ANSI ESTA E1.19-2015 Recommended Practice for the use of Class A Ground-Fault Circuit Interrupters (GFCIs) intended for personnel protection in the Entertainment Industry (Formerly.pdf
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1、 ANSI E1.19 - 2015 Recommended Practice for the use of Class A Ground-Fault Circuit Interrupters (GFCIs) intended for personnel protection in the Entertainment Industry EP/2001-7012r19 This standard was approved as an American National Standard by ANSIs Board of Standards Review on 11 February 2015.
2、 This standard was originally published when the Entertainment Services and Technology Association was operating under the name of PLASA North America. ESTA has reverted to its original name, and this document has been rebranded with the current corporate name and logo. No changes have been made to
3、the contents of the standard. 2017 ESTA ANSI E1.19 2015 EP/2001-7012r19 This page intentionally left blank 2017 ESTA i ANSI E1.19 2015 EP/2001-7012r19 NOTICE and DISCLAIMER ESTA does not approve, inspect, or certify any installations, procedures, equipment or materials for compliance with codes, rec
4、ommended practices or standards. Compliance with a ESTA standard or an American National Standard developed by ESTA is the sole and exclusive responsibility of the manufacturer or provider and is entirely within their control and discretion. Any markings, identification or other claims of compliance
5、 do not constitute certification or approval of any type or nature whatsoever by ESTA. ESTA neither guarantees nor warrants the accuracy or completeness of any information published herein and disclaims liability for any personal injury, property or other damage or injury of any nature whatsoever, w
6、hether special, indirect, consequential or compensatory, directly or indirectly resulting from the publication, use of, or reliance on this document. In issuing and distributing this document, ESTA does not either (a) undertake to render professional or other services for or on behalf of any person
7、or entity, or (b) undertake any duty to any person or entity with respect to this document or its contents. Anyone using this document should rely on his or her own independent judgment or, as appropriate, seek the advice of a competent professional in determining the exercise of reasonable care in
8、any given circumstance. Published by: Entertainment Services and Technology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA Phone: 1-212-244-1505 Fax: 1-212-244-1502 standardsesta.org 2017 ESTA ii ANSI E1.19 2015 EP/2001-7012r19 The ESTA Technical Standards Program The ESTA Technical
9、Standards Program was created to serve the ESTA membership and the entertainment industry in technical standards related matters. The goal of the Program is to take a leading role regarding technology within the entertainment industry by creating recommended practices and standards, monitoring stand
10、ards issues around the world on behalf of our members, and improving communications and safety within the industry. ESTA works closely with the technical standards efforts of other organizations within our industry as well as representing the interests of ESTA members to ANSI, UL, and the NFPA. The
11、Technical Standards Program is accredited by the American National Standards Institute. The Technical Standards Council (TSC) was established to oversee and coordinate the Technical Standards Program. Made up of individuals experienced in standards-making work from throughout our industry, the Counc
12、il approves all projects undertaken and assigns them to the appropriate working group. The Technical Standards Council employs a Technical Standards Manager to coordinate the work of the Council and its working groups as well as maintain a “Standards Watch” on behalf of members. Working groups inclu
13、de: Control Protocols, Electrical Power, Event Safety, Floors, Fog and Smoke, Followspot Position, Photometrics, Rigging, and Stage Lifts. ESTA encourages active participation in the Technical Standards Program. There are several ways to become involved. If you would like to become a member of an ex
14、isting working group, as have over four hundred people, you must complete an application which is available from the ESTA office. Your application is subject to approval by the working group and you will be required to actively participate in the work of the group. This includes responding to letter
15、 ballots and attending meetings. Membership in ESTA is not a requirement. You can also become involved by requesting that the TSC develop a standard or a recommended practice in an area of concern to you. The Electrical Power Working Group, which authored this Standard, consists of a cross section o
16、f entertainment industry professionals representing a diversity of interests. ESTA is committed to developing consensus-based standards and recommended practices in an open setting. 2017 ESTA iii ANSI E1.19 2015 EP/2001-7012r19 The Technical Standard Program (TSP) is financially supported by ESTA an
17、d by companies and individuals who make undirected donations to the TSP. Contributing companies and individuals who have helped fund the TSP are recognized as “Investors in Innovation.” The Investors in Innovation for the twelve months prior to this standard being published on 28 January 2015 includ
18、e these companies and individuals: VISIONARY ($10,000 AND UP) LDI ProSight Specialty Insurance United States Institute for Theatre Technology INNOVATOR ($3,000 - $9,999) Barbizon Electric ETC Mountain Productions Inc. DEVELOPER ($1,000 - $2,999) Candela Controls Inc Jahn Hardison Stage Equipment ABT
19、T; P; G James Davey; AC Power Distribution Inc.; P; CP George Long; Aggreko Event Services; Aggreko; P; DR Nathan Leonard; Bender Group; Bender GmbH P; MP Stephen (Steve) Brock; Bender ET Inc.; Bender GmbH A; MP Torsten Gruhn; Bender Inc.; Bender GmbH A; MP Matthew Antonucci; Contract Services Admin
20、stration Trust Fund; P; U Larry Schoeneman; DesignLab Chicago, Inc.; P; DR Casey Diers; DesignLab Chicago, Inc.; A; DR Don Earl; Earl Girls, Inc.; P; DR Steve Terry; Electronic Theatre Controls, Inc.; P; MP Elizabeth E. (Lizz) Pittsley; I; U Art Wanuch; Entertainment Electrical Safety Committee of O
21、ntario; P; G Rodger Dean; R. Dean Lighting Limited; Entertainment Electrical Safety Committee of Ontario; A; G Ian Foulds; IATSE Local 873; Entertainment Electrical Safety Committee of Ontario; A; G Ed Garstkiewicz; Harting Inc., North America; Harting KGAA; P; G Howard Forryan; Harting Ltd. ; Harti
22、ng KGAA; A; G Edwin S. Kramer; I.A.T.S.E. Local 1; P; U Roger Lattin; I.A.T.S.E. Local 728; P; U Patric J. Abaravich; I.A.T.S.E. Local 728; A; U R. Bruce Prochal; I.A.T.S.E. Local 728; A; U Alan M. Rowe; I.A.T.S.E. Local 728; A; U Keith S. Woods; Lakhri Impressions Ltd.; IATSE Local 891; P; U Justin
23、 Bennett; I; U Ken Vannice; I; G Tyrone Mellon_Jr.; Lex Products Corp.; P; CP Bob Luther; Lex Products Corp.; A; CP Brian Eustace; Mole-Richardson Co.; P; CP Michael G. Davis ; Mole-Richardson Co.; A; CP Gregory Quinkert; Motion Laboratories; P; MP Michael Lay; Philips Color Kinetics; Royal Philips;
24、 P; MP Nehad El-Sherif; Littelfuse; Startco; P; MP Jerry Gorrell; Theatre Safety Programs; P; U Mitch Hefter; USITT; P; U Observer members: Greg Mayberry; AC Power Distribution Inc.; O; CP Richard Cadena; Academy of Production Technology; O; G Kenny Delahoussaye; Aggreko; O; DR Mike Skinner; CBS Stu
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