阅读理解-练习十四及答案解析.doc
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1、阅读理解-练习十四及答案解析(总分:20.00,做题时间:90 分钟)一、Text A(总题数:1,分数:4.00)Clara came to Jordans. Some of the older hands, Fanny among them, remembered her earlier rule, and cordially disliked the memory. Clara had always been “ikey“, reserved, and superior. She had never mixed with the girls as one of themselves. I
2、f she had occasion to find fault, she did it coolly and with perfect politeness, which the defaulter felt to be a bigger insult than crossness. Towards Fanny, the poor, over-strung hunchback, Clara was unfailingly compassionate and gentle, as a result of which Fanny shed more bitter tears than ever
3、the rough tongues of the other overseers had caused her.There was something in Clara that Paul disliked, and much that piqued him. If she were about, he always watched her strong throat or her neck, upon which the blond hair grew low and fluffy. There was a fine down, almost invisible, upon the skin
4、 of her face and arms, and once he had perceived it, he saw it always.When he was at his work, painting in the afternoon, she would come and stand near him, perfectly motionless. Then he felt her, though she neither spoke nor touched him. Although she stood a yard away he felt as if he were in conta
5、ct with her. Then he could paint no more. He flung down the brushes, and turned to talk to her.Sometimes she praised his work; sometimes she was critical and cold.“You are affected in that piece,“ she would say; and, as there was an element of truth in her condemnation, his blood boiled with anger.A
6、gain: “What of this?“ he would ask enthusiastically.“Hm!“ She made a small doubtful sound. “It doesnt interest me much.“Because you dont understand it,“ he retorted.“Because I thought you would understand.“She would shrug her shoulders in scorn of his work. She maddened him. He was furious. Then he
7、abused her, and went into passionate exposition of his stuff. This amused and stimulated her. But she never owned that she had been wrong.During the ten years that she had belonged to the womens movement she had acquired a fair amount of education, and, having had some of Miriams passion to be instr
8、ucted, had taught herself French, and could read in that language with a struggle. She considered herself as a woman apart, and particularly apart, from her class. The girls in the spiral department were all of good homes. It was a small, special industry, and had a certain distinction. There was an
9、 air of refinement in both rooms. But Clara was aloof also from her fellow-workers.None of these things, however, did she reveal to Paul. She was not the one to give herself away. There was a sense of mystery about her. She was so reserved, he felt she had much to reserve. Her history was open on th
10、e surface, but its inner meaning was hidden from everybody. It was exciting. And then sometimes he caught her looking at him from under her brows with an almost furtive, sullen scrutiny, which made him move quickly. Often she met his eyes. But then her own were, as it were, covered over, revealing n
11、othing. She gave him a little, lenient smile. She was to him extraordinarily provocative, because of the knowledge she seemed to possess, and gathered fruit of experience he could not attain.(分数:4.00)(1).Being compassionately and politely treated by Clara, Fanny felt(分数:1.00)A.deeply moved.B.more hu
12、miliated.C.very grateful.D.mistakenly wronge(2).All the following descriptions of Clara are true EXCEPT that(分数:1.00)A.she wanted to be kind to her work-mates.B.she was always condescending towards her fellow workers.C.she felt herself superior to her own class.D.she did not want others to read her
13、min(3).What Paul didnt like in Clara was that(分数:1.00)A.she was sometimes scornfully critical about his painting.B.she was a feminist.C.she had more education than him.D.she was not pretty enoug(4).Which of the following descriptions is NOT true of Pauls feeling when he was with Clara?(分数:1.00)A.He
14、felt attracted by her.B.He didnt quite understand her.C.He felt himself inferior for lacking knowledge and experience.D.He shared many ideas with her concerning paintin二、Text B(总题数:1,分数:5.00)That Louise Johannes is believed by many critics to be the greatest twentieth-century sculptor is all the mor
15、e remarkable because the greatest resistance to women artists has been, until recently, in the field of sculpture. Since Neolithic times, sculpture has been considered the prerogative of men, partly, perhaps, for purely physical reasons it was erroneously assumed that women were not suited for the h
16、ard manual labor required in sculpting stone, carving wood, or working in metal. It has been only during the twentieth century that women sculptors have been recognized as major artists, and it has been in the United States, especially since the decades of the fifties and sixties, that women sculpto
17、rs have shown the greatest originality and creative power. Their rise to prominence parallels the development of sculpture itself in the United States, while there had been a few talented sculptors in the United States before the 1940s. It was only after 1945 when New York was rapidly becoming the a
18、rt capital of the world-that major sculpture was produced in the United States. Some of the best was the work of women.By far the most outstanding of these women is Louise Johannes, who in the eyes of many critics is the most original female artist alive today. One famous and influential critic Hilt
19、on Kramer, said of her work, “For myself, I think Ms Johannes succeeds where the painters often fail.“Her works have been compared to the Cubist constructions of Picasso, the Surrealistic objects of Miro and the Merzbau of Schwitters. Johannes would be the first to admit that she has been influenced
20、 by all of these, as well as by African sculpture, and by Native American and pre-Columbian art, but she has absorbed all these influences and still created a distinctive art that expresses the urban landscape and the aesthetic sensibility of the twentieth century. Johannes says, “I have always want
21、ed to show the world that art is everywhere, except that it has to pass through a creative mind.“Using mostly discarded wooden objects like packing crates, broken pieces of furniture, and abandoned architectural ornaments, all of which she has hoarded for years, she assembles architectural construct
22、ions, of great beauty and power. Creating very freely with no sketches, she glues and nails objects together, paints them black, or more rarely white or gold, and places them in boxes. These assemblages, walls, even entire environments create a mysterious, almost awe-inspiring atmosphere. Although s
23、he has denied any symbolic or religious intent in her works, their three-dimensional grandeur and even their titles, such as Sky Cathedral and Night Cathedral, suggest such connotation. In some ways, her most ambitious works are closer to architecture than to traditional sculpture, but then neither
24、Louise Johannes nor her art fits into any neat category.(分数:5.00)(1).The writer implies in the first paragraph that(分数:1.00)A.Louise Johannes was known before the 1940s.B.American sculpture developed with the appearance of women sculptors.C.until the 1950s and 1960s, there were no major sculpture ma
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