大学英语六级230及答案解析.doc
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1、大学英语六级 230 及答案解析(总分:428.04,做题时间:132 分钟)一、Part I Writing (3(总题数:1,分数:30.00)1.For this part, you are. allowed 30 minutes to write a letter of apology. You should write at least 150 words, and base your composition on the outline given below in Chinese: 1. 表达自己对晚交论文一事的歉意。 2说明未能按时交论文的原因。 3表示自己将尽快把论文补交上交
2、表示以后将按时交作业。 (分数:30.00)_二、Part II Reading C(总题数:1,分数:71.00)Bored for years Do you hate your life? No, not quite. Are you rather disappointed that you cant be doing something more interesting or entertaining? Yes, definitely. If you are in such a state of mind, you are suffering from boredom. Accordin
3、g to an online dictionary, the definition of boredom is “the feeling of being bored by something tedious“. Although almost all of us sometimes suffer from boredom, but hardly anyone begin to think about the old problem from a philosophical point of view except Lars Svendsen. Lars Svendsen was bored.
4、 The 28-year-old Norwegian philosopher found himself with nothing to do one day. Other people might phone a friend or go to a movie. Being a philosopher, Svendsen began to get interested in boredom where it comes from, why it happens and what role it plays in our lives. The results are now in his bo
5、ok, the “Philosophy of Boredom“. Although boredom is something that we have all suffered from at some point in our lives, and has become one of the central preoccupations of our age, very few of us can explain precisely what it is. In this book Lars Svendsen examines the nature of boredom, how it or
6、iginated, its history, how and why it afflicts us, and why we cannot seem to overcome it by any act of will. Lets look at some of the book reviews: “This book discusses boredom firmly placed within specific historical and geographical bounds; all examples presented come from a Western tradition, bro
7、adly speaking. To name but a few of the philosophers analysed, the range spans from Aristotle and Seneca, via Pascal, to Kant, Hegel, Schopenhauer and Nietzsche, and on to Benjamin, Heidegger, Habermas and Adorno. It relies extensively on examples from European and U.S. literature spanning a wide hi
8、storical breadth, from Paul the Apostle to Holderlin and Mann, from Dostoevsky, Beckett, and Pessoa to American Psycho (Andy Warhol, Iggy Pop, and the movie Crash are also mentioned). In short, this book is firmly about Western boredom. In this, it is not alone. What makes it special is its focus on
9、 the philosophical understanding of boredom as a problem of modernity .What can a book on the philosophy of boredom contribute to anthropology? This book presents both a philosophy and a history of the concept of boredom in the West-excellent reference points for the anthropologist interested in bor
10、edom. The book is divided into four parts. The first is concerned with The Problem of Boredom, looking at typologies of boredom, and the associations between boredom and a number of related issues: meaning, modernity, work, leisure, novelty, and death. The second part, Stories of Boredom, covers bor
11、edom as dealt with in literature (and film), from pre-modern forms such as acedia, via Boredom, Body, Technology and Transgression, to Andy Warhols renunciation of personal meaning. The third part, The Phenomenology of Boredom, is a careful outline and a convincing critique of Heideggers understandi
12、ng of boredom. Lastly, part four, The Ethics of Boredom, examines boredoms own moral. Throughout, the book considers contemporary boredom from a number of different angles but always as linked to moderity through developments set in train during Romanticism .Svendsen ponders the significance of chil
13、dhood and youth being fairly recent social constructs and the effects on a society that emphasises youth over maturity. Arguing that the Western self is inextricably linked to ideals of Romanticism, he says “we are suspended somewhere between childhood and maturity, in an eternal adolescence and ado
14、lescence is stuffed with boredom. This is one explanation for the ubiquity of boredom in modern life I have not come across before, and one giving food for thought and inviting anthropological investigations of ideas of personhood and ideas of boredom.“ When people are bored time seems to stretch ou
15、t endlessly. In fact, the first recorded use of the word in English or any other European language was in the year 1760. Westerners have been bored for exactly 245 years. The word “interesting“ was first used around the same time. The date is significant because it connects the beginning of boredom
16、with the start of the Industrial Revolution in Europe. Before then, it seems that life was neither interesting nor boring. Life was just life. The peasant thought of himself as part of the countryside. The craftsman worked from home, mixing his occupation with his family and friends. Many thousands
17、of people were just struggling to stay alive. It was in 1764 that James Hargreaves invented the spinning jenny and James Watt invented the steam engine. These two revolutionary machines tore the peasant from his creative self-sufficiency and substituted machine-work for handiwork. When Europe began
18、to modernize, this arrangement changed. The invention of new machines and processes made it more efficient to organize work as something separate. The long, boring day at the office or factory began. This also meant that time was created when people had nothing to do. This also became known as leisu
19、re time. Industries came into being that created products and services with which people could fill the space in their lives using the money they had earned doing boring work. Work in the 19th century duly became unbelievably boring and tedious, and has remained so ever since. Modern consumerism pro
20、vides an arsenal of weapons to alleviate boredom. The rise of individualism also helps to create the sense of boredom. In the past, people felt that their happiness was linked with the well being of the community. In the modern age, people feel that they have a right to be entertained. They have bee
21、n working all day in boring jobs and want some fun. This seemed to have separated entertainment form work. It is also interesting to learn that the concept of “interesting“ emerged at roughly the same time. Before 1760, we neither classified things as being “boring“ nor “interesting“. Perhaps the co
22、ncept of individualism was not sufficiently developed for man to presume to judge one way or the other. Things and people are interesting because they are different from other people and things. But there are millions of people who want entertainment. It is not possible to write a book or make a fil
23、m that suits every individual. Instead, we have books, films and other entertainment products that are the same for everyone. And this standardization contributes to the idea that life is boring. We run away from boredom, but it always seems to catch up. Svendsen thinks we should stop running. “Bein
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