[考研类试卷]2005年在职艺术硕士(MFA)全国联考真题试卷及答案与解析.doc
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1、2005 年在职艺术硕士(MFA )全国联考真题试卷及答案与解析一、单项选择填空题1 二胡曲二泉映月的作者是( )。(A)刘天华(B)阿炳(C)冼星海(D)黄自2 马头琴因琴杆上端雕有马头而得名,它是( )族的拉弦乐器。(A)蒙古(B)维吾尔(C)白(D)满3 舞剧天鹅湖的曲作者是( )。(A)贝多芬(B)柴可夫斯基(C)德彪西(D)莫扎特4 伏尔塔瓦河是捷克作曲家斯美塔那创作的交响组曲( )之第二乐章。(A)我的祖国(B) 田园(C) 大地之歌(D)大海5 西斯廷圣母是( ) 的作品。(A)乔尔乔涅(B)提香(C)拉斐尔(D)萨托6 19 世纪的欧洲美术中心是( )。(A)柏林(B)巴黎(C
2、)伦敦(D)马德里7 溪山行旅图是( ) 的作品。(A)吴道子(B)李成(C)李唐(D)范宽8 金农属于( ) 。(A)扬州画派(B)娄东派(C)清六家(D)海上画派9 魏长生是乾隆年间杰出的( )花旦演员。(A)昆腔(B)梆子腔(C)海盐腔(D)弋阳腔10 西厢记杂剧的作者是( )。(A)王实甫(B)白仁甫(C)董解元(D)顾锡东11 “锣鼓击节,人声帮和” 是( )音乐的特色。(A)高腔(B)梆子腔(C)皮黄腔(D)滩簧腔12 “洒狗血”是戏曲演员的一种 ( )。(A)绝技(B)特技(C)艺病(D)杂技13 全景是景别中表现场景全貌或成年人的( )。(A)全身(B)肩部以上(C)膝盖以上(
3、D)脸部14 中国电影诞生于( ) 。(A)1902 年(B) 1904 年(C) 1905 年(D)1906 年15 北方的纳努克的创作者是( )。(A)伊文思(B)格里菲斯(C)弗拉哈迪(D)爱森斯坦16 红高粱的导演是( )。(A)张艺谋(B)田壮壮(C)陈凯歌(D)黄建新17 电视剧努尔哈赤属于( )。(A)原创电视剧(B)名著改编电视剧(C)电视艺术片(D)电视专题片18 中央电视台原名“ 北京电视台 ”,创办于( )。(A)1949 年(B) 1958 年(C) 1978 年(D)1980 年19 所谓“脱口秀 ”(talk show)主要指( )类电视节目。(A)主持人谈话(B)
4、电视专题(C)电视竞技(D)电视晚会20 电视的声音主要包括( )、音响、音乐三大类别。(A)语言(B)同期声(C)歌曲(D)画外音21 中国古代青铜工艺发展的鼎盛时期是在( )。(A)商周(B)秦汉(C)隋唐(D)宋元22 玉器工艺美术品是采取( )方法加工制作的。(A)雕琢(B)琢磨(C)刻画(D)塑造23 陕西出土的大型陶塑兵马俑是( )殡葬品。(A)商代(B)周代(C)秦代(D)汉代24 中国古典家具在( ) 达到最高水平。(A)唐代(B)宋代(C)明代(D)清代25 话剧雷雨是( ) 的作品。(A)夏衍(B)田汉(C)老舍(D)曹禺26 电影王子复仇记根据( )改编。(A)奥斯托洛夫
5、斯基的戏剧作品大雷雨(B)奥尼尔的戏剧作品悲悼(C)莎士比亚的戏剧作品哈姆雷特(D)易卜生的戏剧作品培尔金特27 话剧四川好人是( )的作品。(A)俄国戏剧家屠格涅夫(B)德国戏剧家布莱希特(C)中国戏剧家魏明伦(D)挪威戏剧家易卜生28 以下人物不属于老舍作品的是( )。(A)王利发(B)曾文清(C)庞太监(D)刘麻子29 我国最早学习、引入欧美舞蹈的宫廷舞蹈家是( )。(A)裕容龄(B)黎锦辉(C)赵飞燕(D)李馨月30 舞赋的作者傅毅是( )人。(A)汉代(B)唐代(C)清代(D)宋代31 作为反战题材的著名现代舞剧是( )。(A)绿桌(B) 新舞蹈(C) 欲望(D)火之舞32 巴兰钦编
6、导的新古典主义芭蕾群舞的代表作是( )。(A)拿波里(B) 有谁在乎(C) 吉赛尔(D)仙女二、英文阅读理解题32 But the success of science, both its intellectual excitement and its practical application, depends upon the self - correcting character of science. There must be a way of testing any valid idea. It must be possible to reproduce any valid exp
7、eriment. The character or beliefs of scientists are irrelevant; all that matters is whether the evidence supports their contention. Arguments from authority simply do not count; too many authorities have been mistaken too often. I would like to see these very effective scientific modes of thought co
8、mmunicated by the schools and media; and it would certainly be astonishment and delight to see them introduced into politics. Scientists have been known to change their minds completely and publicly when presented with new evidence or new arguments. I cannot recall the last time a politician display
9、ed a similar openness and willingness to change.33 The passage mainly discusses_.(A)some similarities between politicians and scientist.(B) an important characteristic of science.(C) practical applications of science.(D)he rewards of a valid experiment.34 According to the passage, is most essential
10、to scientists work_.(A)belief(B) character(C) evidence(D)argument35 Which of the following is closest in meaning to the word “valid“ (Line 2 -3) ?(A)unreliable(B) mistaken(C) irrelevant(D)correct36 In the eyes of the author_.(A)scientists always respect facts(B) politicians are as open and willing t
11、o change their minds as scientists(C) it is quite easy to see scientific manners in a politician(D)both scientists and politicians are changeable and flexible37 The preceding passage most probably discusses_.(A)the achievements of science(B) some valid experiments(C) effective scientific modes of th
12、ought(D)self - correcting character of science37 Danner Martha Graham trained her body to move in different ways and in different contexts from any before attempted. “ Life today is nervous, sharp, and zigzag,“ she said, “ it often stops in midair. That is what I aim for in my dances. “ She insisted
