erin Grabe Entertainment Services and Tec

18、hnology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA 1-212-244-1505 erin.grabeesta.org Technical Standards Council Chairpersons Mike Garl Mike Garl Consulting LLC 1-865-389-4371 Mike Wood Mike Wood Consulting LLC 1-512-288-4916 Rigging Working Group Chairpersons Bill Sapsis Sapsi

19、s Rigging, Inc. 1-215-228-0888 x206 billsapsis- Christine Kaiser Syracuse Scenery Stage Technologies Group; CP Tray Allen; James Thomas Engineering, Inc.; MP Dana Bartholomew; Fisher Technical Services, Inc.; CP William Beautyman; Limelight Productions, Inc.; DR Keith Bohn; Vitec Group plc; MP Ron B

20、onner; PLASA EU; G William Bradburn; Aerial Arts, Inc.; U Spencer Brown; Oasis Stage Werks; DR Vincent J. Cannavale; Motion Laboratories; CP Joseph Champelli; ZFX Flying Inc.; CP William Conner; Amer. Society of Theatre Consultants; DE Kimberly Corbett; Schuler Shook; DE Stu Cox; ZFX Flying Inc.; CP

21、 Dan Culhane; SECOA; CP Bruce Darden; Rigging Innovators, Inc.; CP Don Dimitroff; Vitec Group plc; MP Brad Dittmer; Stage Labor of the Ozarks; U Scott Fisher; Fisher Technical Services, Inc.; CP Adrian Forbes-Black; Total Structures Inc.; MP Howard Forryan; Harting KGAA; G Eric Foster; Hall Associat

22、es Flying Effects; CP Mike Garl; James Thomas Engineering, Inc.; MP Ed Garstkiewicz; Harting KGAA; G Ethan William Gilson; Advanced Lighting and Production Services; U William B. Gorlin; M.G. McLaren, P.C.; G Jerry Gorrell; Theatre Safety Programs; G Pat Grenfell; PjDeZyNeS; DE Joshua Grossman; Schu

23、ler Shook; DE Joel A. Guerra; Texas Scenic Company; DR Donald Halchak; Mountain Productions Inc.; DR Rod Haney; IATSE Local 891; U Tim Hansen; Oasis Stage Werks; DR Pete Happe; Walt Disney Company; U Greg Hareld; Kleege Industries; U Herb Hart; Columbus McKinnon Corp.; MP Peter Herrmann; Motion Labo

24、ratories; CP David Herrmann; Motion Laboratories; CP Donald Hoffend III; Avista Designs, LLC; G Donald A. Hoffend Jr.; Avista Designs, LLC; G Wendy Holt; Alliance of Motion Picture and Television Producers; G Rodney F. Kaiser; Wenger Corp.; CP Christine L. Kaiser; Syracuse Scenery DR Theresa Kelley;

25、 Total Structures Inc.; MP Jerald Kraft; SECOA; CP Edwin S. Kramer; I.A.T.S.E. Local 1; U Kyle Kusmer; Steven Schaefer Associates; G Roger Lattin; I.A.T.S.E. Local 728; U Michael Lichter; Electronic Theatre Controls, Inc.; MP ANSI E1.6-3 2012 2017 ESTA page viii Rig/2008-2019r5 Dan Lisowski; Univers

26、ity of Wisconsin - Madison; U Joseph McGeough; Foy Inventerprises, Inc.; CP Orestes Mihaly; Production Resource Group; DR John (Jack) Miller; I Weiss; CP Rick Montgomery; R MP Reid Neslage; H MP Mark Newlin; Xtreme Structures and Fabrication; MP James Niesel; Arup; DE Richard J. Nix; Steven Schaefer

27、 Associates; G Shawn Nolan; Production Resource Group; DR Tracy Nunnally; Hall Associates Flying Effects; CP Edward A. (Ted) Paget; Daktronics Inc. CP Miriam Paschetto; Geiger Engineers; G Rocky Paulson; Freeman Companies; DR Troy Post; R MP Woody Pyeatt; A V Pro, Inc.; DR John Ringelman; Freeman Co

28、mpanies; DR Rick Rosas; Texas Scenic Company; DR Shawn Sack; Columbus McKinnon Corp.; MP Bill Sapsis; Sapsis Rigging, Inc.; U Stephen G. Surratt; Texas Scenic Company; DR Peter V. Svitavsky; Wenger Corp.; CP Harvey Sweet; Electronic Theatre Controls, Inc.; MP Will Todd; Vitec Group plc; MP Elmer Vei

