A Competitive Model of Superstars.ppt
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1、A Competitive Model of Superstars,Timothy Perri Department of Economics Appalachian State UniversityPresented at Virginia Tech January 21, 2006,2, Sherwin Rosen (AER, 1981) developed the notion of superstars., Rosen assumed more talented individuals produce higher quality products. Superstar effects
2、 imply earnings are convex in quality, the highest quality producers earn a disproportionately large share of market earnings, & the possibility of only a few sellers in the market.,3,R* = revenue given the profit-maximizing quantity,z = product quality,R*,4, Rosen argued superstar effects are the r
3、esult of two phenomena: imperfect substitution among products, with demand for higher quality increasing more than proportionally, and technology such that one or a few sellers could profitably satisfy market demand.,5, Herein, a competitive model is developed in which: 1) there are many potential a
4、nd active firms; 2) some fraction of the potential producers with the lowest quality level could satisfy market demand; 3) complete arbitrage occurs between prices of goods with different quality; and4) a few firms with higher quality earn a disproportionately large share of market revenue because t
5、heir revenue increases with quality at an increasing rate.,6, The usual explanations for superstar effects-imperfect substitution between sellers, and some form of joint consumption, with marginal cost declining as quality increases-are not necessary.,7, A firms revenue can be positive and convex in
6、 quality when cost increases in quality at a decreasing rate. Without the requirements of imperfect substitution and joint consumption, there may be many markets that could contain superstar effects.,8,EvidenceKrueger (JOLE, 2005) identifies significant superstar effects for music concerts that have
7、 become even larger in recent years. He arguesthe time and effort to perform a song should not have changed much in over time.,9, It is also unlikely the cost of performing asong depends significantly on the qualityof the musicians. Further, the technology of reaching more buyers for a live performa
8、nce is much different than it is for selling additional CDs .,10,“Pavarotti can, with the same effort, produce one CD of Tosca or 100 million CDs of Tosca.if most view Pavarotti as even slightlybetter than Domingo, he will sell many moreCDs than Domingo and his earnings will bemany times higher.”(La
9、zear, p. 188, 2003),11, Krueger (2005) reports revenue for music concertsfrom 1982 to 2003. In 1982, the top 5% (in terms of revenue) of artists earned 62% of concert revenue. For 2003, the corresponding figure was 84%.,12,An example In Rosen (1981), imperfect substitution between quality levels wou
10、ld produce star surgeons. However, if star surgeons have qualitylevels significantly higher than non-star surgeons, then imperfect substitution is not necessary for stars to have significantly higher revenue than non-stars.,13, The term “superstar” will be used when revenue increases & is convex in
11、quality, & a few sellers earning a large % of market revenue. Rosen used profit (), but revenue (R) is used herein. WHY?,14,1st, in my competitive model, low quality producers earn zero profit stars earn all profit. 2nd, in the special case in Rosen closest to the model herein, revenue and profit ar
12、e identically affected by quality, as is true in my competitive model.3rd, earnings reported for top performers in entertainment and sports are not net of cost. The data on concert earnings from Krueger (2005) involve revenue.,15, Rosen (1981) argued his model involved competition.However, different
13、 quality levels were imperfectsubstitutes (with the larger the difference in quality the worse subs. goods were), & the threat of POTENTIALENTRY disciplined existing producers.,16, Adler (2005) argued therewould not be relatively high earnings for superstars unless there are significant quality diff
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