ANSI ESTA E1.35-2013 Lens Quality Measurements for Pattern Projecting Luminaires Intended for Entertainment Use.pdf
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1、 ANSI E1.35 2013 Lens Quality Measurements for Pattern Projecting Luminaires Intended for Entertainment Use Photo/2006-5010r5 This document was approved as an American National Standard by the ANSI Board of Standards Review on 6 May 2013. This standard was originally published when the Entertainment
2、 Services and Technology Association was operating under the name of PLASA North America. ESTA has reverted to its original name, and this document has been rebranded with the current corporate name and logo. No changes have been made to the contents of the standard. 2017 ESTA. All rights reserved.
3、Notice and Disclaimer ESTA does not approve, inspect, or certify any installations, procedures, equipment or materials for compliance with codes, recommended practices or standards. Compliance with an ESTA standard or recommended practice, or an American National Standard developed by ESTA is the so
4、le and exclusive responsibility of the manufacturer or provider and is entirely within their control and discretion. Any markings, identification or other claims of compliance do not constitute certification or approval of any type or nature whatsoever by ESTA. ESTA neither guarantees nor warrants t
5、he accuracy or completeness of any information published herein and disclaim liability for any personal injury, property or other damage or injury of any nature whatsoever, whether special, indirect, consequential or compensatory, directly or indirectly resulting from the publication, use of, or rel
6、iance on this document. In issuing and distributing this document, ESTA does not either (a) undertake to render professional or other services for or on behalf of any person or entity, or (b) undertake any duty to any person or entity with respect to this document or its contents. Anyone using this
7、document should rely on his or her own independent judgment or, as appropriate, seek the advice of a competent professional in determining the exercise of reasonable care in any given circumstance. i ANSI E1.35 2013 Photo/2006-5010r5 Published by: Entertainment Services and Technology Association 63
8、0 Ninth Avenue, Suite 609 New York, NY 10036-3748 USA Phone: 1-212-244-1505 Fax: 1-212-244-1502 standardsesta.org The ESTA Technical Standards Program The ESTA Technical Standards Program was created to serve the ESTA membership and the entertainment industry in technical standards related matters.
9、The goal of the Program is to take a leading role regarding technology within the entertainment industry by creating recommended practices and standards, monitoring standards issues around the world on behalf of our members, and improving communications and safety within the industry. ESTA works clo
10、sely with the technical standards efforts of other organizations within our industry including USITT, PLASA, and VPLT as well as representing the interests of ESTA members to ANSI, UL, and the NFPA. ESTAs Technical Standards Program is accredited by the American National Standards. The Technical Sta
11、ndards Council (TSC) was established by ESTAs Board of Directors to oversee and coordinate the Technical Standards Program. Made up of individuals experienced in standards-making work from throughout our industry, the Committee approves all projects undertaken and assigns them to the appropriate wor
12、king group. The Technical Standards Committee employs a Technical Standards Manager to coordinate the work of the Committee and its working groups as well as maintain a standards watch on behalf of members. Working groups include: Control Protocols, Electrical Power, Event Safety, Floors, Fog and Sm
13、oke, Followspot Position, Photometrics, Rigging, and Stage Lifts ESTA encourages active participation in the Technical Standards Program. There are several ways to become involved. If you would like to become a member of an existing working group, as have over two hundred people, you must complete a
14、n application which is available from the ESTA office. Your application is subject to approval by the working group and you will be required to actively participate in the work of the group. This includes responding to letter ballots and attending meetings. Membership in ESTA is not a requirement. Y
15、ou can also become involved by requesting that the TSC develop a standard or a recommended practice in an area of concern to you. The Photometrics Working Group, which authored this standard, consists of a cross section of entertainment industry professionals representing a diversity of interests. E
16、STA is committed to developing consensus-based standards and recommended practices in an open setting. Future Photometrics Working Group projects will include updating this publication as changes in technology and experience warrant, as well as developing new standards and recommended practices for
17、the benefit of the entertainment industry. ii ANSI E1.35 2013 Photo/2006-5010r5 Contact Information Technical Standards Manager Karl G. Ruling ESTA 630 Ninth Avenue, Suite 609 New York, NY 10036 USA 1-212-244-1505 karl.rulingesta.org Assistant Technical Standards Manager Erin Grabe ESTA 630 Ninth Av
18、enue, Suite 609 New York, NY 10036 USA 1-212-244-1505 erin.grabeesta.org Technical Standards Council Chairpersons Mike Garl Mike Garl Consulting LLC 1-865-389-4371 Mike Wood Mike Wood Consulting LLC 1-512-288-4916 Photometrics Working Group Chairperson Jerry Gorrell Theatre Safety Programs P. O. B
19、ox 17734 Fountain Hills, AZ 85269 USA Phone: 1-480-837-9401 iii ANSI E1.35 2013 Photo/2006-5010r5 Acknowledgments The Photometrics Working Group was the consensus body for the development of this standard. The working groups membership at the time the working group approved this standard on 22 Febr
20、uary 2013 is listed below. Voting members: Ron Bonner; PLASA EU; G Kimberly Corbett; Schuler Shook; DE Ryan Fletcher; Arnold MP Jerry Gorrell; Theatre Safety Programs; U Jefferey Knox; Schuler Shook; DE Michael Lay; Royal Philips Electronics ; MP Mark Ravenhill; GLP German Light Products GmbH; MP Ka
21、rl G. Ruling; Unit 12 Productions; DE Markus Salm; GLP German Light Products GmbH; MP Ken Vannice; Leviton Manufacturing Co., Inc.; MP Mike Wood; Mike Wood Consulting LLC; G Observer members: Robert Barbagallo; Solotech Inc.; DR Mos Benaglia; Clay Paky S.P.A.; MP David Bertenshaw; G Lee J. Bloch; Bl
22、och Design Group, Inc.; U Andr Broucke; G Jeremy Day; Philips Color Kinetics (Royal Philips Electronics); MP Bill Ellis; Candela Controls, Inc.; U Gregg Esakoff; Electronic Theatre Controls, Inc.; MP Joseph M. Good III; Spectrum Professional Services; G Charles H. Green; Charles H. Green; U Tim Hans
23、en; Oasis Stage Werks; U Mitch Hefter; G A C Hickox; Domingo Gonzalez Associates; U Ed Hyatt; Boston Illumination Group; CP Francois Juliat; Robert Juliat; MP Hiroshi Kita; Marumo Electric Co., Ltd.; MP Bill Klages; New Klages Inc.; U Larry Lieberman; Vision Quest Lighting; CP Rick Loudenburg; Barbi
24、zon Companies; DR Doug MacDonald; Designlab Chicago Inc.; DR Jim McHugh; Humboldt State University; U John T. Ryan; Altman Stage Lighting; MP Ron Rykowski; Radiant Imaging, Inc.; G Dennis Thykjr Jrgensen; Martin Professional A/S; MP Robert Timmerman; Philips Color Kinetics (Royal Philips Electronics
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