ANSI ESTA E1.30-3-2009 EPI 25 Time Reference in ACN Systems Using SNTP and NTP.pdf
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1、 ANSI E1.30-3 2009 (R2014) EPI 25 Time Reference in ACN Systems Using SNTP and NTP Document number CP/2008-1006r1a This document was approved as an American National Standard by the ANSI Board of Standards Review on 9 June 2014. It is a reaffirmation of the 2009 edition, CP/2008-1006r1. This standar
2、d was originally published when the Entertainment Services and Technology Association was operating under the name of PLASA North America. ESTA has reverted to its original name, and this document has been rebranded with the current corporate name and logo. No changes have been made to the contents
3、of the standard. 2017 ESTA intentionally blank page ANSI E1.30-3 2009 (R2014) EPI 25 Time Reference in ACN Systems Using SNTP and NTP 2017 ESTA i CP/2008-1006r1a NOTICE and DISCLAIMER ESTA does not approve, inspect, or certify any installations, procedures, equipment or materials for compliance with
4、 codes, recommended practices or standards. Compliance with a ESTA standard or an American National Standard developed by ESTA is the sole and exclusive responsibility of the manufacturer or provider and is entirely within their control and discretion. Any markings, identification or other claims of
5、 compliance do not constitute certification or approval of any type or nature whatsoever by ESTA. ESTA neither guarantees nor warrants the accuracy or completeness of any information published herein and disclaims liability for any personal injury, property or other damage or injury of any nature wh
6、atsoever, whether special, indirect, consequential or compensatory, directly or indirectly resulting from the publication, use of, or reliance on this document. In issuing and distributing this document. In issuing this document, ESTA does not either (a) undertake to render professional or other ser
7、vices for or on behalf of any person or entity, or (b) undertake any duty to any person or entity with respect to this document or its contents. Anyone using this document should rely on his or her own independent judgment or, as appropriate, seek the advice of a competent professional in determinin
8、g the exercise of reasonable care in any given circumstance. Published by: Entertainment Services and Technology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA Phone: 1-212-244-1505 Fax: 1-212-244-1502 standardsesta.org ANSI E1.30-3 2009 (R2014) EPI 25 Time Reference in ACN Systems U
9、sing SNTP and NTP 2017 ESTA ii CP/2008-1006r1a The ESTA Technical Standards Program The ESTA Technical Standards Program was created to serve the ESTA membership and the entertainment industry in technical standards related matters. The goal of the Program is to take a leading role regarding technol
10、ogy within the entertainment industry by creating recommended practices and standards, monitoring standards issues around the world on behalf of our members, and improving communications and safety within the industry. ESTA works closely with the technical standards efforts of other organizations wi
11、thin our industry, including USITT and VPLT, as well as representing the interests of ESTA members to ANSI, UL, and the NFPA. The Technical Standards Program is accredited by the American National Standards Institute. The Technical Standards Council (TSC) was established to oversee and coordinate th
12、e Technical Standards Program. Made up of individuals experienced in standards-making work from throughout our industry, the Council approves all projects undertaken and assigns them to the appropriate working group. The Technical Standards Council employs a Technical Standards Manager to coordinate
13、 the work of the Council and its working groups as well as maintain a “Standards Watch” on behalf of members. Working groups include: Control Protocols, Electrical Power, Event Safety, Floors, Fog and Smoke, Followspot Position, Photometrics, Rigging, and Stage Lifts. ESTA encourages active particip
14、ation in the Technical Standards Program. There are several ways to become involved. If you would like to become a member of an existing working group, as have over four hundred people, you must complete an application which is available from the ESTA office. Your application is subject to approval
15、by the working group and you will be required to actively participate in the work of the group. This includes responding to letter ballots and attending meetings. Membership in ESTA is not a requirement. You can also become involved by requesting that the TSC develop a standard or a recommended prac
16、tice in an area of concern to you. The Control Protocols Working Group, which authored this Standard, consists of a cross section of entertainment industry professionals representing a diversity of interests. ESTA is committed to developing consensus-based standards and recommended practices in an o
17、pen setting. ANSI E1.30-3 2009 (R2014) EPI 25 Time Reference in ACN Systems Using SNTP and NTP 2017 ESTA iii CP/2008-1006r1a Contact Information Technical Standards Manager Karl G. Ruling Entertainment Services and Technology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA 1-212-244-1
18、505 karl.rulingesta.org Assistant Technical Standards Manager Erin Grabe Entertainment Services and Technology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA 1-212-244-1505 erin.grabeesta.org Technical Standards Council Chairpersons Mike Garl Mike Garl Consulting LLC 1-865-389-4371
19、Mike Wood Mike Wood Consulting LLC 1-512-288-4916 Control Protocols Working Group Chairperson Michael Lay Philips Color Kinetics 3 Burlington Woods Drive Burlington, MA 01803 USA 1-781-418-9145 ANSI E1.30-3 2009 (R2014) EPI 25 Time Reference in ACN Systems Using SNTP and NTP 2017 ESTA iv CP/2008-1
20、006r1a Acknowledgments The Control Protocols Working Group members when this document was approved by the working group on 1 May 2014 are shown below. Voting members: Daniel W. Antonuk; Electronic Theatre Controls, Inc.; MP Robert Bell; Acuity Brands Inc.; MP Marcus Bengtsson; LumenRadio AB; MP Scot
21、t M. Blair; Full Throttle Films/ VER; DR Milton Davis; Doug Fleenor Design, Inc.; MP Casey Diers; DesignLab Chicago, Inc.; DR Gary Douglas; Acuity Brands Inc.; MP Doug Fleenor; Doug Fleenor Design, Inc.; MP Howard Forryan; Harting KGAA; G Garrett Gallant; Acuity Brands Inc.; MP Ed Garstkiewicz; Hart
22、ing KGAA; G Robert Goddard; Goddard Design Co.; MP Dennis Grow; I.A.T.S.E. Local 728; U Mitch Hefter; USITT; U Jeremy Hochman; Full Throttle Films/ VER; DR John Huntington; I.A.T.S.E. Local 1; U Tyrone Mellon_Jr.; Lex Products Corp.; CP Michael Karlsson; LumenRadio AB; MP Hyun Jong Kim; Electronics
23、and Telecommunications Research Institute; G Peter Kirkup; LumenRadio AB; MP Paul Kleissler; City Theatrical, Inc.; MP Edwin S. Kramer; I.A.T.S.E. Local 1; U Ulrich Kunkel; DIN, NVBF Committee; U Roger Lattin; I.A.T.S.E. Local 728; U Hans Lau; LumenRadio AB; MP Michael Lay; Royal Philips; MP Sang-Ky
24、u Lim; Electronics and Telecommunications Research Institute; G Joshua Liposky; Lex Products Corp.; CP Kevin Loewen; Acuity Brands Inc.; MP Simon Newton; Open Lighting Project; G Maya Nigrosh; Electronic Theatre Controls, Inc.; MP Philip Nye; Acuity Brands Inc.; MP Kimberly Corbett Oates; Schuler Sh
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