[外语类试卷]专业英语八级模拟试卷625及答案与解析.doc
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1、专业英语八级模拟试卷 625及答案与解析 SECTION A MINI-LECTURE Directions: In this section you sill hear a mini-lecture. You will hear the lecture ONCE ONLY. While listening, take notes on the important points. Your notes will not be marked, but you will need them to complete a gap-filling task after the mini-lecture.
2、 When the lecture is over, you will be given two minutes to check your notes, and another ten minutes to complete the gap-filling task on ANSWER SHEET ONE. Use the blank sheet for note-taking. 0 The Journey of Self Improvement I. Phases of the journey of self improvement A. The first phase: relying
3、on【 B1】 _, speakers, or tapes【 B1】 _ to tell you: 1)You can do it 2)Everything you need is【 B2】 _ of you【 B2】 _ This is the basis for all self improvement Everything hangs upon that simple fact B. The second phase: absorbing knowledge【 B3】 _【 B3】 _ 1)Starting to look for ways to achieve your goals G
4、aining knowledge on【 B4】 _, visualization,【 B4】 _ goal setting etc. Each discovered method is effective only for a while 2)Feeling overwhelmed with【 B5】 _【 B5】 _ There is so much to learn but so little time There seems to be so many keys to success C. The third phase: putting the pieces of the puzzl
5、e【 B6】 _【 B6】 _ 1)Realizing that your way of thinking is linked to your power to shape reality. 2)Realizing that your beliefs were acting like【 B7】 _【 B7】 _ D. The fourth phase: realizing a natural process to achievement 1)The cycle completes full circle You come back to the first phase But this tim
6、e you are conscious of it 2)Your【 B8】 _ of this point reaches a deeper level【 B8】 _ that you couldnt feel before because you are not hindered by formula you are【 B9】 _ by nature in its simplicity【 B9】 _ II. Advice A. Starting to see how everything fits together B. Realizing that there is no one key
7、to【 B10】 _【 B10】 _ 1 【 B1】 2 【 B2】 3 【 B3】 4 【 B4】 5 【 B5】 6 【 B6】 7 【 B7】 8 【 B8】 9 【 B9】 10 【 B10】 SECTION B INTERVIEW Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. Questions 1 to 5 are based on an interview. At the end
8、of the interview you will be given 10 seconds to answer each of the following five questions. Now listen to the interview. 11 The following cannot be sent for recorded delivery EXCEPT _. ( A) parcels ( B) airway parcels ( C) mail for the Irish Republic ( D) documents of little monetary value 12 Whic
9、h of the following is NOT TRUE of recorded delivery? ( A) It is signed for by the recipient. ( B) A record of the delivery is kept by the post office. ( C) The post office undertakes to deliver it to the addressee in person. ( D) Recorded delivery mail is carried with the ordinary unregistered post.
10、 13 Which of the following entitles a person to compensation for loss according to Susan? ( A) Unregistered mail. ( B) Recorded delivery. ( C) Registered delivery. ( D) Urgent mail. 14 What can be seht by registered mail? ( A) A first-class letter. ( B) Urgent mail. ( C) A railway letter. ( D) An ai
11、rway packet. 15 Compensation will not be paid for the following EXCEPT _. ( A) coupons ( B) bank notes ( C) trading stamps ( D) packets SECTION C NEWS BROADCAST Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. At the end of e
12、ach news item, you will be given 10 seconds to answer the questions. 16 What did he and his wife do in the 1960s and 70s? ( A) They danced in a group. ( B) They played instruments together. ( C) They sang rock-and-roll together. ( D) They sang folk song together. 17 At what age did he die? ( A) 62.
13、( B) 52. ( C) 42. ( D) 32. 18 Joseph Machlis says that the blues is a native American musical and verse form, with no direct European and African antecedents of which we know. In other words, it is a blending of both traditions. Something special and entirely different from either of its parent trad
14、itions. (Although Alan Lomax cites some examples of very similar songs having been found in Northwest Africa, particularly among the Wolof and Watusi) The word blue has been associated with the idea of melancholia or depression since the Elizabethan era. The American writer, Washington Irving is cre
15、dited with coining the term the blues, as it is now defined, in 1807. The earlier (almost entirely Negro) history of the blues musical tradition is traced through oral tradition as far back as the 1860s. When African and European music first began to merge to create what eventually became the blues,
16、 the slaves sang songs filled with words telling of their extreme suffering and privation. One of the many responses to their oppressive environment resulted in the field holler. The field holler gave rise to the spiritual, and the blues, “notable among all human works of art for their profound desp
17、air. They gave voice to the mood of alienation and anomie that prevailed in the construction camps of the South,“ for it was in the Mississippi Delta that blacks were often forcibly conscripted to work on the levee and land-clearing crews, where they were often abused and then tossed aside or worked
18、 to death. Alan Lore, ax states that the blues tradition was considered to be a masculine discipline (although some of the first blues songs heard by whites were sung by lady blues singers like Mamie Smith and Bessie Smith) and not many black women were to be found singing the blues in the juke-join
19、ts. The Southern prisons also contributed considerably to the blues tradition through work songs and the songs of death row and murder, prostitutes, the warden, the hot sun, and a hundred other privations. The prison road crews and work gangs where were many bluesmen found their songs, and where man
20、y other blacks simply became familiar with the same songs. Following the Civil War (according to Rolling Stone), the blues arose as “a distillate of the African music brought over by slaves. Field hollers, ballads, church music and rhythmic dance tunes called jump-ups evolved into a music for a sing
21、er who would engage in call-and-response with his guitar. He would sing a line, and the guitar would answer it.“ By the 1890s the blues were sung in many of the rural areas of the South. And by 1910, the word blues as applied to the musical tradition was in fairly common use. Some bluesologists clai
22、m (rather dubiously) that the first blues song that was ever written down was Dallas Blues, published in 1912 by Hart Wand, a white violinist from Oklahoma City. The blues form was first popularized about 1911-14 by the black composer W.C. Handy (1873-1958). However, the poetic and musical form of t
23、he blues first crystallized around 1910 and gained popularity through the publication of Handys “Memphis Blues“ (1912) and “St. Louis Blues“ (1914). Instrumental blues had been recorded as early as 1913. Mantle Smith recorded the first vocal blues song, Crazy Blues in 1920. Priestly claims that whil
24、e the widespread popularity of the blues had a vital influence on subsequent jazz, it was the “initial popularity of jazz which had made possible the recording of blues in the first place, and thus made possible the absorption of blues into both jazz as well as the mainstream of pop music.“ American
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