[外语类试卷]专业英语八级模拟试卷650及答案与解析.doc
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1、专业英语八级模拟试卷 650及答案与解析 SECTION A MINI-LECTURE Directions: In this section you sill hear a mini-lecture. You will hear the lecture ONCE ONLY. While listening, take notes on the important points. Your notes will not be marked, but you will need them to complete a gap-filling task after the mini-lecture.
2、 When the lecture is over, you will be given two minutes to check your notes, and another ten minutes to complete the gap-filling task on ANSWER SHEET ONE. Use the blank sheet for note-taking. 0 How to Write a Book Review . The definition of a book review A. a descriptive and critical or evaluative
3、account of a book B. a summary of content and an analysis of structure . Two approaches to book reviewing A. the descriptive review giving the essential 【 1】 _ about a book 【 1】 _ B. the critical review describing and evaluating the book . Basic requirements and minimum essentials A. Knowledge of th
4、e book 【 2】 _ 【 2】 _ B. Mastery of the genre in the work C. Description, not a summary of the book D. Something about, not a biography of, the author E. 【 3】 _ appraisal 【 3】 _ . Five preliminary mechanical steps A Reading the book 【 4】 _ 【 4】 _ B. Noting effective passages for quoting C. Noting you
5、r impressions as you read D. 【 5】 _ what you have read 【 5】 _ E. Aiming at achieving a single impression . Starting the outline A. Getting an over-all grasp of the organization B. Determining the central point to be made C. Eliminating 【 6】 _ or irrelevancies 【 6】 _ D. Filling in gaps or omissions .
6、 Making the draft A. The opening paragraph in a position of emphasis, and setting the 【 7】 _ of the paper 【 7】 _ B. The main body being 【 8】 _ organized by the outline 【 8】 _ logical development of the central point C. The concluding paragraph summing up or 【 9】 _ 【 9】 _ making the final judgment in
7、troducing no new ideas . 【 10】 _ the draft 【 10】 _ A. Correcting all mistakes in grammar and punctuation B. Looking for unity, organization and logical development C. Verifying quotations for accuracy and checking the references 1 【 1】 2 【 2】 3 【 3】 4 【 4】 5 【 5】 6 【 6】 7 【 7】 8 【 8】 9 【 9】 10 【 10】
8、 SECTION B INTERVIEW Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. Questions 1 to 5 are based on an interview. At the end of the interview you will be given 10 seconds to answer each of the following five questions. Now li
9、sten to the interview. 11 What does the example of Czech speakers show? ( A) Its natural for language learners to make errors. ( B) Differences between languages cause difficulty. ( C) Difficulty stems from either difference or similarity. ( D) There exist differences between English and Czech. SECT
10、ION C NEWS BROADCAST Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. At the end of each news item, you will be given 10 seconds to answer the questions. 12 Whats the effect of the US slowdown? ( A) Cutting into demand for No
11、kias handsets. ( B) Promote other economies. ( C) Many firms break down. ( D) Many handsets dont sell. 13 So far, how many percent of sales growth this quarter? ( A) 20%. ( B) 10%. ( C) 40%. ( D) 80%. 14 Why has the rate of new phone purchases slowed in Europe? ( A) Because of the warning about sale
12、s ( B) Because the customers are reluctant to trade up to new handsets ( C) Because of cutting into demand for handsets ( D) Because of the U.S slowdown 14 The first school I went to was a red-brick building on the edge of the town, in the district of Georgetown. We had a splendid teacher and he tau
13、ght us, about sixty small boys, for the four years I was in the school, between the ages of seven and eleven. He was not only fond of words himself, but he could use them to tell jokes, to sing aloud, to explain things so vividly to us that we could see, almost, what he described. And he educated ou
14、r senses, too, he made us look at everything so firmly, to know the textures of things with our skins, to hear the particular noises that exist in the world all around us. So real were our experiences that we began to look for the words necessary to recreate those experiences. That is how I began to
15、 write poetry. I cant say that poetry was my greatest enthusiasm at that time. I loved football most of all, and after that boxing. I would travel miles just to kick a football. I knew all the great boxers of our town. When I was about ten years old I saw the fight I wrote about in The Ballad of Bil
16、ly Rose. And years later, in Bristol, I saw the same man, old now, and very frail. His name, however, was really Tommy Rose, and in the first version of my poem I called him that. When I finished it, I read it aloud, and I knew that something was wrong. I was forced to change it to Billy, so that th
17、e balance was right, so that there was a satisfying correspondence between the word “ballad“ and the word “Billy“. Much the same thing happened when I wrote about his last great fight. I wanted my readers to hear for themselves the sounds of the fight, and how the words which end in “s“ are really t
18、he shoes of the boxers as they slither on the resin. What Im saying is that in my poems I try not so much to describe things as actually to make them, with words. My friend Ted Walker, a very fine poet himself, and I, used to set each other weekly poetry writing challenges, he choosing a title one w
19、eek and I the next. In this way I came to write Gardening Gloves. The poem is an example of how necessary it is for the poet to observe well, so that an old pair of gloves can reveal all that there is to know about them, and for imagination to begin to build a little world around them. Poetry is a c
20、raft as well as an art. We owe very great responsibility to the poems if we do not write well enough the poem fails. Like any other craft, although some people are more naturally gifted than others, we can all learn the skills. I learned by reading the work of other poets. I read everything, good po
21、ems, bad poems, learning as I read. I was very fond of funny poems, and that was valuable for me since, to be successful, funny poems have to be extremely well made. But as I grew more experienced and severe, as my taste developed, I needed better examples. I found them in the work of Edward Thomas,
22、 a poet who was killed in the First World War. From him l learned how to write quietly and simply, without, I hope, losing any strength or true complexity of thought I might possess. A Glass Window is in part my tribute to this man, dead years before I was born, who, among many others, taught me wha
23、t poetry can be, how to listen to it. How to write it. 15 One of the strengths of the authors teacher was that he taught his pupils to _. ( A) observe the world in detail ( B) express their feelings in poetry ( C) explain things vividly ( D) create imaginary worlds 16 What is implied about the poem
24、Gardening Gloves? ( A) Gloves is an unusual subject for a poem. ( B) It is less interesting than his other works. ( C) It overstretched his imagination. ( D) It was particularly difficult to write. 17 From the passage we can gather that the authors approach to poetry _. ( A) has changed to reflect t
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- 外语类 试卷 专业 英语 模拟 650 答案 解析 DOC