29、th; Total Structures, Inc.; MP Steve Walker; Steve A. Walker G Charlie Weiner; U Michael Wells; Xtreme Structures and Fabrication; MP Marty Wesstrom; Mountain Productions Inc.; DR Jeff Wilkowski; Thern, Inc.; MP Frank Willard; Syracuse Scenery DR R. Duane Wilson; Amer. Society of Theatre Consultants

30、; DE Thomas S. Young; Wenger Corp.; CP Robert Young; Arup; DE Art Zobal; Columbus McKinnon Corp.; MP Observer (non-voting) members: Brent Armstong; U William Ian Auld; Auld Entertainment; U Warren A. Bacon; U Rinus Bakker; Rhino Rigs B.V.; G Robert Barbagallo; Solotech Inc.; DR Roger Barrett; Star E

31、vents Group Ltd.; DR F. Robert Bauer; F.R. Bauer G Maria Bement; MGM Grand; U Roy Bickel; Roy Bickel; G Lee J. Bloch; Bloch Design Group, Inc.; G Louis Bradfield; Louis Bradfield; U Buddy Braile; Bestek Lighting U Barry Brazell; Barry Brazell; U Andr Broucke; Andr Broucke; G David M. Campbell; Geige

32、r Engineers; G Michael J. Carnaby; Mikan Theatricals; DR Daniel J. Clark; Clark-Reder Engineering, Inc.; G Ian Coles; Total Structures, Inc.; MP Gregory C. Collis; I.A.T.S.E. Local 16; G ANSI E1.6-3 2012 2017 ESTA page ix Rig/2008-2019r5 Randall W. A. Davidson; Risk International U Robert Dean; ZFX

33、Flying Inc.; DR Franois Deffarges; Nexo; MP Cristina Delboni; Feeling Structures; MP Noga Eilon-Bahar; Eilon Engineering Industrial Weighing Systems; MP James B. Evans; Mountain Productions Inc.; DR Philip Fleming; PSAV Presentation Services; DR Tim Franklin; Theta-Consulting; G Jay O. Glerum; Jay O

34、. Glerum W.E. Palmer Co.; CP Reuben Goldberg; Technic Services; U Thomas M. Granucci; San Diego State University; U Robert A. Grenier Jr.; Ocean State Rigging Systems Inc.; DR Sean Harding; High Output, Inc.; G Dean Hart; Freeman Companies; U Ben Hayes; Freedom Flying; G Marc Hendriks; Prolyte; MP T

35、ed Hickey; OAP Audio Products; MP Chris Higgs; Total Solutions Group; G Daniel Lynn Houser; Real Rigging Solutions, LLC; U Wes Jenkins; Down Stage Right Industries; CP Joseph Jeremy; Niscon Inc.; CP Peter Johns; Total Structures, Inc.; MP Ted Jones; Chicago Spotlight, Inc.; U Kent H. Jorgensen; IATS

36、E Local 80; G Gary Justesen; Oasis Stage Werks; DR John Kaes; U JoAnna Kamorin-Lloyd; Vincent Lighting Systems; U Nevin Kleege; Kleege Industries; U Ken Lager; Pook, Diemont DR Jon Lagerquist; South Coast Repertory; U Eugene Leitermann; Theatre Projects Consultants, Inc.; G Jon Lenard; Applied Elect

37、ronics; MP Mylan Lester; Creation Logics Ltd.; U Baer Long; Act 1 Rigging Inc.; G Dennis J. Lopez; Automatic Devices Co.; MP Darren Lucier; North Guard Fall protection Inc.; U Aleksandrs Lupinskis; Real Rigging Solutions, LLC; U Gary Mardling; Kish Rigging; DR Chuck McClelland; Jeamar Winches Inc.;

38、MP Richard C. Mecke; Texas Scenic Company; DR Hank Miller; W.E. Palmer Co.; CP Shaun Millington; SEW-Eurodrive, Inc.; MP Timothy Mills; Geiger Engineers; G Scott Mohr; R G Derek Moon; Wenger Corp.; CP Martin Moore; G John “Andrew“ Munro; animaenagerie; U Bob Murphy; Occams Razor Technical Services;

39、G Steve Nelson; Educational Theatre Association; U Rikki Newman; Rikki Newman; U Michael Patterson; Pook Diemont CP G. Anthony Phillips; I.A.T.S.E. Local 16; U Michael Powers; Central Lighting DR Kurt Pragman; Pragman Associates, LLC; G ANSI E1.6-3 2012 2017 ESTA page x Rig/2008-2019r5 Michael Reed;

