【考研类试卷】武汉大学真题2005年及答案解析.doc
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1、武汉大学真题 2005 年及答案解析(总分:100.00,做题时间:90 分钟)一、BPart Reading (总题数:5,分数:40.00)BDirections:/B There are 5 reading passages in this part. Each passage is followed by some questions or unfinished statements. For each of them there are four choices marked A, B, C, and D. You should decide on the best choice a
2、nd mark your answer on the ANSWER SHEET by blackening the corresponding letter in the brackets.The calendar used in Australia and in most other countries was introduced by Pope Gregory XIII in 1582. It provides for 366 days in those years for which the year number when divided by 4 gives a whole num
3、ber (i. e. without a remainder), those years are called leap years. All other years have 365 days. The Gregorian calendar further specifies that years whose year number is divisible evenly by 100 are not leap years, unless the year number is also divisible by 400.In a leap year February has 29 days,
4、 whereas in a non-leap year it has 28 days.A decade is a 10-year period, such as I January 1885-31 December 1894.(分数:8.00)(1).Which one of the following years was a leap year?(分数:2.00)A.1880B.1894C.1906D.1926(2).Which one of the following years will not be a leap year?(分数:2.00)A.2000B.2024C.2052D.30
5、00(3).How many leap years will there be in the decade commencing 1 January 2019?(分数:2.00)A.1B.2C.3D.4(4).Since 1582, the maximum number of leap years possible in any decade is _.(分数:2.00)A.2B.3C.4D.5When you meet Tim Winton, its easy to understand his success at writing for teenagers. He likes surfi
6、ng and fishing and camping and hanging out in the vast tract of sand dunes that borders the one-pub fishing town where he lives in Western Australia. He even looks like the big kid who sat behind you in high school and has the kind of laid-back manner and earthy conversation that you know appeals to
7、 those too young to be treated as kids but not grown-up enough to be admitted to the adult world.Wintons first foray into teenage fiction, Lockie Leonard, Human Torpedo, is about to go into its second printing. Even more gratifying for the writer has been the response the book has prompted. Hes had
8、scores of appreciative letters “from kids, parents, teachers“, and has read passages from the book to students in country high schools.Writing for young readers has also enabled Winton to find a wider, non-literary audience. “Its very difficult to break out of the few-thousand-group of Australians w
9、ho read, of whom half or all are professional or semi-professional readers. Its nice to get to people who arent jaded, who will come at a story and read it for what it is. “You dont have to deal with their education and their past and their biases.“Winton was himself still a teenager when he started
10、 writing seriously at 16. Three years later, in 1981, he was named joint winner of The Australian Vogel Literary Award for his first novel, An Open Swimmer. Had he known when he was 16 how difficult it is to make a living as a writer, he would never have started. “I was about 10 when I decided I wan
11、ted to be a writer, and I guess I lacked the imagination to think of anything else,“ he said. “I got the idea and I just stuck with it. I was unaware of how hard it is to make a living from the people you have to deal with.“Neither lack of imagination nor inattention to detail is evident in Wintons
12、writing. In That Eye, The Sky, he takes us into the turbulent soul of his 12-year-old protagonist, Morton Flack, with prose that sends you back to long, hot summer holidays in the country.The hot white day swims along real snow like the sun is breast-stroking through that blue sky when it should be
13、going freestyle. Everyone hangs around the shade of the house listening to the trees in the east wind. The ground is wobbly with heat. The house ticks. You can hear seeds popping, grass drying up and fainting flat. You can hear the snakes puffing.Other young protagonists have been given voice in Win
14、tons short stories, so the transition to writing for teenagers, instead of about them, was a smooth one. “Lockies not so different in tone from the adult books,“ he said. “If you get too self-conscious when youre writing for kids, you end up talking down to them-you just use your own tone and be you
15、rself, and if that doesnt work, it probably wouldnt have anyway.“(分数:8.00)(1).Winton hopes to reach an audience (in Paragraph 4) that is _.(分数:2.00)A.youthful and caringB.unprofessional and jadedC.educated and widely readD.unbiased and spontaneous(2).Which of these statements is best supported from
16、the passage in Paragraph 5?(分数:2.00)A.It is best to start writing when you are young.B.Earning a living from writing requires painstaking effort.C.The decision to become a writer was carefully considered.D.The decision to become a writer was not carefully considered.(3).According to the last paragra
17、ph, the transition from writing for an adult audience to writing for a younger audience is easy for Winton because _.(分数:2.00)A.he deliberately adopts a suitable toneB.it has happened later in his writing careerC.he has written about young people beforeD.he has been preparing for this for much of hi
18、s writing career(4).The kind of tone Tim Winton aims for in his writing is best described as _.(分数:2.00)A.gentleB.naturalC.humbleD.self-consciousRobert Menzies was conservative Prime Minister of Australia from 1939 to 1941 and again from 1949 until his retirement in 1966. Menzies provoked a variety
19、of responses during his political career. Views to below summarize some of those responses.View The supreme twentieth-century statesman and politician, presiding with ease over the nation, and representing Australia abroad with dignity and aplomb.View Authoritarian despite his professed liberal beli
20、efs, he was the enemy of the workers, who stayed in office for seventeen years through a combination of unscrupulous opportunism, remarkable good luck, and the gullibility of the Australian people.View Menzies imposed the values of a bygone age on Australia, with his devotion to Britain and the Brit
21、ish monarchy, and his cautious conservatism. He suppressed a new, creative, energetic generation by cultivating smugness, fear and indifference in the Australia of the 50s and 60s.View Downright democratic, something new and different but with an easy-going manner and aggressive independence.(分数:8.0
22、0)(1).Which one of the Views(-)expresses the strongest admiration for Menzies?(分数:2.00)A.B.C.D.(2).Which one of the Views(-) is most damning about Menzies effect on Australias cultural identity?(分数:2.00)A.B.C.D.(3).“Aggressive independence“ (View ) is most at odds with the suggestion of Menzies _.(分
23、数:2.00)A.easy authority (View )B.hypocrisy (View )C.political cunning (View )D.devotion to Britain (View )(4).Views I to IV of Menzies all represent him as a man who was _.(分数:2.00)A.dignified and remoteB.scheming and ruthlessC.rigid and old-fashionedD.forceful and influentialIn the following passag
24、e, Philip Roth is talking to a friend, Joanna, about his father.“Did I ever tell you what happened when he was mugged a couple of years ago? He could have got himself killed. “No. Tell me.“A black kid about fourteen approached him with a gun on a side street leading to their little temple. It was th
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