[外语类试卷]2016年专业英语八级真题试卷及答案与解析.doc
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1、2016年专业英语八级真题试卷及答案与解析 SECTION A MINI-LECTURE In this section you will hear a mini-lecture. You will hear the mini-lecture ONCE ONLY. While listening to the mini-lecture, please complete the gap-filling task on ANSWER SHEET ONE and write NO MORE THAN THREE WORDS for each gap. Make sure the word(s) yo
2、u fill in is (are) both grammatically and semantically acceptable. You may use the blank sheet for note-taking. You have THIRTY seconds to preview the gap-filling task. 0 Models for Arguments I. Three models for arguments A. the first model for arguing is called【 T1】 _: 【 T1】 _ arguments are treated
3、 as war there is much winning and losing it is a【 T2】 _model for arguing【 T2】 _ B. the second model for arguing is arguments as proofs: warranted【 T3】 _【 T3】 _ valid inferences and conclusions no【 T4】 _in the adversarial sense【 T4】 _ C. the third model for arguing is【 T5】 _: 【 T5】 _ the audience is【
4、 T6】 _in the argument【 T6】 _ arguments must【 T7】 _the audience【 T7】 _ II. Traits of the argument as war A. very dominant: it can shape【 T8】 _【 T8】 _ B. strong arguments are needed C. negative effects include: 【 T9】 _are emphasized【 T9】 _ winning is the only purpose this type of arguments prevent【 T1
5、0】 _【 T10】 _ the worst thing is【 T11】 _【 T11】 _ D. implication from arguments as war: 【 T12】 _【 T12】 _ e. g. , one providing reasons and the other raising【 T13】 _【 T13】 _ the other one is finally persuaded III. Suggestions on new ways to【 T14】 _of arguments【 T14】 _ A. think of new kinds of arguments
6、 B. change roles in arguments C.【 T15】 _【 T15】 _ 1 【 T1】 2 【 T2】 3 【 T3】 4 【 T4】 5 【 T5】 6 【 T6】 7 【 T7】 8 【 T8】 9 【 T9】 10 【 T10】 11 【 T11】 12 【 T12】 13 【 T13】 14 【 T14】 15 【 T15】 SECTION B INTERVIEW In this section you will hear ONE interview. The interview will be divided into TWO parts. At the e
7、nd of each part, five questions will be asked about what was said. Both the interview and the questions will be spoken ONCE ONLY. After each question there will be a ten-second pause. During the pause, you should read the four choices of A , B , C and D , and mark the best answer to each question on
8、 ANSWER SHEET TWO. You have THIRTY seconds to preview the questions. ( A) Maggies university life. ( B) Her moms life at Harvard. ( C) Maggies view on studying with Mom. ( D) Maggies opinion on her moms major. ( A) They take exams in the same weeks. ( B) They have similar lecture notes. ( C) They ap
9、ply for the same internship. ( D) They follow the same fashion. ( A) Having roommates. ( B) Practicing court trials. ( C) Studying together. ( D) Taking notes by hand. ( A) Protection. ( B) Imagination. ( C) Excitement. ( D) Encouragement. ( A) Thinking of ways to comfort Mom. ( B) Occasional interf
10、erence from Mom. ( C) Untimely calls when Maggie is busy. ( D) Frequent check on Maggies grades. ( A) Because parents need to be ready for new jobs. ( B) Because parents love to return to college. ( C) Because kids require their parents to do so. ( D) Because kids find it hard to adapt to college li
11、fe. ( A) Real estate agent. ( B) Financier. ( C) Lawyer. ( D) Teacher. ( A) Delighted. ( B) Excited. ( C) Bored. ( D) Frustrated. ( A) How to make a cake. ( B) How to make omelets. ( C) To accept what is taught. ( D) To plan a future career. ( A) Unsuccessful. ( B) Gradual. ( C) Frustrating. ( D) Pa
12、ssionate. SECTION A MULTIPLE-CHOICE QUESTIONS In this section there are several passages followed by fourteen multiple-choice questions. For each multiple-choice question, there are four suggested answers marked A , B, C and D. Choose the one that you think is the best answer. 25 (1)There was music
13、from my neighbors house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft or taking the sun on the hot sand of his beach whi
14、le his two motor-boats slit the waters of the Sound, drawing aquaplanes(滑水板 )over cataracts of foam. On weekends Mr. Gatsbys Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow b
15、ug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with scrubbing-brushes and hammer and garden-shears, repairing the ravages of the night before. (2)Every Friday five crates of oranges and lemons arrived from a fruiterer in New Yorkevery Monday these s
16、ame oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butlers thumb. (3)At least once a fortnight a corps of caterers cam
17、e down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsbys enormous garden. On buffet tables, garnished with glistening hors-doeuvre(冷盘 ), spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold.
18、 In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials(加香甜酒 )so long forgotten that most of his female guests were too young to know one from another. (4)By seven oclock the orchestra has arrivedno thin five-piece affair, but a whole pitful of
19、oboes and trombones and saxophones and viols and cornets and piccolos and low and high drums. The last swimmers have come in from the beach now and are dressing upstairs: the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary co
20、lors and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside until the air is alive with chatter and laughter and casual innuendo and introductions forgotten on the spot and enthusiastic meeti
21、ngs between women who never knew each others names. (5)The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier, minute by minute, spilled with prodigality, tipped out at
22、a cheerful word. (6)The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp joyous moment the centre of a group, and then, excited with tr
23、iumph, glide on through the sea-change of faces and voices and color under the constantly changing light. (7)Suddenly one of the gypsies in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A moment
24、ary hush: the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Grays understudy from the Follies. The party has begun. (8)I believe that on the first night I went to Gatsbys house I was one of the few guests wh
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