[外语类试卷]托福(阅读)模拟试卷5及答案与解析.doc
《[外语类试卷]托福(阅读)模拟试卷5及答案与解析.doc》由会员分享,可在线阅读,更多相关《[外语类试卷]托福(阅读)模拟试卷5及答案与解析.doc(19页珍藏版)》请在麦多课文档分享上搜索。
1、托福(阅读)模拟试卷 5及答案与解析 一、 Sections Three: Reading Comprehension 0 “Looking at Theatre History“ One of the primary ways of approaching the Greek theatre is through archeology, the systematic study of material remains such as architecture, inscriptions, sculpture, vase painting, and other forms of decorat
2、ive art. A Serious on-site excavations began in Greece around 1870, but W. Dorpfeld did not begin the first extensive study of the Theatre of Dionysus until 1886. B Since that time, more than 167 other Greek theatres have been identified and many of them have been excavated. C Nevertheless, they sti
3、ll do not permit us to describe the precise appearance of the Skene (illustrations printed in books are conjectural reconstructions), since many pieces are irrevocably lost because the buildings in later periods became sources of stone for other projects and what remains is usually broken and scatte
4、red. D That most of the buildings were remodeled many times has created great problems for those seeking to date the successive versions. Despite these drawbacks, archeology provides the most concrete evidence we have about the theatre structures of ancient Greece. But, if they have told us much, ar
5、cheologists have not completed their work, and many sites have scarcely been touched. Perhaps the most eontroversial use of archeological evidence in theatre history is vase paintings, thousands of which have survived from ancient Greece. (Most of those used by theatre scholars are reproduced in Mar
6、garete Biebers The History of the Greek and Roman Theatre.) Depicting scenes from mythology and daily life, the vases are the most graphic pictorial evidence we have. But they are also easy to misinterpret. Some scholars have considered any vase that depicts a subject treated in a surviving drama or
7、 any scene showing masks, flute players, or ceremonials to be valid evidence of theatrical practice. This is a highly questionable assumption, since the Greeks made widespread use of masks, dances, and music outside the theatre and since the myths on which dramatists drew were known to everyone, inc
8、luding vase painters, who might well depict the same subjects as dramatists without being indebted to them. Those vases showing scenes unquestionably theatrical are few in number. The texts to classical Greek plays were written down soon after the performance and possibly even before, though it is n
9、ot always clear when or by whom. By 400 b.c.e., there was a flourishing book trade in Greece, but the texts for plays were a challenge. Hellenistic scholars dedicated years to sorting out the text and removing what they believed to be corruptions generally added by actors, but each time a text was c
10、opied there were new possibilities for errors. The oldest surviving manuscripts of Greek plays date from around the tenth century, c.e., some 1500 years after they were first performed. Nevertheless, the scripts offer us our readiest access to the cultural and theatrical conditions out of which they
11、 came. But these scripts, like other kinds of evidence, are subject to varying interpretations. Certainly performances embodied a male perspective, for example, since the plays were written, selected, staged, and acted by men. Yet the existing plays feature numerous choruses of women and many featur
12、e strong female characters. Because these characters often seem victims of their own powerlessness and appear to be governed, especially in the comedies, by sexual desire, some critics have seen these plays as rationalizations by the male-dominated culture for keeping women segregated and cloistered
13、. Other critics, however, have seen in these same plays an attempt by male authors to force their male audiences to examine and call into question this segregation and cloistering of Athenian women. By far the majority of written references to Greek theatre date from several hundred years after the
14、events they report. The writers seldom mention their sources of evidence, and thus we do not know what credence to give them. In the absence of material nearer in time to the events, however, historians have used the accounts and have been grateful to have them. Overall, historical treatment of the
15、Greek theatre is something like assembling a jigsaw puzzle from which many pieces are missing: historians arrange what they have and imagine (with the aid of the remaining evidence and logic) what has been lost. As a result, though the broad outlines of Greek theatre history are reasonably clear, ma
16、ny of the details remain open to doubt. Glossary skene: a stage building where actors store their masks and change their costumes 1 According to paragraph 1, why is it impossible to identify the time period for theatres in Greece? ( A) There are too few sites that have been excavated and very little
17、 data collected about them. ( B) The archeologists from earlier periods were not careful, and many artifacts were broken. ( C) It is confusing because stones from early sites were used to build later structures. ( D) Because it is very difficult to date the concrete that was used in construction dur
18、ing early periods. 2 What can be inferred from paragraph 1 about the skene in theatre history? ( A) Drawings in books are the only accurate visual records. ( B) Not enough evidence is available to make a precise model. ( C) Archeologists have excavated a large number of them. ( D) It was not identif
19、ied or studied until the early 1800s. 3 The word primary in the passage is closest in meaning to ( A) reliable ( B) important ( C) unusual ( D) accepted 4 The word precise in the passage is closest in meaning to ( A) attractive ( B) simple ( C) difficult ( D) exact 5 In paragraph 2, the author expla
20、ins that all vases with paintings of masks or musicians may not be evidence of theatrical subjects by ( A) arguing that the subjects could have been used by artists without reference to a drama ( B) identifying some of the vases as reproductions that were painted years after the originals ( C) casti
21、ng doubt on the qualifications of the scholars who produced the vases as evidence ( D) pointing out that there are very few vases that have survived from the time of early dramas 6 The word controversial in the passage is closest in meaning to ( A) accepted ( B) debated ( C) limited ( D) complicated
22、 7 Which of the following statements most accurately reflects the authors opinion about vase paintings? ( A) Evidence from written documents is older than evidence from vase paintings. ( B) The sources for vase paintings are clear because of the images on them. ( C) The details in vase paintings are
23、 not obvious because of their age. ( D) There is disagreement among scholars regarding vase paintings. 8 According to paragraph 3, scripts of plays may not be accurate because ( A) the sources cited are not well known ( B) copies by hand may contain many errors ( C) they are written in a very old la
24、nguage ( D) the printing is difficult to read 9 In paragraph 4, the author states that female characters in Greek theatre ( A) had no featured parts in plays ( B) were mostly ignored by critics ( C) did not participate in the chorus ( D) frequently played the part of victims 10 The word them in the
- 1.请仔细阅读文档,确保文档完整性,对于不预览、不比对内容而直接下载带来的问题本站不予受理。
- 2.下载的文档,不会出现我们的网址水印。
- 3、该文档所得收入(下载+内容+预览)归上传者、原创作者;如果您是本文档原作者,请点此认领!既往收益都归您。
下载文档到电脑,查找使用更方便
2000 积分 0人已下载
下载 | 加入VIP,交流精品资源 |
- 配套讲稿:
如PPT文件的首页显示word图标,表示该PPT已包含配套word讲稿。双击word图标可打开word文档。
- 特殊限制:
部分文档作品中含有的国旗、国徽等图片,仅作为作品整体效果示例展示,禁止商用。设计者仅对作品中独创性部分享有著作权。
- 关 键 词:
- 外语类 试卷 托福 阅读 模拟 答案 解析 DOC
