SMPTE ST 324M-2004 Television Serial Interface for Multiplexing Eight AES3 Data Streams.pdf
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1、 Table of contents 1 Scope 2 Normative references 3 Definition of terms 4 Overview 5 Multiplex carrier channel-coding 6 Synchronization and audio phasing 7 AES data mapping 8 Active channels 9 Multiplex header 10 Electrical characteristics 11 Equalization 12 Cable 13 Connector type Annex A Additiona
2、l data Annex B Bibliography 1 Scope 1.1 This standard defines a method of mapping up to eight synchronous streams of AES3-compliant data into a self-clocking serial interface. When used for PCM digital audio, the interface can carry up to 16 channels of linearly encoded audio and auxiliary data. Alt
3、ernatively or concurrently (within the eight stream limit), the interface may be used to carry streams of compressed audio or other data that is packaged into an AES3-compliant stream. The interface is transparent to any data type that is packaged in an AES3-compliant stream that is synchronous with
4、 the multiplex. 1.2 PCM audio sampled at 48 kHz and clock-locked to video is the preferred linear baseband audio representation for studio applications and should be used whenever baseband audio is associated with video that is running at standard frame rates. However, this interface supports any fr
5、equency of operation supported by AES3, provided that all of the audio channels and/or all the non-audio (see 3.15) data streams are synchronized to a common clock. Ideally all the audio channels should be audio-synchronous (see 3.5) for guaranteed audio phase coherence. 1.3 This standard is intende
6、d to provide a reliable method of distributing multiple co-phased channels of digital audio around a studio without losing the initial relative sample-phase relationship. A mechanism is provided to allow multiple 16-channel streams to be re-aligned after a relative misalignment of up to 8 samples. 1
7、.4 This interface is intended to be compatible with the complete range of digital television scanning standards and standard film rates. Page 1 of 9 pages SMPTE 324M-2004 Copyright 2004 by THE SOCIETY OF MOTION PICTURE AND TELEVISION ENGINEERS 595 W. Hartsdale Ave., White Plains, NY 10607 (914) 761-
8、1100 ApprovedMay 10, 2004SMPTE STANDARD for Television Serial Interface for Multiplexing Eight AES3 Data Streams SMPTE 324M-2004 Page 2 of 9 pages 2 Normative references The following standards contain provisions which, through reference in this text, constitute provisions of this standard. At the t
9、ime of publication, the editions indicated were valid. All standards are subject to revision, and parties to agreements based on this standard are encouraged to investigate the possibility of applying the most recent edition of the standards indicated below AES3-2003, Digital Audio Engineering Seria
10、l Transmission Format for Two-Channel Linearly Represented Digital Audio Data AES-3id-2001, AES Information Document for Digital Audio Engineering Transmission of AES3 Formatted Data by Unbalanced Coaxial Cable AES11-2003, Digital Audio Engineering Synchronization of Digital Audio Equipment in Studi
11、o Operations ANSI/SMPTE 276M-1995, Television Transmission of AES/EBU Digital Audio Signals Over Coaxial Cable. IEC 60169-8, Radio-Frequency Connectors. Part 8: R.F. Coaxial Connectors with Inner Diameter of Outer Conductor 6.5 mm (0.256 in) with Bayonet Lock Characteristic Impedance 50 ohms (Type B
12、NC) 3 Definition of terms 3.1 AES audio: All of the data, audio and auxiliary, associated with one AES digital stream as defined in AES3. 3.2 AES frame: Two AES subframes, one with audio data for channel a (subframe 1) followed by one with audio data for channel b (subframe 2). 3.3 AES subframe: All
13、 data associated with one AES audio sample for one channel in a channel pair . 3.4 audio data: 28 bits: 24 bits of audio associated with one audio sample plus the following 4 bits: sample validity (V bit), channel status (C bit), user data (U bit), and parity (P bit). Alternatively, there may be 20
14、bits of audio, 4 auxiliary bits, and the V, C, U, and P bits per the AES3 standard. 3.5 audio synchronous: One audio channel is defined as being synchronous with another when the two channels are running from the same clock and the analog inputs are concurrently sampled as described in AES11. 3.6 au
15、xiliary data: Four bits of AES audio associated with one sample defined as auxiliary data by AES3. The four bits may be used to extend the resolution of the audio sample. 3.7 carrier data: Available data bits in the header data that may be used for metadata transmission or other user applications. 3
16、.8 carrier data block start bit (CB bit): An optional bit provided to allow the formation of a carrier data block that spans multiple AES frames. 3.9 channel pair: Two digital audio channels derived from the same AES audio source. 3.10 header data: All the data in the multiplex header. 3.11 multicha
17、nnel phasing flag (MC bit): A dedicated bit that identifies the start of a 16 frame period with a 1 state. This bit immediately precedes the A1 bit and has a 1 state in the first frame following the frame containing the Z preamble in the AES11 timing reference. SMPTE 324M-2004 Page 3 of 9 pages 3.12
18、 multiplex frame: All the data associated with each sample of audio in each AES frame for each of 8 AES inputs and the multiplex header associated with that sample period. 3.13 multiplex frame sync: A bi-phase code violation at the beginning of the multiplex header that identifies the start of each
19、multiplex frame 3.14 multiplex header: A 64-bit data packet at the start of each frame that includes a bi-phase code violation for synchronization, 32 bits of carrier data, an optional carrier block flag (CB bit), a parity bit for carrier data (CP bit), a multi-channel phasing flag (MC bit), sixteen
20、 channel active bits (A bits), eight AES block start bits (Z bits), and a parity bit for the MC, A, and Z bits (HP bit). 3.15 non-audio data: Any data payload in an AES3 stream that requires byte 0, bit 1 of the channel status data to be set to 1 per the AES3 standard. This encompasses any data that
21、 is not linearly coded PCM audio, so “non-audio data” may actually be compressed audio or non-linearly coded audio as well as metadata, compressed video, or other data that is truly not audio. 3.16 video synchronous: Audio is defined as being clock-synchronous with video if the sampling rate of the
22、audio is such that the number of audio samples occurring within an integer number of video frames is itself a constant integer number. 4 Overview Audio data derived from eight synchronous AES frames are multiplexed together in a single, bi-phase-mark-encoded serial data stream at exactly eight times
23、 the bit rate of each incoming AES signal. Each AES subframe is organized in time sequence in the multiplexed frame. All the data in each AES subframe is included with the exception of the preamble. The four bit-times from each preamble are moved to the front of the multiplexed word to produce a 64-
24、bit header. Four of the header bits are used for a code violation that provides frame synchronization. One bit is used for a sixteen frame flag that allows multiple streams that have been subjected to differential delay to be re-phased with minimum latency. Sixteen A bits are used to identify active
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