大学英语六级分类模拟题424及答案解析.doc
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1、大学英语六级分类模拟题 424及答案解析(总分:313.00,做题时间:90 分钟)一、Part Writing(总题数:6,分数:293.00)1.Directions : For this part, you are allowed 30 minutes to write a short essay entitled Is It Good for Little Kids to Have a Cell Phone? You should write at least 150 words but no more than 200 words following the outline give
2、n below. 1现在很多家长在孩子上小学时就给孩子买手机,有人认为这很有必要 2有人持反对意见,认为根本没有必要 3我的观点 (分数:20.00)_2.You should write a letter of thanks based on the outline given below in Chinese. 在你生病住院期间,同班同学过来看望你,为此你给他们写信来表达你的感激之情,并告知现状。 写作导航 1对同学的探望表示感谢; 2阐述同学的探望对自己带来的帮助; 3表明目前自己的现状; 4再次表示感谢并落款。 (分数:20.00)_3.Directions : For this pa
3、rt, you are allowed 30 minutes to write a short essay entitled On the Influence of the Microblog. You should write at least 150 words but no more than 200 words following the outline given below. 1如今微博越来越普及 2微博普及对于社会生活的影响 3我的观点 (分数:20.00)_4.Directions: For this part, you are allowed 30 minutes to wr
4、ite an essay based on the picture below. You should start your essay with a brief description of the picture and then discuss the relationship between Internet and study. You should give sound arguments to support your views and write at least 150 words but no more than 200 words. (分数:106.50)_5.Dire
5、ctions: For this part, you are allowed 30 minutes to write a short essay entitled Turn Off Your Cell Phone. Your essay should start with a brief description of the picture. You should write at least 150 words but no more than 200 words. (分数:106.50)_6.Directions : For this part, you are allowed 30 mi
6、nutes to write an essay entitled Abilities and Good Looks by commenting on the saying “Fine feathers do not make fine birds.“ You should write at least 150 words but no more than 200 words. (分数:20.00)_二、Part Reading Compr(总题数:0,分数:0.00)The History of Early CinemaA. The history of the cinema in its f
7、irst thirty years is one of major and, to this day, unparalleled expansion and growth. Beginning as something unusual in a handful of big citiesNew York, London, Paris and Berlinthe new medium quickly found its way across the world, attracting larger and larger audiences wherever it was shown and re
8、placing other forms of entertainment as it did so. B. As audiences grew, so did the places where films were shown, finishing up with the “great picture palaces“ of the 1920s, which rivalled, and occasionally superseded, theatres and opera-houses in terms of opulence and splendour. Meanwhile, films t
9、hemselves developed from being short “attractions“ only a couple of minutes long, to the full-length feature that has dominated the world“s screens up to the present day. C. Although French, German, American and British pioneers have all been credited with the invention of cinema, the British and th
10、e Germans played a relatively small role in its world-wide exploitation. It was above all the French, followed closely by the Americans, who were the most passionate exporters of the new invention, helping to start cinema in China, Japan, Latin America and Russia. In terms of artistic development it
11、 was again the French and the Americans who took the lead, though in the years before the First World War, Italy, Denmark and Russia also played a part. D. In the end, it was the United States that was to become, and remain, the largest single market for films. By protecting their own market and pur
12、suing a vigorous export policy, the Americans achieved a dominant position on the world market by the start of the First World War. The centre of film-making had moved westwards, to Hollywood, and it was films from these new Hollywood studios that flooded onto the world“s film markets in the years a
13、fter the First World War, and have done so ever since. E. Faced with total Hollywood domination, few film industries proved competitive. The Italian industry, which had pioneered the feature film with spectacular films like Quo vadis (1913) and Cabiria (1914), almost collapsed. In Scandinavia, the S
14、wedish cinema had a brief period of glory, notably with powerful epic films and comedies. Even the French cinema found itself in a difficult position. In Europe, only Germany proved industrially capable, while in the new Soviet Union and in Japan the development of the cinema took place in condition
15、s of commercial isolation. F. Hollywood took the lead artistically as well as industrially. Hollywood films appealed because they had better-constructed narratives, their special effects were more impressive, and the star system added a new dimension to screen acting. G. If Hollywood did not have en
16、ough of its own resources, it had a great deal of money to buy up artists and technical innovations from Europe to ensure its continued dominance over present or future competition. H. The rest of the world survived partly by learning from Hollywood and partly because audiences continued to exist fo
17、r a product which corresponded to needs which Hollywood could not supply. As well as popular audiences, there were also increasing audiences for films which were artistically more adventurous or which dealt with the issues in the outer world. I. None of this would have happened without technology, a
18、nd cinema is in fact unique as an art form. In the early years, this art form was quite primitive, similar to the original French idea of using a lantern and slides back in the seventeenth century. Early cinema programmes were a mixture of items, combining comic sketches, flee-standing narratives, s
19、erial episodes and the occasional trick or animated film. J. With the arrival of the feature-length narrative as the main attraction, other types of films became less important. The making of cartoons became a separate branch of film-making, generally practised outside the major studios, and the sam
20、e was true of serials. Together with newsreels, they tended to be shown as short items in a programme which led to the feature. K. From early cinema, it was only American slapstick comedy that successfully developed in both short and feature format. However, during this “Silent Film“ era, animation,
21、 comedy, serials and dramatic features continued to thrive, along with factual films or documentaries, which acquired an increasing distinctiveness as the period progressed. L. It was also at this time that the avant-garde film first achieved commercial success, this time thanks almost exclusively t
22、o the French and the occasional German film. M. Of the countries which developed and maintained distinctive national cinemas in the silent period, the most important were France, Germany and the Soviet Union. Of these, the French displayed the most continuity, in spite of the war and post-war econom
23、ic uncertainties. The German cinema, relatively insignificant in the pre-war years, exploded on to the world scene after 1919. Yet even they were both overshadowed by the Soviets after the I917 Revolution. They turned their back on the past, leaving the style of the pre-war Russian cinema to the emi
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