13、 she never started out to be a rebel. It was only that the emotions she had to express could not be projected though any of the traditional forms.This was in 1925. All forms of art were undergoing a revolution. The theorized of psychology were being used to extend the boundaries of poetry, music, an
14、d painting.Martha Grahams first dance concert in her new idiom occurred on April 18, 1926. Experts of dance gathered at the Forty - eight Street Theatre in New York and witnessed Martha Grahams first foray into this new realm of dance. They saw, through such dance sequences as “Three Gobi Maidens“ ,
15、 and “A Study in Lacquer“ , desires and conflicts expressed through bodily movement. These critics agreed that something entirely new, a departure from all previous forms had been witnessed.In the early thirties, she founded the Martha Graham School o Contemporary Dance. Her classes were used as lab
16、oratory for her stage works, and her stage works in turn were a means for attracting new pupils to her school - a sort of self - winding process, with herself as the key to the development.Martha Graham and the school she had founded are virtually equivalent to the modern dance. She had not produced
17、 a technique of dance, choreographed and taught it, but her students have gone out to fill the modern dance world.38 The passage is written to tell us_.(A)life today is full of desires and conflict(B) a dancers view of life(C) Martha Grahams development of modern dance(D)the revolution of art forms
18、in the 1920s39 It can be inferred from the passage that, in the beginning of her career, Martha Grahams mode of dance was_.(A)accepted only in New York(B) universally accepted(C) entirely ignored(D)considered rebellious40 According to the passage, Martha Grahams style of dance is_.(A)a departure fro
19、m the modern dance(B) different from traditional dance(C) similar to the classical dance(D)borrowed from some experts of dance41 Martha Grahams school of dance was_.(A)poorly managed(B) successful and popular(C) lucrative and effective(D)a failure in the modern dance world42 We can infer from the pa
20、ssage that the present status of Martha Grahams work(A)is carried on by her students(B) is bitterly objected by experts of dance(C) is historically interesting, but is no longer popular(D)has evolved into something absurdTranslationDirections:Put the following passage into Chinese.43 Once the ideal
21、child was seen and not heard. But the times and the culture have changed. More and more often a child is seen on national television and heard roaring round the world. Sons and daughters have become the projection of their parents dreams and the repository of their hopes. Were moving, in a cultural
22、sense, in the direction of having every kid be a star. Pushed by the parents to achieve or treated like tiny adults, some of todays children are paying the price.三、简答题43 共 16 题,任选 6 题,每题 5 分,共 30 分,多选者以前选 6 题计分44 简述聂耳。45 简述维也纳古典乐派。46 简述法国印象派与后印象派的区别。47 简述王羲之的书法艺术。48 简述脸谱。49 简述折子戏。50 简述独白。51 简述声画对位。5
23、2 简述以人为本设计的意义。53 简述书籍装帧设计。54 简述影视构图。55 简述电视导图。56 简述潜台词。57 简述规定情境。58 舞蹈表演。59 简述文舞。四、论述题59 共 8 题任选 1 题,每题 60 分,多选者只计首选题60 结合自己的专业实践,谈谈文化修养的重要性。61 试论视觉艺术的基本特征。62 琵琶记沙家浜白蛇传十五贯牡丹亭任选一部作品,分析其思想内容和艺术特色。63 结合给你留下深刻印象的一部中国经典电影的几个画面,分析其艺术的感染力。64 试述形式美在艺术设计中的地位和作用。65 谈谈传统艺术对创作实践的启示。66 试从曹禺的雷雨日出北京人等剧作中任选一个你熟悉的人物
24、进行艺术分析。67 论舞蹈与音乐的关系。 2005 年在职艺术硕士(MFA )全国联考真题试卷答案与解析一、单项选择填空题1 【正确答案】 B【试题解析】 考查中国音乐史的知识。二胡独奏曲二泉映月是我国著名民间艺人华彦钧(阿炳) 的代表作。此曲由我国著名音乐学家杨荫浏先生专门找到华彦钧录音改编,才使此曲得以保存下来。2 【正确答案】 A【试题解析】 考查中国民间器乐知识。中国民间器乐知识的介绍除器乐外,主要有四大乐种:江南丝竹、广东音乐、山东鼓吹、十番锣鼓,并未涉及本题内容。马头琴是蒙古族特有的乐器,在蒙古族人歌唱和舞蹈艺术中具有重要的地位。3 【正确答案】 B【试题解析】 考查西方音乐历史的
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