[外语类试卷]托福(阅读)模拟试卷13及答案与解析.doc
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1、托福(阅读)模拟试卷 13及答案与解析 一、 Sections Three: Reading Comprehension 0 “Paleolithic Art“ From the moment in 1879 that cave paintings were discovered at Altamira, scholars have wondered why the hunter-artists of the Old Stone Age decided to cover the walls of dark caverns with animal images. Various answers
2、have been given, including that they were mere decoration, but this theory cannot explain the narrow range of subjects or the inaccessibility of many of the paintings. In fact, the remoteness and difficulty of access of many of the cave paintings and the fact they appear to have been used for centur
3、ies are precisely what have led many scholars to suggest that the prehistoric hunters attributed magical properties to the images they painted. According to this argument, by confining animals to the surfaces of their cave walls, the artists believed they were bringing the beasts under their control
4、. Some have even hypothesized that rituals or dances were performed in front of the images and that these rites served to improve the hunters luck. Still others have stated that the painted animals may have served as teaching tools to instruct new hunters about the character of the various species t
5、hey would encounter or even to serve as targets for spears. In contrast, some scholars have argued that the magical purpose of the paintings and reliefs was not to ft te the destruction of bison and other species. Instead, they believe prehistoric painters created animal images to assure the surviva
6、l of the herds Paleolithic peoples depended on for their food supply and for their clothing. A A central problem for both the hunting-magic and food-creation theories is that the animals that seem to have been diet staples of Old Stone Age peoples are not those most frequently portrayed. B Other sch
7、olars have sought to reconstruct an elaborate mythology based on the cave paintings, suggesting that Paleolithic humans believed they had animal ancestors. Still others have equated certain species with men and others with women and also found sexual symbolism in the abstract signs that sometimes ac
8、company the images. C Almost all of these theories have been discredited over time, and art historians must admit that no one knows the intent of these paintings. D In fact, a single explanation for all Paleolithic murals, even paintings similar in subject, style, and composition (how the motifs are
9、 arranged on the surface), is unlikely to apply universally. The works remain an enigma and always will because before the invention of writing, no contemporaneous explanations could be recorded. That the paintings did have meaning to the Paleolithic peoples who made and observed them cannot, howeve
10、r, be doubted. In fact, signs consisting of checks, dots, squares, or other arrangements of lines often accompany the pictures of animals. Representations of human hands are also common. At Pech-Merle in France, painted hands accompany representations of spotted horses. These and the majority of pai
11、nted hands at other sites are “negative,“ that is, the painter placed one hand against the wall and then brushed or blew or spat pigment around it. Occasionally, the painter dipped a hand in the pigment and then pressed it against the wall, leaving a “positive“ imprint. These handprints, too, must h
12、ave had a purpose. Some researchers have considered them “signatures“ of cult or community members or, less likely, of individual artists. But like everything else in Paleolithic art, their meaning is unknown. The mural (wall) paintings at Pech-Merle also allow some insight into the reason certain s
13、ubjects may have been chosen for a specific location. One of the horses may have been inspired by the rock formation in the wall surface resembling a horses head and neck. Old Stone Age painters and sculptors frequently and skillfully used the caves naturally irregular surfaces to help give the illu
14、sion of real presence to their forms. Altamira bison, for example, were painted over bulging rock surfaces. In fact, prehistorians have observed that bison and cattle appear almost exclusively on convex surfaces, whereas nearly all horses and hands are painted on concave surfaces. What this signifie
15、s has yet to be determined. 1 According to paragraph 1, the cave art was difficult to find because the artists ( A) were probably trying to keep their work a secret from their tribe ( B) could have begun their painting while they were confined in the caves ( C) may have chosen a location deep in the
16、 caves to hold ceremonies ( D) had to practice before they made images that more people could see 2 According to paragraph 1, Paleolithic people may have used cave art for all of the following purposes EXCEPT ( A) People may have danced in front of the images. ( B) Hunters could have used the figure
17、s for target practice. ( C) Leaders might have performed magical rituals in the caves. ( D) Animals may have been kept in the caves near the drawings. 3 The word access in the passage is closest in meaning to ( A) admission ( B) meaning ( C) site ( D) research 4 The word facilitate in the passage is
18、 closest in meaning to ( A) specify ( B) permit ( C) assist ( D) discover 5 The word those in the passage refers to ( A) peoples ( B) staples ( C) animals ( D) theories 6 The word discredited in the passage is closest in meaning to ( A) not attentive ( B) not believed ( C) not hopeful ( D) not organ
19、ized 7 Which of the sentences below best expresses the information in the highlighted statement in the passage? The other choices change the meaning or leave out important information. ( A) It is true that the paintings were meaningful to the Paleolithic peoples. ( B) Doubtless, the Paleolithic peop
20、les were the ones who made the paintings. ( C) There is no doubt about the meaning of the Paleolithic paintings. ( D) Paintings that had meaning for the Paleolithic peoples are doubtful. 8 The author explains the term “composition“ by ( A) giving an example ( B) providing a definition ( C) contrasti
21、ng it with motifs ( D) referring to art historians 9 According to paragraph 5, why did artists leave a positive imprint of their hands on cave paintings? ( A) It represents human beings in the cave paintings. ( B) It could have been a way for them to sign their work. ( C) It was a hunters handprint
22、among the herd of animals. ( D) It might have been a pleasing image without much meaning. 10 According to paragraph 6, why do scholars believe that the artists selected certain surfaces for their work? ( A) The stone was easy to carve because it was very soft. ( B) The animals in hunting grounds nea
23、rby provided inspiration. ( C) The artists used the natural formations to create realistic shapes. ( D) The location of the caves had a magical significance to them. 11 Which of the following statements most accurately reflects the authors opinion about the purpose of cave paintings? ( A) The cave p
24、aintings were part of a hunting ritual. ( B) Artists were honoring their animal ancestors in cave paintings. ( C) The exact purpose of cave paintings is not known. ( D) Decoration was probably the main reason for painting in caves. 12 Look at the four squares that show where the following sentence c
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- 外语类 试卷 托福 阅读 模拟 13 答案 解析 DOC
