【考研类试卷】2011年国际关系学院英语专业(英美文学)真题试卷及答案解析.doc
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1、2011 年国际关系学院英语专业(英美文学)真题试卷及答案解析(总分:60.00,做题时间:90 分钟)一、匹配题(总题数:1,分数:40.00)Please match the following authors with their works.(10 points)1. The Waves2. All“s Well that Ends Well3. Where Angels Fear to Tread4. Song of Myself5. Ulysses6. The Hairy Ape7. Women in Love8. The Pit9. Death in the Afternoon1
2、0. Babbitt11. Adam Bede12. Burmese Days13. The Innocents Abroad14. The Open Boat15. The Sketch Book16. Oliver Twist17. Lord Jim18. The American19. Light in August20. Typee(分数:40.00)(1).William Faulkner(分数:2.00)_(2).James Joyce(分数:2.00)_(3).Sinclair Lewis(分数:2.00)_(4).George Eliot(分数:2.00)_(5).Stephe
3、n Crane(分数:2.00)_(6).Charles Dickens(分数:2.00)_(7).Mark Twain(分数:2.00)_(8).E. M. Forster(分数:2.00)_(9).Eugene O“Neill(分数:2.00)_(10).William Shakespeare(分数:2.00)_(11).Frank Norris(分数:2.00)_(12).Joseph Conrad(分数:2.00)_(13).Henry James(分数:2.00)_(14).Herman Melville(分数:2.00)_(15).Ernest Hemingway(分数:2.00)
4、_(16).Walt Whitman(分数:2.00)_(17).George Orwell(分数:2.00)_(18).D.H. Lawrence(分数:2.00)_(19).Virginia Woolf(分数:2.00)_(20).Washington Irving(分数:2.00)_二、填空题(总题数:8,分数:16.00)1.A Portrait of the Artist as a Young Man is an autobiographical sketch of(1)“s childhood and early(2)(分数:2.00)填空项 1:_2.The Romantic p
5、eriod in American literature stretches from(3)to(4)(分数:2.00)填空项 1:_3.James Fenimore Cooper created a(5)about the(6)period of the American nation.(分数:2.00)填空项 1:_4.Edgar Allan Poe believes(7)is the most legitimate of all the poetic tones and the(8)_of a beautiful woman is the most poetical topic in t
6、he world.(分数:2.00)填空项 1:_5.The Lake Poets criticized the industrialized(9)society by advocating the(10)to the patriarchal society of the past while Byron and Shelley attacked the forces of oppression both (11)and(12)and called on the oppressed people to rise against earthly tyrants.(分数:2.00)填空项 1:_6
7、.The height of Thomas Hardy“s achievement as a novelist was reached in his last two novels both published in the 1890“s. The central figures in the two novels are(13)and(14)(分数:2.00)填空项 1:_7.Hemingway“s(15)hero is a man of(16)rather than a man of thought. He can be destroyed but not(17)and he always
8、 shows(18)under pressure.(分数:2.00)填空项 1:_8.The central theme of Paradise Lost is taken from the(19)and deals with the Christian story of “the(20)of man“.(分数:2.00)填空项 1:_三、评论题(总题数:2,分数:4.00)9.Please read the following poem and make comments in about 300 words.(50 points)The Wild Swans at Coole *The t
9、rees are in their autumn beauty,The woodland paths are dry,Under the October twilight the waterMirrors a still sky;Upon the brimming water among the stonesAre nine-and-fifty swans.The nineteenth autumn has come upon meSince I first made my count;I saw, before I had well finished,All suddenly mountAn
10、d scatter wheeling in great broken ringsUpon their clamorous wings.I have looked upon those brilliant creatures,And now my heart is sore.All“s changed since I, hearing at twilight,The first time on this shore,The bell-beat of their wings above my head,Trod with a lighter tread.Unwearied still, lover
11、 by lover,They paddle in the coldCompanionable streams or climb the air;Their hearts have not grown old;Passion or conquest, wander where they will,Attend upon them still.But now they drift on the still water,Mysterious, beautiful;Among what rushes will they build,By what lake“s edge of poolDelight
12、men“s eyes when I awake some dayTo find they have flown away?* Coole was the estate of Lady Augusta Gregory, the poet“s friend and patron, who encouraged the young poet and made her house a second home to him.(分数:2.00)_10.Please read the following story and make comments in about 500 words.(70 point
13、s)A Rose for EmilyIWhen Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old man-servanta combined gardener and cookhad seen in at
14、 least ten years.It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But garages and cotton gins had encroached and obliterated even th
15、e august names of that neighborhood; only Miss Emily“s house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumpsan eyesore among eyesores. And now Miss Emily had gone to join the representatives of those august names where they lay in the cedar-bemused
16、cemetery among the ranked and anonymous graves of Union and Confederate soldiers who fell at the battle of Jefferson.Alive, Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town, dating from that day in 1894 when Colonel Sartoris, the mayorhe who fathered
17、 the edict that no Negro woman should appear on the streets without an apronremitted her taxes, the dispensation dating from the death of her father on into perpetuity. Not that Miss Emily would have accepted charity. Colonel Sartoris invented an involved tale to the effect that Miss Emily“s father
18、had loaned money to the town, which the town, as a matter of business, preferred this way of repaying. Only a man of Colonel Sartoris“ generation and thought could have invented it, and only a woman could have believed it.When the next generation, with its more modern ideas, became mayors and alderm
19、en, this arrangement created some little dissatisfaction. On the first of the year they mailed her a tax notice. February came, and there was no reply. They wrote her a formal letter, asking her to call at the sheriffs office at her convenience. A week later the mayor wrote her himself, offering to
20、call or to send his car for her, and received in reply a note on paper of an archaic shape, in a thin, flowing calligraphy in faded ink, to the effect that she no longer went out at all. The tax notice was also enclosed, without comment.They called a special meeting of the Board of Aldermen. A deput
21、ation waited upon her, knocked at the door through which no visitor had passed since she ceased giving china-painting lessons eight or ten years earlier. They were admitted by the old Negro into a dim hall from which a stairway mounted into still more shadow. It smelled of dust and disusea close, da
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