[外语类试卷]大学英语四级模拟试卷49及答案与解析.doc
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1、大学英语四级模拟试卷 49及答案与解析 一、 Part I Writing (30 minutes) 1 For this part, you are allowed 30 minutes to write A Letter of Application. You should write at least 120 words according to the outline given below in Chinese: 1. 所修专业、学习成绩 2. 英语水平 3. 能 力及业余爱好 A Letter of Application 二、 Part II Reading Comprehens
2、ion (Skimming and Scanning) (15 minutes) Directions: In this part, you will have 15 minutes to go over the passage quickly and answer the questions attached to the passage. For questions 1-7, mark: Y (for YES) if the statement agrees with the information given in the passage; N (for NO) if the state
3、ment contradicts the information given in the passage; NG (for NOT GIVEN) if the information is not given in the passage. 2 How Jazz Began After slavery was abolished in 1863, those former slaves who were in and near New Orleans found themselves surrounded by many different kinds of music. Among the
4、 freed slaves, two very different types of music developed from the African rhythms that had formed the basis for the Negroes work songs. One line of musical development led to the creation of religious songs, which were called spirituals. The other produced songs that were not religious, but worldl
5、y; these songs were called blues. In the years following the end of the Civil War in 1865, a whole new musical world opened up to the freed Negroes. They have had musical instruments when they were slaves, but these were mostly stringed instruments. Now they were able to use professionally-made wind
6、 instruments. Many of these were horns that had been left behind by soldiers in the northern and southern armies. The freed slaves taught themselves to play these wind instruments, inventing their own methods of relating horn sounds to the sounds made by human voices. At first, they played the hymns
7、 and marches familiar to them. But these musicians were basically singers, and when they blew on the horns they tried to produce what they could hear “singing“ in their minds. Through these “singing horns“, the marches and hymns developed a rhythm they had never had before. The horns also gave the p
8、layers the addition of two “blue“ notesa flattened third and a flattened seventh. This was characteristic of Negro singing that became a basic characteristic of jazz. There was still another element contributing to the development of jazz. This was a kind of piano music which was called ragtime(拉格泰姆
9、音乐 ). In ragtime, the piano player keeps a steady beat with his left hand while his right hand changes the beat in unexpected ways. This produces an effect called syncopation(切分 )another characteristic of jazz. The first important jazz band was a group led by Buddy Bolden, a barber. In 1895 and 1896
10、 Bolden was known as the “King“ among New Orleans musicians. When Bolden played for outdoor dancing in a park, his playing was powerful enough to attract all the dancers from another park a block away. “Calling my children home“ was how Bold- en described this. For Boldens band and others that grew
11、up around it in New Orleans, each player could compose his music while he was playing it; the music was improvised(即兴创作 ), not written in advance. Usually there was no piano because these bands served many purposes: playing for dances at night, marching in daytime parades, playing for funerals or ri
12、ding around the city on wagons to advertise products. As a result, the piano in jazz developed in a separate line of its own until the 1920s. As the nineteenth century became the twentieth, Negro bands were being heard more and more on the streets of New Orleans. Included in the crowd of listeners w
13、ho followed them were black youngsters such as Louis Armstrong, The new music excited young white musicians, too, and soon there were white bands trying to copy this Negro style of playing. But the “blue“ tones that came so naturally to the Negroes were not easy for the white musicians. For them, th
14、e ragtime rhythms were easier than the curving roll of Negro music. The white musicians created the foundation for what is now called Dixieland jazz. At first, jazz was known as “good-time music“; it was mainly music for dancing. In New Orleans, and in other towns in the United Sates, jazz was most
15、often heard it sections of the town where “respectable“ citizens were not supposed to be seen. Thus, in New Orleans, this young style of music became popular during the first twenty years of the twentieth century in Storyville, a section of the city where streets were lined with dance halls and bars
16、, along with even less acceptable places for entertainment. In 1917, during Word War I, the bars and other establishments in Storyville were closed and jazz musicians began looking for other places to work. By then, some had already moved up the Mississippi River to Memphis, St, Louis, and Chicago,
17、working their way north on riverboats. Many of those boats carried dance hands made up of New Orleans musicians. Traveling with the bands was a broadening experience for the musicians, who were usually self-taught. Louis Armstrong, who had played without instruction before he traveled on a riverboat
18、, was taught to read music by a horn player on the S.S. Sidney. Most of the musicians who had left New Orleans wanted to go to Chicago. When the United States passed a law against selling alcoholic drinks in 1920, the unlawful sale of liquor became profitable for criminals in big cities. Despite the
19、 law, there were large restaurants in Chicago where people could buy alcoholic drinks and dance. Chicago had a free-and-easy atmosphere much like that of Storyvillle. It was in Chicago that Louis Armstrong became famous. By that time he began making records under his own name, in 1925, Armstrong was
20、 a star. His playing of a solowhile the others in the band remain silentwas the major event in every performance. While Armstrong was changing the nature of jazz in Chicago, other changes were developing in the northeastern part of the United States. Around Baltimore and Washington and New York and
21、Boston, the piano, which, had been left out of New Orleans jazz, was becoming important. The main figure in this period of jazz history was James P. Johnson, a pianist from New Jersey who played in Harlem, the largest Negro section of New York City. Johnson and others(including Duke Ellington from W
22、ashington) usually played at “rent parties“ in Harlem, where the money collected from listeners was used to pay the hosts rent. During this same period, white musicians in New York were playing music similar to Dixieland jazz. The Original Dixieland Jazz Band(or ODJB, as this band is usually known)
23、was a group of five New Orleans musicians who performed at Reisenwebers Restaurant in New York early in 1917. As a result of their success, the ODJB became the first jazz band to be beard on records throughout the United States. They set a style that continues to this day. Since the time of ODJB, ja
24、zz has continued to change and develop. Bands have grown in size. Some jazz bands have included musicians with university education; jazz has spread and become popular among all classes of people in the U.S.A. and abroad. During the 1930s, famous bands traveled in buses from town to town. Some settl
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- 外语类 试卷 大学 英语四 模拟 49 答案 解析 DOC
