【考研类试卷】病毒的遗传分析、数量性状遗传分析及答案解析.doc
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1、病毒的遗传分析、数量性状遗传分析及答案解析(总分:100.00,做题时间:90 分钟)一、Section Use of Eng(总题数:1,分数:10.00)The evolutionary process culminating in man was finally completed about 35,000 years ago with the appearance of Homo Sapiens, or “thinking man.“ (1) in broadest perspective, this represents the second major turning (2) in
2、 the course of (3) on this planet. The first occurred when life (4) out of inorganic matter. After that momentous (5) , all living forms evolved by adapting (6) their environment, as was evident during the climate turmoil of the Pleistocene. But with the (7) of man, the evolutionary process was (8)
3、. No longer did genes adapt to environment. Instead, man adapted by changing the environment to (9) his genes. Today, a third (10) turning point appears (11) , as mans growing knowledge of the structure and function of genes may soon enable him to (12) his genes as well as his environment.Man, and o
4、nly man, has been able to create a made-to-order environment, or culture, as it is called. The reason is (13) only man can symbolize, or (14) things and concepts divorced from here-and-now reality. Only he laughs, and only he knows that he will die. Only he has wondered (15) the universe and its ori
5、gins, about his place in it and in the hereafter.With these unique and revolutionizing abilities, man has been able to (16) with his environment without alteration. His culture in the new no biological way of having fur in the Arctic, water storage in the desert, and fins in the water. More concrete
6、ly, culture (17) tools, clothing, ornaments, institutions, language, art forms, and religious beliefs and (18) . All these have served to adapt man to his physical environment and to his fellowman. Indeed, story of man is simply the story of a (19) of cultures that he has created, form his Paleolith
7、ic (20) to the present day.(分数:10.00)(1).A Reviewed B Viewed C Probed D Prospected(分数:0.50)A.B.C.D.(2).A way B point C mark D moment(分数:0.50)A.B.C.D.(3).A accidents B incidents C actions D events(分数:0.50)A.B.C.D.(4).A originated B evolved C developed D grew(分数:0.50)A.B.C.D.(5).A step B aspect C stat
8、e D phase(分数:0.50)A.B.C.D.(6).A to B towards C for D at(分数:0.50)A.B.C.D.(7).A appearance B disappearance C complexion D feature(分数:0.50)A.B.C.D.(8).A contradicted B reversed C contrasted D returned(分数:0.50)A.B.C.D.(9).A adapt B suit C fit D agree(分数:0.50)A.B.C.D.(10).A invalid B epochal C periodical
9、 D ineffective(分数:0.50)A.B.C.D.(11).A eminent B imminent C prominent D dominant(分数:0.50)A.B.C.D.(12).A maintain B modify C dispose D diversify(分数:0.50)A.B.C.D.(13).A that B because C for D why(分数:0.50)A.B.C.D.(14).A revise B reveal C envision D muse(分数:0.50)A.B.C.D.(15).A about B on C at D in(分数:0.5
10、0)A.B.C.D.(16).A cope B agree C cohere D contend(分数:0.50)A.B.C.D.(17).A consists of B conceives of C combines with D shut out(分数:0.50)A.B.C.D.(18).A practices B suspicions C formalities D thoughts(分数:0.50)A.B.C.D.(19).A success B procession C succession D consequence(分数:0.50)A.B.C.D.(20).A origins B
11、 resources C roots D sources(分数:0.50)A.B.C.D.二、Section Reading Co(总题数:0,分数:0.00)三、Part A(总题数:0,分数:0.00)四、Text 1(总题数:1,分数:10.00)The history of responses to the work of the artist Sandro Botticelli (1444 1510) suggests that widespread appreciation by critics is a relatively recent phenomenon. Writing
12、in 1550, Vasari expressed an unease with Botticellis work, admitting that the artist fitted awkwardly into his evolutionary scheme of the history of art. Over the next two centuries, academic art historians defamed Botticelli in favor of his fellows Florentine, Michelangelo. Even when anti-academic
13、art historians of the early nineteenth century rejected many of the standards of evaluation adopted by their predecessors, Botticellis work remained outside of accepted taste, pleasing neither amateur observers nor connoisseurs. (Many of his best paintings, however, remained hidden away in obscure c
14、hurches and private homes. )The primary reason for Botticellis unpopularity is not difficult to understand: most observers, up until the midnineteenth century, did not consider him to be noteworthy, because his work, for the most part, did not seem to these observers to exhibit the traditional chara
15、cteristics of fifteenth-century Florentine art. For example, Botticelli rarely employed the technique of strict perspective and, unlike Michelangelo, never used chiaroscuro.Another reason for Botticellis unpopularity may have been that his attitude toward the style of classical art was very differen
16、t from that of his contemporaries. Although he was thoroughly exposed to classical art, he showed little interest in borrowing from the classical style. Indeed, it is paradoxical that a painter of large-scale classical subjects adopted a style that was only slightly similar to that of classical art.
17、In any case, when viewers began to examine more closely the relationship of Botticellis work to the tradition of fifteenth-century Florentine art, his reputation began to grow. Analyses and assessments of Botticelli made between 1850 and 1870 by the artists of the Pre Raphaelite movement, as well as
18、 by the writer Pater (although he, unfortunately, based his assessment on an incorrect analysis of Botticellis personality), inspired a new appreciation of Botticelli throughout the English-speaking world. Yet Botticellis work, especially the Sistine frescoes, did not generate worldwide attention un
19、til it was finally subjected to a comprehensive and scrupulous analysis by Home in 1908. Home rightly demonstrated that the frescoes shared important features with paintings by other fifteenth-century Florentines features such as skillful representation of anatomical proportions, and of the human fi
20、gure in motion. However, Home argued that Botticelli did not treat these qualities as ends in themselves-rather, that he emphasized clear depletion of a story, a unique achievement and one that made the traditional Florentine qualities less central. Because of Homes emphasis crucial to any study of
21、art, the twentieth century has come to appreciate Bottieellis achievements.(分数:10.00)(1).Which of the following would be the best title for the text?A The Role of Standard Art Analyses and Appraisals.B Sandro Botticelli: From Rejection to Appreciation.C Causes for Botticellis Rejection in Earlier Ti
22、mes.D Botticelli and Florentine: A Comparative Study.(分数:2.00)A.B.C.D.(2).We can learn from the text that art critics have a history ofA suppressing painters art initiatives.B favoring a Botticellis best paintings.C rejecting traditional art characteristics.D undervaluing Botticellis achievements.(分
23、数:2.00)A.B.C.D.(3).The views of Vasari and Home on Botticellis products areA identical.B complementary.C opposite.D similar.(分数:2.00)A.B.C.D.(4).The word “connoisseurs“ (Paragraph 1) most probably meansA representatives in the Pre-Raphaelite Movement.B people who are in favor of Florentine.C critics
24、 who are likely to make assessments.D conservatives clinging to classical art.(分数:2.00)A.B.C.D.(5).What does the author think of Botticellis representation skills?A They are to be fully appreciated.B They evolve from an uncertain source.C They underlie his personality.D They conform to the classical
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