公共英语四级-153及答案解析.doc
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1、公共英语四级-153 及答案解析(总分:62.00,做题时间:90 分钟)一、Section Use of Eng(总题数:1,分数:20.00)In 1942, the HMS Edinburgh was sunk in the Barents Sea. It was on its 1 back to Britain with ninety-one boxes of Russian gold. 2 thirty-nine years it lay there, too deep for divers to 3 . No one was allowed to explode it, eithe
2、r, since the bodies of sixty of the crew also lay in the 4 . Then, in 1981, an ex-diver called Jessop decided to try using new diving techniques. 5 he could not afford to finance the 6 which was going to cost four million pounds, he had to look for people who were 7 to take the risk. 8 , they were n
3、ot even sure the gold was going to be there! First a Scottish diving company, then a German shipping company agreed to join in the retrieval 9 . Not long after that, Jessop 10 a fourth company to take a 11 . Since the gold was the 12 of the British and the Soviet governments, they both hoped to make
4、 a 13 , too! The biggest problem was how to get. 14 the gold. Fortunately, they were able to examine the Edinburgh“s sister ship, the HMS Belfast , to 15 out the exact location of the bomb room, 16 the gold was stored. They knew it was to be an extremely difficult and dangerous undertaking. To reach
5、 the gold, they would have to cut a large square 17 the body of the ship, go through the empty fuel tank and down to the bomb room. After twenty-eight dives, they 18 to find the first bar. Everyone worked 19 the clock, helping to clean and stack the gold, 20 as to finish the job as quickly as possib
6、le.(分数:20.00)A.roadB.pathC.wayD.passageA.DuringB.ForC.AtD.SinceA.findB.discoverC.diveD.reachA.wreckB.ruinC.relicD.wasteA.AlthoughB.UnlessC.AsD.IfA.researchB.operationC.movementD.searchA.willingB.lucklyC.committedD.engagedA.All in allB.In additionC.In caseD.After allA.assignmentB.temptationC.attemptD
7、.commissionA.introducedB.persuadedC.associatedD.stimulatedA.chanceB.lookC.measureD.choiceA.businessB.estateC.obligationD.propertyA.profitB.benefitC.successD.welfareA.aboutB.aroundC.toD.fromA.getB.takeC.workD.tryA.whichB.whereC.hereD.thereA.onB.inC.amongD.alongA.managedB.achievedC.succeededD.fulfille
8、dA.beforeB.byC.withD.roundA.thatB.muchC.farD.so二、Section Reading Co(总题数:0,分数:0.00)三、Part A(总题数:0,分数:0.00)四、Passage 1(总题数:1,分数:4.00)Marion Brando is the overwhehningly outstanding creative artist among contemporary American film actors. Kirk Douglas can sometimes match Brando in force, but he lacks B
9、rando“s subtlety and pathos“; Burt Lancaster has comparable ambition but small talent. Brando begins with a good actor“s instrument - his body. Not a huge man, he is both solid and lithe. We are, perhaps, too much aware of the basic physical effect of his chest partially covered by a torn undershirt
10、. But, more to the point, Marlon Brando seems to carry in him a silently humming dynamo of energy, bridled and instantly ready. Whenever he moves, something seems to impend. Indisputably, there is in acting an element that is often called star quality; in Brando, it is this constant hint of possible
11、 lightning. Actors, even more than most artists, are restricted by their personalities, but Brando strives to expand as far as possible, to use himself in playing other people rather than to bring those people to himself. In The Young Lions, for instance, we can see at once that he has caught perfec
12、tly the stiff cordiality, the slightly declamatory speech, the somewhat angular movements, the charm and the consciousness of charm that create another man - Diestl - for us. Yet, Brando shows us that paradox which is part of the fascination of acting because he is also always and unmistakably Brand
13、o, not some flavorless hack with a wig and a putty nose and a laboriously disguised voice. Brando has evolved a personal style which relies largely on understatement and the liberal use of pauses. Often the effect is heartbreaking; remember the poignancy he evoked from the vapid monosyllabic “Wow“ i
14、n On the Waterfront, when he realized that his brother was threatening his life. Occasionally, his style lapses out of meaning and into mannerism; some of Sayonara could have used compression. But in essence, Brando reflects in his style - as actors often do - the prevalent artistic vein of his day.
15、 Kemble exemplified the classic, elegant 18th century; Kean, the wild, torrential romantics of the early 19th century; Irving, the elaborate majesty of the late Victorians. I compare Brando to these luminaries only to draw a parallel. He is a taciturn realist: an epitome not of that joyous, realisti
16、c revolution which swept away the humbug that had obscured the contours of the world, but of that generation, born into realism, which has seen its world with harsh clarity, and whose work is to reconcile itself to that world“s revealed boundaries and to find its triumphs inwardly.(分数:4.00)(1).The a
17、uthor suggests that Brando“s success as an actor is due, in part, to _.(分数:0.80)A.his great sizeB.his manly chestC.his magnetic voiceD.the physical impression which he creates(2).Brando“s success is evidenced by his ability to _.(分数:0.80)A.modulate his voice as well as change his appearance for any
18、role he may playB.retain his own personality while playing other peopleC.“become“ the character he portraysD.utilize make-up effectively(3).Brando“s style is characterized by _.(分数:0.80)A.understatementB.the liberal use of pausesC.Both A and BD.Neither A nor B(4).The artistic vein of the 20th centur
19、y is _.(分数:0.80)A.realismB.wild romanticismC.elaborate majestyD.classic elegance(5).Marion Brando symbolizes an artistic generation _.(分数:0.80)A.of conformistsB.that is incredibly romanticC.that is in the throes of revolutionD.which must reconcile itself to the realism of this world五、Passage 2(总题数:1
20、,分数:4.00)Every man is a philosopher. Every man has his own philosophy of life and his special view of the universe. Moreover, his philosophy is important, more important perhaps than be himself knows. It determines his treatment of friends and enemies, his conduct when alone and in society, his atti
21、tude to wards his home ,his work, and his country, his religious beliefs, his ethical standards, his social adjustment and his personal happiness. Nations, too, through the political or military party in power, have their philosophers of thought and actions. Wars are waged and revolutions incited be
22、cause of the clash of ideologies, the conflict of philosophies, h has always been so. World War Two is but the latest and most dramatic illustration of the combustible nature of differences in social and political philosophy. Philosophy, says Plato, begins with wonder. We wonder about the destructiv
23、e fury of earthquake, floods, storms, drought, pestilence, famine and fire, the mysteries of birth and death, pleasure and pain, change and permanence, cruelty and kindness, instincts and ideals, mind and body, the size of the universe and man“s place in it. Our questions are endless. What is man? W
24、hat is Nature? What is justice? What is duty? Alone among the animals man is concerned about his origin and end ,about his purposes and goals, about the meaning of life and the nature of reality. He alone distinguishes between beauty and ugliness, good and evil, the better and the worse. He may be a
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- 公共 英语四 153 答案 解析 DOC
