[外语类试卷]2014年职称英语(综合类)A级真题试卷及答案与解析.doc
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1、2014年职称英语(综合类) A级真题试卷及答案与解析 一、 词汇选项 (第 1-15题,每题 1分,共 15分 ) 下面每个句子中均有 1个词或短语在括号中,请为每处括号部分的词汇或短语确定1个意义最为接近选项。 1 There was an inclination to treat geography as a less important subject. ( A) point ( B) tendency ( C) result ( D) finding 2 New secretaries came and went with monotonous regularity. ( A) am
2、azing ( B) depressing ( C) predictable ( D) dull 3 The committee was asked to render a report on the housing situation. ( A) furnish ( B) copy ( C) publish ( D) summarize 4 The group does not advocate the use of violence. ( A) limit ( B) regulate ( C) oppose ( D) support 5 The original experiment ca
3、nnot be exactly duplicated. ( A) reproduced ( B) invented ( C) designed ( D) reported 6 The department deferred the decision for six months. ( A) put off ( B) arrived at ( C) abided by ( D) protested against 7 The symptoms of the disease manifested themselves ten days later. ( A) eased ( B) appeared
4、 ( C) improved ( D) relieved 8 That uniform makes the guards look absurd. ( A) serious ( B) ridiculous ( C) beautiful ( D) impressive 9 Some of the larger birds can remain stationary in the air for several minutes. ( A) silent ( B) motionless ( C) seated ( D)真 10 The country was torn apart by strife
5、. ( A) poverty ( B) war ( C) conflict ( D) economy 11 She felt that she had done her good deed for the day. ( A) act ( B) homework ( C) justice ( D) model 12 A person s wealth is often in inverse proportion to their happiness. ( A) equal ( B) certain ( C) large ( D) opposite 13 His professional care
6、er spanned 16 years. ( A) started ( B) changed ( C) moved ( D) lasted 14 His stomach felt hollow with fear. ( A) sincere “ ( B) respectful ( C) terrible ( D) empty 15 This was disaster on a cosmic scale. ( A) modest ( B) huge ( C) commercial ( D) national 二、 阅读判断 (第 16-22题,每题 1分,共 7分 ) 下面的短文后列出了 7个句
7、子,请根据短文的内容对每个句子做出判断:如果该句提供的是正确信息,请选择 A;如果该句提供的是错误信息,请选择 B;如果该句的信息文中没有提及,请选择 C。 15 When Our Words Collide “Wanna buy a body?“ That was the opening line of more than a few phone calls I got from freelance(自由职业 )photographers when I was a photo editor at U. S. News. Like many in the mainstream press, I
8、 wanted to separate the world of photographers into “ them“ , who trade in pictures of bodies or chase celebrities, and us“ , the serious news people. But after 16 years in that role, I came to wonder whether the two worlds were easily distinguishable. Working in the reputable world of journalism, I
9、 assigned photographers to cover other people s nightmares. I justified invading moments of grief, under the guise(借口 )of the reader s right to know. I didn t ask photographers to trespass(冒犯 )or to stalk(跟踪 ), but I didn t have to. 1 worked with pros(同行 )who did what others did, talking their way i
10、nto situations or shooting from behind police lines to get pictures I was after. And I wasn t alone. In the aftermath of a car crash or some other hideous incident when ordinary people are hurt or killed, you rarely see photographers pushing past rescue workers to capture the blood and gore(血腥场面 ).
11、But you are likely to see local newspaper and television photographers on the scene and fast. How can we justify our behavior? Journalists are taught to separate doing the job from worrying about the consequence of publishing what they record. Repeatedly, they are reminded of a news-business dictum(
12、格言 ): leave your conscience in the office. You get the picture of the footage; the decision whether to print or air it comes later. A victim may lie bleeding, unconscious, or dead;your job is to record the image. You put away your emotions and document the scene. We act this way partly because we kn
13、ow that the pictures can have important meaning. Photographs can change deplorable(凄惨的 )situations by mobilizing public outrage or increase public understanding. However, disastrous events often bring out the worst in photographers and photo editors. In the first minutes and hours after a disaster o
14、ccurs, photo agencies buy pictures. Often an agency buys a picture from a local newspaper or an amateur photographer and put it up for bid by major magazines. The most keenly sought “exclusives“ command tens of thousands of dollars through bidding contests. Many people believe that journalists need
15、to change the way they do things, and it s our pictures that annoy people the most. Readers may not believe, as we do, that there is a distinction between sober-minded us and sleazy(低级庸俗的 )“them“. In too many cases, by our choices of images as well as how we get them, we prove our readers right. 16
16、The writer never got an offer for a photograph of a dead person. ( A) Right ( B) Wrong ( C) Not mentioned 17 The writer was a photographer sixteen years ago. ( A) Right ( B) Wrong ( C) Not mentioned 18 The writer believes that shooting people s nightmares is justifiable. ( A) Right ( B) Wrong ( C) N
17、ot mentioned 19 News photographers are usually a problem for rescue workers at an accident. ( A) Right ( B) Wrong ( C) Not mentioned 20 Journalists arent supposed to think about whether they are doing the right thing. ( A) Right ( B) Wrong ( C) Not mentioned 21 Editors sometimes have to pay a lot of
18、 money for exclusive pictures. ( A) Right ( B) Wrong ( C) Not mentioned 22 Many people say that they are annoyed by the U. S. News pictures. ( A) Right ( B) Wrong ( C) Not mentioned 三、 概括大意与完成句子 (第 23-30题,每题 1分,共 8分 ) 下面的短文后有 2项测试任务: (1)第 23-26题要求从所给的 6个选项中为第 2-5段每段选择一个最佳标题; (2)第 27-30题要求从所给的 6个选项中为
19、每个句子确定一个最佳选项。 22 The Storyteller 1 Steven Spielberg has always had one goal: to tell as many interesting stories to as many people as possible. The son of a computer scientist and a pianist, Spielberg spent his early childhood in New Jersey and then Arizona. Some of his childhood memories became the
20、 inspiration for his filmmaking. 2 Even decades later, Spielberg says he has vivid memories of his earliest years, which are the origins of some of his most successful films. He believes that E. T. is the result of the difficult years leading up to his parent s 1966 divorce. He commented, “ It is re
21、ally about a young boy who was in search of some stability in his life. “ Close Encounters of the Third Kind was inspired by times when the four-year-old Steven and his father would search the skies for meteors(流星 ). His mother remembers, “ He was scared of just about everything. When trees brushed
22、against the house, he would jump into my bad. And that s just the kind of scary stuff he would put in films like Poltergeist. “ 3 Spielberg was 11 when he first got his hands on his dad s movie camera and began shooting short flicks(电影 )about flying saucers(飞碟 )and World War TJ battles. These homema
23、de movies gave him a way to escape his fears. From the very beginning, he had a creative imagination. With his talent for scary storytelling, he could terrify his three younger sisters. It also made it easier for him to make friendships. On Boy Scout camping trips, when night fell, young Steven beca
24、me the center of attention. “ Steven would start telling his ghost stories, “says Richard Y. Hoffman. Jr. , leader of Troop 294, “and everyone would suddenly get quiet so that they could all hear. “ 4 Spielberg moved to California with his father and went to high school there, but his grades were so
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- 外语类 试卷 2014 职称 英语 综合 级真题 答案 解析 DOC