40、 Reed Rigging, Inc.; DR Mark Riddlesperger; LA ProPoint, Inc.; CP Jean-Philippe Robitaille; Show Distribution Group, Inc.; DR Michael L. Savage, Sr.; Middle Dept. Inspection Agency, Inc.; G Peter A. Scheu; Scheu Consulting Services, Inc.; G Peter “Punch“ Christian Schmidtke Hollywood Lighting, Inc.;

41、 DR Monica Skjonberg; Skjonberg Controls, Inc.; CP Knut Skjonberg; Skjonberg Controls, Inc.; CP John C. Snook; Thermotex Industries Inc.; CP Rob Stevenson; SEW-Eurodrive, Inc.; MP Joachim Stoecker; CAMCO GmbH; MP Andy Sutton; AFX UK Ltd.; U Katherine Tharp; LA ProPoint, Inc.; CP John Van Lennep; The

42、atrix Inc.; DR Stephen Vanciel; Stephen Vanciel; U Bill Waters; Conductix-Wampfler; MP Michael G. Wiener; Aerial Rigging U Jiantong Wu; Beijing Special Engineering Design G Interest category codes: CP = custom-market producer DE = designer DR = dealer rental company G = general interest MP = mass-ma

43、rket producer U = user ANSI E1.6-3 2012 Rig/2008-2019r5 Copyright 2017 ESTA Page xi ANSI E1.6-3 SELECTION AND USE OF SERIALLY MANUFACTURED CHAIN HOISTS IN THE ENTERTAINMENT INDUSTRY Table of Contents 1 GENERAL . 1 1.1 Scope . 1 1.2 Purpose 1 1.3 Application 1 1.4 References . 1 2 DEFINITIONS 2 3 SYS

44、TEM REQUIREMENTS 6 3.1 General . 6 3.2 Anchorage 7 3.3 Rigging System 7 3.4 Lifting System . 7 3.5 Load System 8 4 AREAS OF RESPONSIBILITY 9 4.1 Hoist Owner 9 4.2 Hoist User . 9 4.3 Production Rigger. 9 4.4 Hoist Operator 9 5 RISK REDUCTION PROCESS .11 5.1 Requirement for a Designated Person .11 5.2

45、 Requirement for a Qualified Person .11 5.3 Assessment 11 5.4 Reduction .11 5.5 Evaluation .11 5.6 Implementation .11 6 HAZARD ASSESSMENT 12 6.1 Personnel Hazards .12 6.2 Multiple Hoist Lifting Operation Hazards 12 6.3 Compound Flown System Hazards 13 6.4 Variable Speed Hoist Application Hazards 13

46、6.5 Hoist Capacity Hazards 14 6.6 Hazards Associated With Occasional Forces 14 6.7 Environmental Hazards 14 7 RISK REDUCTION TECHNIQUES .15 7.1 Load Calculation.15 7.2 Load Verification.15 7.3 Load Reduction 15 7.4 Controlling Personnel Access to LHZ or Load System 16 7.5 Reducing Load Shifting Effe

47、cts 16 7.6 Inspections .17 7.7 Other Actions 17 8 INSPECTIONS PRIOR TO USE .18 8.1 Lifting System .18 8.2 Load System 18 8.3 Other 18 9 OPERATING PRECAUTIONS 19 9.1 Lifting System .19 9.2 Load System 19 10 OPERATION 20 10.1 General Operating Practices 20 ANSI E1.6-3 2012 Rig/2008-2019r5 Copyright 20

48、17 ESTA Page 12 10.2 Specific Operating Practices 21 10.3 Engineered Lifting Operations 21 11 TRANSPORTATION AND HANDLING .22 11.1 Transportation Considerations. 22 11.2 Handling Considerations 22 12 FIGURES .23 ANSI E1.6-3 2012 Rig/2008-2019r5 Copyright 2017 ESTA Page 1 STANDARD REQUIREMENTS EXPLAN

49、ATORY INFORMATION (Not part of the requirements of E1.6-3) 1 GENERAL 1.1 Scope This standard establishes minimum safety requirements for the selection and use of serially manufactured electric link chain hoists having capacity of 2 tons or less in the entertainment industry. This standard does not address the design or maintenance of these hoists. E1.1 While provisions in this standard require that neither the hoist user nor the operator overload the anchorage or any rigging, hoist