[外语类试卷]北京大学考博英语模拟试卷2及答案与解析.doc
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1、北京大学考博英语模拟试卷 2及答案与解析 一、 Structure and Vocabulary 1 The bus moved slowly in the thick fog. We arrived at our _ almost two hours later. ( A) designation ( B) destiny ( C) destination ( D) dignity 2 The negotiations which _ the signing of the treaty took place over a number of years. ( A) preceded ( B)
2、 prescribed ( C) proceeded ( D) processed 3 Americans are highly _ , and therefore may find it difficult to become deeply involved with others. ( A) moving ( B) mobile ( C) movable ( D) motional 4 The Untied States and Canada are lands of _ except for the Indians, who are the only true natives. ( A)
3、 emigrants ( B) immigrants ( C) dwellers ( D) inhabitants 5 There was a noisy _ at the back of the hall when the speaker began his address. ( A) interaction ( B) irritation ( C) disturbance ( D) interruption 6 The patient is not in good condition, so do not _ your visit. ( A) lengthen ( B) delay ( C
4、) extend ( D) prolong 7 Violence is just one of the many problems _ in city life. ( A) abundant ( B) inherent ( C) substantial ( D) coherent 8 Trees that _ the view of the oncoming traffic should be cut down. ( A) block ( B) inhibit ( C) spoil ( D) alter 9 He gave his work to his friend to _ , becau
5、se he found it hard to see his own mistakes. ( A) adjust ( B) compile ( C) revise ( D) verify 10 A considerable amount of time and money has been invested in _ this system. ( A) defining ( B) implying ( C) reducing ( D) perfecting 11 Complicated _ it is, the problem can be solved in only 2 hours wit
6、h an electronic computer. ( A) like ( B) as ( C) however ( D) even if 12 He promised me a letter; he ought to _ it days ago. ( A) have written ( B) write ( C) had written ( D) be writing 13 Please excuse me if I have left any of my questions _ ( A) to be unanswered ( B) not to answer ( C) unanswered
7、 ( D) being unanswered 14 Mary has brown hair. In fact, its quite similar in shape _ yours. ( A) with ( B) to ( C) like ( D) as 15 “Is George really leaving the university? Yes, but would you mind _ to anyone:“ ( A) not to mention it ( B) not mention it ( C) not mentioning it ( D) not to mentioning
8、it 16 The Japanese take pride in doing a job and getting it done _ much time is required. ( A) no matter how ( B) the matter so ( C) in a matter of ( D) for the matter of 17 “What do they eat in Hawaii?“ _ eat rice rather than potatoes.“ ( A) Most of people ( B) Most of the people ( C) The most of p
9、eople ( D) The most people 18 It is _ who decides whether the accused is innocent or guilty. ( A) the jury and only jury ( B) the jury and only the jury ( C) only the jury and jury ( D) the jury and the only jury 19 Cooked vegetables are also valuable sources of certain vitamins and minerals, if the
10、 juice is eaten and if not cooked _ . ( A) too long a time ( B) a long time too ( C) much time long ( D) long much time 20 Mountain biking demands hill-walking strength as well as track-riding skills. Initially, choose gentle routes among familiar terrain or risk _ shoulder-carriers! ( A) long-term
11、( B) elongated ( C) prolonged ( D) lengthened 二、 Reading Comprehension 20 The history of responds to the work of the artist Sandro Botticelli (1444-1510) suggests that widespread appreciation by critics is a relatively recent phenomenon. Writing in 1550, Vasari expressed an unease with Botticellis w
12、ork, admitting that the artist fitted awkwardly into his evolutionary scheme of the history of art. Over the next two centuries, academic art historians defamed Botticelli in favor of his fellows Florentine, Michelangelo. Even when anti-academic art historians of the early nineteenth century rejecte
13、d many of the standards of evaluation adopted by their predecessors, Botticellis work remained outside of accepted taste, pleasing neither amateur observers nor connoisseurs. (Many of his best paintings, however, remained hidden away in obscure churches and private homes.) The primary reason for Bot
14、ticellis unpopularity is not difficult to understand: most observers, up until the mid-nineteenth century, did not consider him to be noteworthy, because his work, for the most part, did not seem to these observers to exhibit the traditional characteristics of fifteenth-century Florentine art. For e
15、xample, Botticelli rarely employed the technique of strict perspective and, unlike Michelangelo, never used chiaroscuro. Another reason for Botticellis unpopularity may have been that his attitude toward the style of classical art was very different from that of his contemporaries. Although he was t
16、horoughly exposed to classical art, he showed little interest in borrowing from the classical style. Indeed, it is paradoxical that a painter of large-scale classical subjects adopted a style that was only slightly similar to that of classical art. In any case, when viewers began to examine more clo
17、sely the relationship of Botticellis work to the tradition of fifteenth-century Florentine art, his reputation began to grow. Analyses and assessments of Botticelli made between 1850 and 1870 by the artists of the Pre-Raphaelite movement, as well as by the writer Pater (although he, unfortunately, b
18、ased his assessment on an incorrect analysis of Botticellis personality), inspired a new appreciation of Botticelli throughout the English-speaking world. Yet Botticellis work, especially the Sistine frescoes, did not generate worldwide attention until it was finally subjected to a comprehensive and
19、 scrupulous analysis by Home in 1908. Home rightly demonstrated that the frescoes shared important features with paintings by other fifteenth-century Florentines-features such as skillful representation of anatomical proportions, and of the human figure in motion. However, Home argued that Botticell
20、i did not treat these qualities as ends in themselves-rather, that he emphasized clear depletion of a story, a unique achievement and one that made the traditional Florentine qualities less central. Because of Homes emphasis crucial to any study of art, the twentieth century has come to appreciate B
21、otticellis achievements. 21 Which of the following would be the best title for the text? ( A) The Role of Standard Art Analyses and Appraisals. ( B) Sandro Botticelli: From Rejection to Appreciation ( C) The History of Critics Responses to Art Works. ( D) Botticelli and Florentine: A Comparative Stu
22、dy. 22 We can learn from the text that art critics have a history of _ ( A) suppressing painters art initiatives. ( B) favoring a Botticellis best paintings. ( C) rejecting traditional art characteristics. ( D) undervaluing Botticellis achievements. 23 The views of Vasari and Home on Botticellis pro
23、ducts are _ ( A) identical. ( B) complementary. ( C) opposite. ( D) similar. 24 The word “connoisseurs“ (Paragraph 1) most probably means _ ( A) representatives in the Pre-Raphaelite Movement. ( B) people who are in favor of Florentine. ( C) critics who are likely to make assessments. ( D) conservat
24、ives clinging to classical art. 24 In the next century well be able to alter our DNA radically, encoding our visions and vanities while concocting new life-forms. When Dr. Frankenstein made his monster, he wrestled with the moral issue of whether he should allow it to reproduce, “Had I the right, fo
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