专业八级-617及答案解析.doc
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1、专业八级-617 及答案解析(总分:100.10,做题时间:90 分钟)一、READING COMPREHENSIO(总题数:2,分数:100.00)Section A MULTIPLE-CHOICE QUESTIONS In this section there are several passages followed by fourteen multiple-choice questions. For each multiple-choice question, there are four suggested answers marked A, B, C and D. Choose t
2、he one that you think is the best answer and mark your answers on ANSWER SHEET TWO. Passage One The average U. S, household has to pay an exorbitant amount of money for an Internet connection that the rest of the industrial world would find mediocre, According to a recent report by the Berkman Cente
3、r for Internet and Society at Harvard University, broadband Internet service in the U.S. is not just slower and more expensive than it is in tech-savvy nations such as South Korea and Japan; the U.S. has fallen behind infrastructure-challenged countries such as Portugal and Italy as well. The conseq
4、uences are far worse than having to wait a few extra seconds for a movie to load. Because broadband connections are the railroads of the 21st centuryessential infrastructure required to transmit products (these days, in the form of information) from seller to buyerour creaky Internet makes it harder
5、 for U.S. entrepreneurs to compete in global markets. As evidence, consider that the U.S. came in dead last in another recent study that compared how quickly 40 countries and regions have been progressing toward a knowledge-based economy over the past 10 years. “We are at risk in the global race for
6、 leadership in innovation,“ Federal Communications Commission (FCC) chairman Julius Genachowski said recently. “Consumers in Japan and France are paying less for broadband and getting faster connections. We“ve got work to do.“ It was not always like this. A decade ago the U.S. ranked at or near the
7、top of most studies of broadband price and performance. But that was before the FCC made a terrible mistake. In 2002 it reclassified broadband Internet service as an “information service“ rather than a “telecommunications service.“ In theory, this step implied that broadband was equivalent to a cont
8、ent provider (such as AOL or Yahoo!) and was not a means to communicate, such as a telephone line. In practice, it has stifled competition. Phone companies have to compete for your business. Even though there may be just one telephone jack in your home, you can purchase service from any one of a num
9、ber of different long-distance providers. Not so for broadband Internet. Here consumers generally have just two choices: the cable company, which sends data through the same lines used to deliver television signals, and the phone company, which uses older telephone lines and hence can only offer slo
10、wer service. The same is not true in Japan, Britain and the rest of the rich world. In such countries, the company that owns the physical infrastructure must sell access to independent providers on a wholesale market. Want high-speed Internet? You can choose from multiple companies, each of which ha
11、s to compete on price and service. The only exceptions to this policy in the whole of the 32-nation Organization for Economic Cooperation and Development are the U.S., Mexico and the Slovak Republic, although the Slovaks have recently begun to open up their lines. A separate debateover net neutralit
12、y, the principle that Internet providers must treat all data equally regardless of their origin or contenthas put the broadband crisis back in the spotlight. Earlier this year a federal appeals court struck down the FCC“s plan to enforce net neutrality, saying that because the FCC classified the Int
13、ernet as an information service, it does not have any more authority to ensure that Internet providers treat all content equally than it does to ensure that CNN treats all political arguments equally. In response, the FCC announced its intention to reclassify broadband Internet as a telecommunicatio
14、ns service. The move would give the FCC power to enforce net neutrality as well as open broadband lines up to third-party competition, enabling free markets to deliver better service for less money. Yet, puzzlingly, the FCC wants to take only a half-step. Genachowski has said that although he regard
15、s the Internet as a telecommunications service, he does not want to bring in third-party competition. This move may have been intended to avoid criticism from policy makers, both Republican and Democrat, who have aligned themselves with large Internet providers such as AT “We went to (Grant“s) house
16、, and there were even trails where someone had walked the path for 40 years,“ remembers Jonas Rivera, an Up producer who started at the studio as an intern in its Toy Story phase. “It was really inspiring to us, the patina and weight of age on that house.“ Remarkably, the expectations haven“t change
17、d Pixar“s wonky, director-driven focus on the teeny-tiny. “(I“d) walk into the story room and hear a half-hour argument about how Carl might sit down in a chair, or where his phone would go,“ Rivera says. “What we“re trying to do is not just argue about the details, but find ways to create a believa
18、ble, implied history.“ Up “s details have an incredible tactile quality, from the jiggle of golden retriever Dug“s glossy coat to the sweet earnesty of Russell“s sewn-on scout badges. An early sequence shows Carl aging not through conventional tropes like seasons changing, but through a montage of h
19、is neckties as his wife lovingly draws up their knots. The texture and style of his ties change to reflect the decades, and the tie fibers are so closely rendered that you can almost feel their nubby weave. “We sent our shading art director.to the Fashion Institute to research fabric samples of diff
20、erent eras for the ties, even for Carl“s suits, like the houndstooth,“ says Rivera. The guiding principle is the same across all Pixar films: “Wonder and interest doesn“t have to come out of pizzazz and spectacle and huge idea.I always knew that the power came from the small, and not from the big,“
21、Wall-E director Andrew Stanton said earlier this year. “(Making Wall-E ) got me thinking about, and this may sound commercial, but how good Spielberg was at making moments of the littlest things.“ That minor details drive major plot points doesn“t happen without meticulous curation, especially in th
22、e opening, silent montages of both Wall-E and Up . “It“s not letting any stone be unturned,“ Stanton said about Wall-E . “It wasn“t a random choice to just pick this. It“s a conversation, like, “Why are we picking this, why are we using this object, why are we in this set?“ And frankly, I know these
23、 are questions I know you“re supposed to ask yourself as a filmmaker with any film, but there“s something interesting about doing a film whereand I never see it as silentdialogue is no longer one of the ingredients that“s giving you information. All I could do is give you intention and emotion.“ As
24、Up continues to remind us, sometimes that“s all you need. (此文选自 Newsweek)Passage Three It is quite a feat to be invisible while occupying substantial buildings in central London flanking the Royal Academy of Arts. But that“s just what the Linnean Society, the Royal Society of Chemistry, the Geologic
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- 专业 617 答案 解析 DOC
