【考研类试卷】考研英语(阅读)-试卷423及答案解析.doc
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1、考研英语(阅读)-试卷 423 及答案解析(总分:60.00,做题时间:90 分钟)一、Reading Comprehensio(总题数:10,分数:60.00)1.Section II Reading Comprehension_2.Part ADirections: Read the following four texts. Answer the questions below each text by choosing A, B, C or D._This history of responses to the work of the artist Sandro Botticelli(
2、1444 -1510) suggests that widespread appreciation by critics is a relatively recent phenomenon. Writing in 1550, Vasari expressed an unease with Botticellis work, admitting that the artist fitted awkwardly into his evolutionary scheme of the history of art. Over the next two centuries, academic art
3、historians defamed Botticelli in favor of his fellow Florentine, Michelangelo. Even when anti-academic art historians of the early nineteenth century rejected many of the standards of evaluation adopted by their predecessors, Botticellis work remained outside of accepted taste, pleasing neither amat
4、eur observers nor connoisseurs. (Many of his best paintings, however, remained hidden away in obscure churches and private homes. ) The primary reason for Botticellis unpopularity is not difficult to understand; most observers, up until the mid-nineteenth century, did not consider him to be notewort
5、hy, because his work, for the most part, did not seem to these observers to exhibit the traditional characteristics of fifteenth-century Florentineart. For example, Botticelli rarely employed the technique of strict perspective and, unlike Michelangelo, never used chiaroscuro. Another reason for Bot
6、ticellis unpopularity may have been that his attitude toward the style of classical art was very different from that of his contemporaries. Although he was thoroughly exposed to classical art, he showed little interest in borrowing from the classical style. Indeed, it is paradoxical that a painter o
7、f large-scale classical subjects adopted a style that was only slightly similar to that of classical art. In any case, when viewers began to examine more closely the relationship of Botticellis work to the tradition of fifteenth-century Florentine art, his reputation began to grow. Analyses and asse
8、ssments of Botticelli made between 1850 and 1870 by the artists of the Pre-Raphaelite movement, as well as by the writer Pater (although he, unfortunately, based his assessment on an incorrect analysis of Botticellis personality), inspired a new appreciation of Botticelli throughout the English-spea
9、king world. Yet Botticellis work, especially the Sistine frescoes, did not generate worldwide attention until it was finally subjected to a comprehensive and scrupulous analysis by Home in 1908. Home rightly demonstrated that the frescoes shared important features with paintings by other fifteenth-c
10、entury Florentinesfeatures such as skillful representation of anatomical proportions, and of the human figure in motion. However, Home argued that Botticelli did not treat these qualities as ends in themselvesrather, that he emphasized clear depletion of a story, a unique achievement and one that ma
11、de the traditional Florentine qualities less central. Because of Homes emphasis crucial to any study of art, the twentieth century has come to appreciate Botticellis achievements.(分数:10.00)(1).Which of the following would be the most appropriate title for the text?(分数:2.00)A.Botticellis Contribution
12、 to Florentine Art.B.Botticelli and the Traditions of Classical Art.C.Sandro Botticelli; From Defame to Appreciation.D.Botticelli and Michelangelo: A Study in Contrasts.(2).The author mentions the fact that many of Botticellis best painting were “ hidden away in obscure churches and private homes“ (
13、Para. 1) in order to_.(分数:2.00)A.indicate the difficulty of trying to determine what an artists best work isB.persuade the reader that an artists work should be available for general public viewingC.prove that academic art historians had succeeded in keeping Botticellis work from general public view
14、D.suggest a reason why, for a period of time, Botticellis work was not generally appreciated(3).The text suggests that Vasari would most probably have been more enthusiastic about Botticellis work if it_.(分数:2.00)A.had not revealed Botticellis inability to depict story clearlyB.had not seemed to Vas
15、ari to be so similar to classical artC.could have been appreciated by amateur viewers as well as by connoisseursD.could have been included more easily in Vasaris discussion of art history(4).According to the text, which of the following is an accurate statement about Botticellis relation to classica
16、l art?(分数:2.00)A.Botticelli more often made use of classical subjects matter than classical style.B.Botticellis interest in perspective led him to study classical art.C.Botticellis style does not share any similarities with classical art.D.Because he saw little classical art, Botticelli did not exhi
17、bit much interest in imitating it.(5).It can be inferred that the author of the text would be likely to find most beneficial a study of an artist that_.(分数:2.00)A.avoided placing the artist in an evolutionary scheme of the history of artB.analyzed the artists work in relation to the artists personal
18、ityC.analyzed the artists relationship to the style and subject matter of classical artD.analyzed the artists work in terms of both traditional characteristics and unique achievementsAs one of Haitis most famous musicians drives down the two-lane Delmas roadway in Port-au-Prince, scattered calls in
19、the street grow into a trembling chant in Haitian Creole (the language of Haiti) :“Pwezidan, Pwezidan“President, President. “ But the young men shouting the words are not calling to Wyclef Jean, who just announced he was running for President of Haiti. They were greeting Michel “Sweet Micky“ Martell
20、y, the bad boy of the Haitian musical genre kompa who just happens to want to be the countrys President too. Better known for the eyebrow-raising lyrics and his ability to rouse even the most conservative of Haitian elites to dance on top of tables, Martelly, 49, dressed in a suit on Thursday to sub
21、mit his paperwork to run for President on the ticket of his party Repons Peyizan, or Countrymens Response. He acknowledges that comparisons will be made between himself and Jean. But Martelly says despite being opponents for the presidency, he and Jean are friends. Martelly appeared on Jeans first s
22、olo album The Carnival in 1997. But Martelly jokes,“Hes global and Im local. “ And he says what sets him apart from the rest of the presidential fieldhis friend includedis the Haitian peoples true affinity for him. “You need to be loved by the people, cherished by them, trusted by them,“ Martelly sa
23、ys, shifting fluidly from Creole to English to French. “Im not running to be President. Im running to be the citizen who changes things. I want to be the inspirateur“the inspirer. Martelly never falls short of inspiring attention. On the road to submit his paperwork, his car passes a mob of Jean sup
24、porters. But after honking his blaring car horn, the crowd quickly recognizes Martelly and changes directions. The group starts pouncing on Martellys car chanting, “We will die with you,“ perhaps a sign of Haitis fickle voter. Half the population of about 9 million is under 25. “I will follow whoeve
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