[外语类试卷]北京成人本科英语模拟试卷69及答案与解析.doc
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1、北京成人本科英语模拟试卷 69及答案与解析 一、 Dialogue Communication 1 Where did the scholarship of this term you had got go, Lucy? On a computer, _ on the desk over there. ( A) it ( B) this ( C) one ( D) the one 2 Speaker A: Billy, have you heard the latest news? It appears that we wont be laid off (解雇 ) after all. Spe
2、aker B: _ ( A) Congratulations. We are going to get promoted. ( B) Great. We are going to have a new job. ( C) Oh, somehow Im tired of working here anyway. ( D) Really. We are not going to resign from our post. 3 Could you teI1 Lucy about the meeting when you see her? Sure, I will _ I see her. ( A)
3、certainly ( B) fortunately ( C) probably ( D) immediately 4 Im sorry I stepped outside for a smoke. I was very tired. There is no _ for this while you are on duty. ( A) reason ( B) excuse ( C) explanation ( D) cause 5 Speaker A: I was hoping to get some bread from the bakery before it closes. Speake
4、r B: _ ( A) Youd better be quick. It will close at 7: 00. ( B) My watch says 6:50, Im afraid youll be late. But dont be frustrated. ( C) I dont know when it closes. ( D) Ive never been to that bakery. 6 How do you deal with the disagreement between the company and the customers? The key _ the proble
5、m is to meet the demand _ by the customers. ( A) to solving; making ( B) to solving; made ( C) to solve; making ( D) to solver make 7 Speaker A : Tom, why dont you come and have the picnic with us? Speaker B: _ ( A) How dare you invite me? ( B) Id love to. Thank you. ( C) Yes. But thanks anyway. ( D
6、) Whether Ill go or not is not your business. 8 Did you take enough money with you? No, I needed _ I thought I would. ( A) not so much as ( B) as much as ( C) much more than ( D) much less than 9 Where did you put the car keys? Oh, I _ I put them on the chair because the phone rang as I _ in. ( A) r
7、emembered; come ( B) remembered; was coming ( C) remember; come ( D) remember; was coining 10 I think Im coming down with a bad cold. _. ( A) Oh, dont say that again ( B) Then youd better see a doctor ( C) Well, I suggest you have a rest ( D) But you should go up a bit 11 Speaker A: Hello. May I spe
8、ak to Sally, please? Speaker B:_ ( A) May I ask who you axe? ( B) Yes. But the number is engaged. ( C) Yes. This is Sally. ( D) Thanks for calling. 12 Customer:_Waiter: Im sorry. Didnt you order fried shrimp (虾子 ) ? Customer: I ordered fried chicken. Waiter: Oh, all I heard was fried shrimp. Let me
9、have kitchen redo this for you. ( A) Sorry, this isnt my dish. ( B) Excuse me, this isnt what I paid for. ( C) Sorry, this isnt my order. ( D) Excuse me, this isnt what I ordered. 13 Jack:_Lora: Im an engineer. Jack: Oh, are you? Lora: How about you? Jack: I work for a trading company. ( A) How are
10、you doing? ( B) What do you do? ( C) How do you do? ( D) what are you doing? 14 W: What is all this glass doing on the floor? M:_ ( A) Look at the window and you11 see. ( B) Ill clean it. ( C) Ill call the repair man. ( D) Cant you find out? 15 Wilson: Hello. May I speak to Peter? Peter:_ ( A) Sorry
11、, the number is engaged Will you hold? ( B) Yes, speaking. ( C) Hello. Whore you please? ( D) Hello. Thank you for calling. 二、 Part I Reading Comprehension (30%) Directions: There are three passages in this part. Each passage is followed by some questions or unfinished statements. For each of them t
12、here are four choices marked A, B, C and D. You should decide on the best choice and mark the corresponding letter on the Answer Sheet with a single line through the center. 15 Every artist knows in his heart that he is saying something to the public. Not only does he want to say it well, but he wan
13、ts it to be something which has not been said before. He hopes that the public will listen and understand-he wants to teach them, and he wants them to learn from him. What visual artists like painters want to teach is easy to make out but difficult to explain, because painters translate their experi
14、ences into shapes and colors, not words. (40) They seem to feel that a certain selection of shapes and colors, out of the countless billions possible, is exceptionally interesting for them and worth showing to us. Without their work we would never have noticed these particular shapes and colors, or
15、have felt the delight which they brought to the artist. Most artists take their shapes and colors from the world of nature and from human bodies in motion and stillness; their choices indicate that these aspects of the world are worth looking at, that they contain beautiful sights. Contemporary arti
16、sts might say that they merely choose subjects that provide an interesting pattern, and that there is nothing more in it, yet even they do not choose entirely without reference to the character of their subjects. If one painter chooses to paint an injured leg and another a lake in moonlight, each of
17、 them is directing our attention to a certain aspect of the world. Each painter is telling us something, showing us something, emphasizing something-all of which means that, consciously or unconsciously, he is trying to teach us. 16 Without the artists work, the public would not_. ( A) notice partic
18、ular shapes or colors ( B) see the shapes and colors that express his experience ( C) feel his delight in shapes and colors ( D) all of the above 17 An artists choice of shapes and colors indicates that he believes them to be_. ( A) calm ( B) moving ( C) delightful ( D) worth looking at 18 Contempor
19、ary artists often think their choice of subject_. ( A) carries no message to the public ( B) has no pattern or form ( C) provides an interesting pattern ( D) teaches the public important truths 19 The author says that contemporary art contains ( A) nothing meaningful ( B) uninteresting aspects of th
20、e world ( C) subjects chosen partly for their meaning ( D) completely meaningless subjects 20 Compared with a painter of unpleasant subjects, a painter who draws a lake in moonlight is_. ( A) conveying more meaning ( B) more skilled ( C) pointing to something different ( D) communicating less 21 If
21、you are like most people, your intelligence varies from season to season. You are probably a lot sharper in the spring than you are at any other time of the year. (76) A noted scientist, Ellsworth Huntington(1876-1974), concluded from other mens work and his own among people in different climates th
22、at climate and temperature have a definite effect on our mental abilities. (77) He found that cool weather is much more favorable for creative thinking than is summer heat. This does not mean that all people are less intelligent in the summer than they are during the rest of the year. (78) It does m
23、ean, however, that the mental abilities of large numbers of people tend to be lowest in the summer. Spring appears to be the best period of the year for thinking. (79) One reason may be that in spring mans mental abilities are affected by the same factors that bring about great changes in all nature
24、. Fall is the next-best season, then winter. As for summer, it seems to be good time to take a long vacation from thinking. 21 According to this passage, your intelligence probably _. ( A) stays the same throughout the year ( B) varies from season to season ( C) changes with days ( D) changes from y
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- 外语类 试卷 北京 成人 本科 英语 模拟 69 答案 解析 DOC
