[考研类试卷]考研英语(阅读)模拟试卷58及答案与解析.doc
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1、考研英语(阅读)模拟试卷 58 及答案与解析Part ADirections: Read the following four texts. Answer the questions below each text by choosing A, B, C or D. (40 points)0 Hostess Brands is not dead just yet, but the prospects for the companys survival are now dim at best. Hostesswhich still makes iconic food products like
2、Twinkies and Ding Dongsfiled for bankruptcy back in January for the second time in eight years, in an attempt to get out from under a pile of debt and labor obligations. But last week, after Hostess put in place a contract that the bakers union said would end up cutting wages and benefits between tw
3、enty-seven and thirty-two per cent, that union went on strike. Hostess claims the strike has irreparably damaged production and made it impossible for it to continue operating. As a result, on Friday the company asked a bankruptcy judge to allow it to liquidate the company.Management, of course, bla
4、mes the companys demise on the greedy, unreasonable unions. But, while the strike may well have sent Hostess over the edge, the hard truth is that it probably should have gone out of business a long time ago. The company has been steadily losing money, and market share, for years. And its core probl
5、em has not been excessively high compensation costs or pension contributions. Its core problem has been that the market for its products changed, but it did not. The simple truth is that this kind of failure is regularly found in the creative destruction process.The problem, of course, is that that
6、destruction is going to make the lives of thousands of workers upside down. And to the extent, then, that Hostesss demise shows us something important about the plight of organized labor today, its not that greedy workers have brought on their own demise. Its rather that one of organized labors bigg
7、est challenges over the past four decades has been that union strength was concentrated in industries and among companies that, though once dominant players in the postwar American economy, have often ended up in a slow slide to obsolescence, employing fewer and fewer workers and having less and les
8、s money to pay them with.The real issue here is that peoples image of unions, and their sense that doing something like going on strike is legitimate, seems to depend quite a bit, in the U. S. , on how common unions are in the workforce. When organized labor represented more than a third of American
9、 workers, it was easy for unions to send the message that in agitating for their own interests, union members were also helping improve conditions for workers in general. But as unions have shrunk, and have become increasingly concentrated in the public sector, its become easier for people to dismis
10、s them as just another special interest, looking to hold onto perks that no one else gets. It was once taken for granted that an industrial worker who worked for a big company for many years would get a solid middle-class lifestyle, and would be taken care of in retirement. Today, that concept seems
11、 to many like a relic.1 It can be learned that_.(A)the future is still bright for Hostesss iconic brands(B) Hostess filed for bankruptcy with debts that far outweigh its assets(C) the bakers union is an immediate trigger for Hostesss death(D)Hostess secured a bankruptcy judges permission to go out o
12、f business2 According to Paragraph Hostesss demise is brought on by_.(A)its greedy union members(B) its financial-management problems(C) its increasing labor costs(D)its lack of market consciousness3 In the authors view, Hostesss demise tells us about_.(A)the ends of greedy unionized workers(B) the
13、weakening of union strength(C) the stagnation of American economy(D)once-dominant businesses4 Its implied in the last paragraph that unions used to_.(A)fight for a lot for workers in general(B) care much for their own interests(C) share common interests with workers in general(D)commit themselves to
14、 building the middle class5 The last sentence “that concept seems to many like a relic“ means that_.(A)peoples image of unions is outdated(B) activities like going on strike are unjustifiable(C) unions are no longer popular in U. S.(D)security of retired workers is not guaranteed5 So thats what a di
15、gital revolt looks like. A million-and-a-half emails and almost 90,000 phone calls to US Congress. Public complaints from Google and Facebook. Even a few thousand old-fashioned letters to the US House of Representatives. This internet anger, marshalled under the banner of American Censorship Day on
16、16 November, came in opposition to the proposed Stop Online Piracy Act(SOPA), legislation aimed at tackling the online trade in copyrighted movies and music. Claims that the act, if passed, will “break the internet“ helped persuade several big companies, including a trade group which represents Appl
17、e and Microsoft, to withdraw their support. Then, last week, SOPAs backers in the House said they were open to changing the bill. Internet Activists 1, Big Media 0.But elsewhere the media barons appear to be winning. Over the past few years, several countries have debated or enacted laws that, in th
18、e name of tackling piracy, have handed more power to large companies. In the process, say activists, the movie and music industries have gained the ability to censor websites. The recent revolt was louder because SOPA is one of the more radical new proposals. It would give copyright holders the lega
19、l right to have sites which they deem to be peddling stolen content shut down, a controversial power the European Court of Justice has just ruled against. Concern here is less a-bout obvious piracy, which gets limited sympathy from activists, and more about sites on which copyrighted content is used
20、 in creative ways. The bill also gives copyright holders the right to force search engines to block infringing sites from search results. Google and others know that it is often impossible to determine whether a site is engaging in piracy or creative reuse or some combination of the two. Thats one r
21、eason why the search engine teamed up with Facebook and other sites to run a full-page advert opposing the bill in The New York Times.Other moves by copyright advocates have been less crude and more successful. This July, five big US internet service providers committed to repeatedly caution -and th
22、en potentially disconnectsubscribers who share copyrighted material. The measure had limited opposition, but some activists warn that it is not sufficiently overseen. Thats a fear shared across the Atlantic, where British activists have warned that any proposals to speed up processing of industry re
23、quests will erode courts ability to assess claims of copyright breaches. In Ireland, judges have already been sidelined. After a legal battle in 2009 with a recording industry group, eircom, the countrys largest ISP said it would no longer contest blocking requests from the group. None have yet been
24、 submitted.There is a lot of copyright theft online, and content creators have a right to demand protection. Yet the reusers of content, from music remixers to bloggers, are also creators. Striking a balance between the two will prove important if politicians want to stop the angry emails.6 The digi
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