[外语类试卷]专业英语八级(阅读)模拟试卷92及答案与解析.doc
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1、专业英语八级(阅读)模拟试卷 92及答案与解析 SECTION A MULTIPLE-CHOICE QUESTIONS In this section there are several passages followed by fourteen multiple-choice questions. For each multiple-choice question, there are four suggested answers marked A , B, C and D. Choose the one that you think is the best answer. 0 (1)Its
2、 hard to miss them: the epitome of casual “geek chic“ and organized within the warranty of their Palm Pilots, they sip labor-intensive caf6 lattes, chat on sleek cell phones and ponder the road to enlightenment. In the US they worry about the environment as they drive their gas-guzzling sports utili
3、ty vehicles to emporiums of haute design to buy a $50 titanium spatula; they think about their tech stocks as they explore specialty shops for Tibetan artifacts in Everest-worthy hiking boots. They think nothing of laying out $5 for a wheat grass muff, much less $500 for some alternative rejuvenatio
4、n at the day-spa but dont talk about raising their taxes. (2)They are “Bourgeois Bohemians“ or “Bobos“ and theyre the new “enlightened elite“ of the information age, their lucratively busy lives a seeming synthesis of comfort and conscience, corporate success and creative rebellion. Well-educated th
5、irty-to-forty something, they have forged a new social ethos from a logic-defying fusion of 1960s counter-culture and 1980s entrepreneurial materialism. (3)Combining the free-spirited, artistic rebelliousness of the Bohemian beatnik or hippie with the worldly ambitions of their bourgeois corporate f
6、orefathers, the Bobo is a comfortable contortion of caring capitalism. “Its not about making money; its about doing something you love. Life should be an extended hobby. Its all about working for a company as cool as you are.“ (4)It is a world inhabited by dotcom millionaires, management consultants
7、, “culture industry“ entrepreneurs and all manner of media folk, most earning upwards of $100,000 a year their money an incidental byproduct of their maverick mores, the kind of money they happen to earn while they are pursuing their creative vision. Often sporting such unconventional job titles as
8、“creative paradox“, “corporate jester“ or “learning person“, Bobos work with a monk-like self-discipline because they view their jobs as intellectual, even spiritual. It is a reverse the Midas touch: everything a Bobo touches turns to spirituality, everything has to be about enlightenment. Even thei
9、r jobs are a mission to improve the world. (5)It is now impossible to tell an espresso-sipping artist from a cappuccino-gulping banker, but it isnt just a matter of style. If you investigate peoples attitudes towards sex, morality, leisure time and work, it is getting harder and harder to separate t
10、he anti-establishment renegade from the pro-establishment company man. Most people seemed to have rebel attitudes and social-climbing attitudes all scrambled together. (6)These Bobos are just normal middle-class people who are living out a protracted adolescence. Their political interests are either
11、 “intensely close and personal“(abortion or gun control), or very remote(the rainforests, Tibet or Third World poverty). But they will most likely express their conscience in their consumerism, relieved to be helping someone somewhere by collecting the hand-carved artifacts of distant cultures. (7)M
12、otivated by spiritual participation, but cautious of moral crusades and religious enthusiasms, they tolerate a little lifestyle experimentation, so long as it is done safely and moderately. They are offended by concrete wrongs, such as cruelty and racial injustice, but are relatively unmoved by lies
13、 or transgressions that dont seem to do anyone any obvious harm. (8)It is an elite mat has been raised to oppose elites. They are by instinct anti-establishmentarian, yet in some sense they have become a new establishment. They are prosperous without seeming greedy; they have pleased their elders, w
14、ithout seeming conformists; they have risen toward the top without too obviously looking down on those below. 1 Bobos do all of the following EXCEPT _. ( A) buying stylish mobile phones ( B) relying on new technologies to get organized ( C) driving battery-powered utility vehicles ( D) worrying abou
15、t environmental issues 2 One of the characteristics of Bobos is that _. ( A) they pursue a life of comfort and peace ( B) they may make conscientious decisions ( C) they lack the incentive to work harder ( D) they have abandoned traditional morality 3 Which of the following groups is NOT mentioned a
16、s Bobos? ( A) People in favor of tradition. ( B) American middle-class people. ( C) Anti-conventionalists. ( D) Stubborn corporate managers. 3 (1)“Masterpieces are dumb.“ wrote Flaubert. “They have a tranquil aspect like the very products of nature, like large animals and mountains.“ He might have b
17、een thinking of War and Peace, that vast, silent work, unfathomable and simple, provoking endless questions through the majesty of its being. Tolstoys simplicity is “overpowering,“ says the critic Bayley, “disconcerting,“ because it comes from “his casual assumption that the world is as he sees it“;
18、 like other 19th century Russian writers he is “impressive“ because he “means what he says.“ But he stands apart from all others and from most Western writers in his identity with life, which is so complete as to make us forget he is an artist. He is the center of his work, but his egocentricity is
19、of a special kind. “Goethe, for example,“ says Bayley, “cared for nothing but himself.“ Tolstoy was nothing but himself. (2)For all his varied modes of writing and the multiplicity of characters in his fiction, Tolstoy and his work are of a piece. The famous “conversion“ of his middle years, movingl
20、y recounted in his Confession, was a culmination of his early spiritual life, not a departure from it. The apparently fundamental changes that led from epic narrative to dogmatic parable, from a joyous, buoyant attitude toward life to pessimism and cynicism, from War and Peace to The Kreutzer Sonata
21、, came from the same restless, impressionable depths of an independent spirit yearning to get at the truth of its experience. “Truth is my hero.“ wrote Tolstoy in his youth, reporting the fighting in Sebastopol. Truth remained his hero his own, not others truth. Others were awed by Napoleon, believe
22、d that a single man could change the destinies of nations, adhered to meaningless rituals, formed their tastes on established canons of art. Tolstoy reversed all preconceptions, and in every reversal he overthrew the “system“, the “machine“, the externally ordained belief, the conventional behavior
23、in favor of unsystematic, impulsive life, of inward motivation and the solutions of independent thought. (3)In his work the artificial and genuine are always exhibited in dramatic opposition: the supposedly great Napoleon and the truly great, unregarded little Captain Tushin, or Nicholas Rostovs act
24、ual experience in battle and his later account for it. The simple is always pitted against the elaborate. Knowledge gained from observation against assertions of borrowed faiths. Tolstoys magical simplicity is a produce of these tensions; his work is a record of the questions he put to himself and o
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