【考研类试卷】考研英语-试卷201及答案解析.doc
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1、考研英语-试卷 201 及答案解析(总分:142.00,做题时间:90 分钟)一、Use of English(总题数:2,分数:80.00)1.Section I Use of EnglishDirections: Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D.(分数:40.00)_Many professions are associated with a particular stereotype. The classic (1)_ of a w
2、riter, for example, is (2)_ a slightly crazy-looking person, (3)_ in an attic, writing away furiously for days (4)_ end. Naturally, he has his favorite pen and note-paper, or a beat-up typewriter, (5)_ which he could not produce a readable word. Nowadays, we know that such images bear little (6)_ to
3、 reality. But are they completely (7)_? In the case of at least one writer, it would seem not. Dame Muriel Spark, who (8)_ 80 in February, in many ways resembles this stereotypical “writer“. She is certainly not (9)_, and she doesn“t work in an attic. But she is rather particular (10)_ the tools of
4、her trade. She insists on writing with a (11)_ type of pen in a certain type of notebook, which she buys from a certain stationer in Edinburgh called James Thin. In fact, so (12)_ is she that, if someone uses one of her pens by (13)_, she immediately throws it away. And she claims she (14)_ enormous
5、 difficulty writing in any notebook other than (15)_ sold by James Thin. This could soon be a (16)_, as the shop no longer stocks them, (17)_ Dame Muriel“s supply of 72-page spiral bound is nearly (18)_. As well as her “obsession“ about writing materials, Muriel Spark (19)_ one other characteristic
6、with the stereotypical “writer“: her work is the most (20)_ thing in her life. It has stopped her from marrying; cost her old friends and made her new ones, and driven her from London to New York to Rome. Today she lives in the Italian province of Tuscany with a friend.(分数:40.00)A.drawingB.imageC.de
7、scriptionD.illustrationA.ofB.aboutC.forD.likeA.locksB.lockC.lockedD.lockingA.toB.onC.forD.atA.exceptB.besidesC.withD.withoutA.witnessB.testimonyC.relationshipD.resemblanceA.falseB.stupidC.trueD.faithfulA.agedB.grewC.turnedD.enteredA.enthusiasticB.emotionalC.furiousD.crazyA.withB.aboutC.toD.ofA.certa
8、inB.typicalC.strangeD.peculiarA.incredibleB.susceptibleC.superstitiousD.suspiciousA.mistakeB.errorC.accidenceD.chanceA.hasB.has hadC.will haveD.would haveA.thoseB.theseC.themD.theyA.defectB.problemC.meritD.virtueA.soB.thereforeC.andD.thusA.completedB.finishedC.stoppedD.haltedA.possessB.haveC.holdD.s
9、hareA.importantB.urgentC.interestingD.pleasant二、Reading Comprehensio(总题数:10,分数:58.00)2.Section II Reading Comprehension_3.Part ADirections: Read the following four texts. Answer the questions below each text by choosing A, B, C or D._Car makers have long used sex to sell their products. Recently, ho
10、wever, both BMW and Renault have based their latest European marketing campaigns around the icon of modern biology. BMW“s campaign, which launches its new 3-series sports saloon in Britain and Ireland, shows the new creation and four of its earlier versions zigzagging around a landscape made up of g
11、iant DNA sequences, with a brief explanation that DNA is the molecule responsible for the inheritance of such features as strength, power and intelligence. The Renault offering, which promotes its existing Laguna model, employs evolutionary theory even more explicitly. The company“s television comme
12、rcials intersperse clips of the car with scenes from a lecture by Steve Jones, a professor of genetics at University of London. BMW“s campaign is intended to convey the idea of development allied to heritage. The latest product, in other words, should be viewed as the new and improved scion of a lon
13、g line of good cars. Renault“s message is more subtle. It is that evolution works by gradual improvements rather than sudden leaps (in this, Renault is aligning itself with biological orthodoxy). So, although the new car in the advertisement may look like the old one, the external form conceals a nu
14、mber of significant changes to the engine. While these alterations are almost invisible to the average driver, Renault hopes they will improve the car“s performance, and ultimately its survival in the marketplace. Whether they actually do so will depend, in part, on whether marketers have read the p
15、ublic mood correctly. For, even if genetics really does offer a useful metaphor for automobiles, employing it in advertising is not without its dangers. That is because DNA“s public image is ambiguous. In one context, people may see it as the cornerstone of modern medical progress. In another, it wi
16、ll bring to mind such controversial issues as abortion, genetically modified foodstuffs, and the sinister subject of eugenics. Car makers are probably standing on safer ground than biologists. But even they call make mistakes. Though it would not be obvious to the casual observer, some of the DNA wh
17、ich features in BMW“s ads for its nice, new car once belonged to a woolly mammotha beast that has been extinct for 10,000 years. Not, presumably, quite the message that the marketing department was trying to convey.(分数:10.00)(1).The campaign staged by both BMW and Renault are to market(分数:2.00)A.car
18、s based on the old ones.B.cars modeled on DNA technology.C.cars produced with most advanced technology.D.cars face-lifted only but little genuinely changed.(2).The difference between BMW“s and Renault“s campaign is that(分数:2.00)A.BMW“s emphasizes technological revolution more explicitly.B.Renault“s
19、proves to be more successful.C.Renault“s provides more delicate messages than BMW“s.D.BMW“s employs the metaphor of DNA while Renault“s doesn“t.(3).It can be inferred that biological orthodoxy favors(分数:2.00)A.no change.B.step-by-step change.C.all-of-a-sudden change.D.radical change.(4).According to
20、 the author, the success of the campaigns may depend on(分数:2.00)A.perceived product quality.B.public perceptions of DNA.C.efforts made by the organizers.D.explicitness in explaining DNA to buyers.(5).The author thinks that unfortunately BMW“s campaign has conveyed the idea of(分数:2.00)A.poverty,B.ext
21、inction.C.revolution.D.evolution.We know today that the traditions of tribal art are more complex and less “primitive“ than its discoverers believed; we have even seen that the imitation of nature is by no means excluded from its aims. But the style of these ritualistic objects could still serve as
22、a common focus for that search for expressiveness, structure, and simplicity that the new movements had inherited from the experiments of the three lonely rebels: Van Gogh, Cezanne, and Gauguin. The experiments of Expressionism are, perhaps, the easiest to explain in words. The term itself may not b
23、e happily chosen, for we know that we are all expressing ourselves in everything we do or leave undone, but the word became a convenient label because of its easily remembered contrast to Impressionism, and as a label it is quite useful. In one of his letters, Van Gogh had explained how he set about
24、 painting the portrait of a friend who was very dear to him, The conventional likeness was only the first stage. Having painted a “correct“ portrait, he proceeded to change the colors and the setting. Van Gogh was right in saying that the method he had chosen could be compared to that of the cartoon
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