专业八级分类模拟415及答案解析.doc
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1、专业八级分类模拟415及答案解析 (总分:68.00,做题时间:90分钟)一、PART READING COMPR(总题数:1,分数:33.00)SECTION A MULTIPLE-CHOICE QUESTIONS In this section there are three passages followed by fourteen multiple choice questions. For each multiple choice question, there are four suggested answers marked A, B, C and D. Choose the o
2、ne that you think is the best answer. PASSAGE ONE (1) The Heart Is a Lonely Hunter impressed most reviewers as a remarkable first novel from so young a writer. Lorine Pruette wondered in Books how any young person could know so much about loneliness. In the Saturday Review of Literature , Ben Ray Re
3、dman went further, calling The Heart Is a Lonely Hunter an extraordinary novel in its own right, considerations of authorship apart. Writing for The New York Times , Rose Feld agreed that McCullers had proven herself a full-fledged novelist whatever her age. (2) The Heart Is a Lonely Hunter continue
4、s to be regarded as one of McCullerss strongest claims to lasting fame, generally ranking in critical estimation just below The Ballad of the Sad Caf (1951) and The Member of the Wedding (1946) among her longer fictions. The Heart Is a Lonely Hunter is often cited as an ideal introduction to McCulle
5、rss work because it foreshadows nearly everything else she wrote, revealing her literary strengths and limitations. In this first novel she started at length her master theme: spiritual isolation as the human condition in modern times. (3) To dramatize this isolation as a universal rather than idios
6、yncratic state, McCullers interwove the stories of five main characters who struggle to overcome their loneliness and alienation. Her outline reveals her vision of the novel as a fugue (赋格曲) in which these characters voices are developed independently, yet enriched by their interplay. Each chapter c
7、enters on one of the five characters, for each of whom she created an individualized third-person style of narration. (4) Critics disagree about how well the narrative works on different levels in McCullerss first novel and whether it is best approached as a realistic or symbolical book. Leslie Fied
8、ler argues that The Heart Is a Lonely Hunter is the last of proletarian novels, a true Depression book. Despite its strong particularization in time and place, however, McCullerss novel has endured while much social protest fiction of the era has faded because McCullers uses the topical to explore t
9、he timeless. She puts speeches in the excesses of capitalism and the horrors of racism into mouths of Blount and Copeland, but given their limitationsthey cannot be considered her spokesmen, and the novel never becomes a tract. The Heart Is a Lonely Hunter is stronger at dramatizing than solving soc
10、ial problems partly because these would-be leaders lack followers, but McCullerss stress on psychological rather than sociological sources of disaffection also precludes the search for collective answers. (5) Her intriguing reference to The Heart Is a Lonely Hunter as a parable on fascism has been i
11、nterpreted by some to mean that she attacks economic exploitation and racial discrimination as American equivalents of European fascism, which is preparing to envelop the West as the novel ends. Her likelier purpose, though, is to expose the psychology that makes fascism possiblein this case, the my
12、stification of Singer by estranged souls searching for what they lack. This view coincides with Barbara Farrellys argument that the novel gives literary form to its musical inspiration, Ludwig van Beethovens Third Symphony, the Eroica, which so moves Mick. The composer wrote the Eroica to honor of h
13、is hero, Napoleon, but withdrew the dedication when Napoleon named himself emperor. Likewise, those who impute superhuman qualities to Singer learn that he too is merely mortal. PASSAGE TWO (1) In 1933, approximately 117,000 Jewish children and youth between the ages of six and twenty-five lived in
14、Germany. Compared with their elders, whose loss of jobs and businesses proceeded erratically, the younger generation faced a more drastic deterioration in conditions at public schools and among non-Jewish friends, often finding then-first safe haven in a Jewish school. They also experienced a drasti
15、c reduction in their aspirations and lived in tense homes with families on edge. Gender played an important role in childrens and young peoples lives. Parents and Jewish communal organizations held different expectations for girls and boys, and gender framed the ways in which children envisioned the
16、ir futures. But from 1933 on, both girls and boys had to make unprecedented adjustments in their lives while facing unrelenting assaults on their self-esteem. (2) Nazi legislation of April 1933, euphemistically entitled the Law Against the Overcrowding of German Schools, established a quota of 1.5 p
17、ercent total enrollment for Jews. Where Jews made up more than 5 percent of the population, schools could allow up to 5 percent of their pupils to be Jewish. Exemptions included Jewish pupils whose fathers had served during World War , children of mixed marriages (with no more than two Jewish grandp
18、arents), and Jewish children with foreign citizenship. Elementary school (the Volksschule) attendance remained, for the time being, required for all. Like the other April laws, the actual number of exemptions surprised the Nazis. But for Jews, the exemptions were, at best, a Pyrrhic victory. The mas
19、sive hostility they faced and practical concerns with learning a vocation forced many to leave school. (3) Because children spent so much time in school, unprotected by family, Jewish children continually met with the blatant repercussions of Nazism there. Well before Jewish children were expelled f
20、rom German public schools, the majority lost the rights of non-Jews. They often had to sit apart from classmates. The curriculum isolated them further. In German class, one Jewish teenager had to study literature on the need for German expansion. Titles varied, including the bestseller Volk without
21、Space. In English class, the same girl read news articles from a British pro-Nazi tabloid. Teachers often required essays on Nazi themes. Jews, however, were prohibited from addressing these topics and, instead, were given arbitrary topics that had never been discussed in class. No matter how well a
22、n essay was written, a Jewish child seldom received a top grade. (4) School administrators and teachers barred Jewish children from school events, whether inside or outside school. When Nazi movies were shown, Jewish children could not attend but afterward had to listen while other children discusse
23、d the film. Denied school subsidies, they were forbidden from going to swimming pools or sleeping in dormitories on class trips. A mother described her daughters unhappiness about missing special events: It was not because she was denied going to the show that my little girl was weeping. but because
24、 she had to stay apart, as if she were not good enough to associate with her comrades any longer. On Mothers Day, Jewish children had to take part in the school festivities but were not allowed to sing along. When they protested, their teacher responded haughtily: I know you have a mother. but she i
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- 专业 分类 模拟 415 答案 解析
