【考研类试卷】中国科学院硕士英语-8及答案解析.doc
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1、中国科学院硕士英语-8 及答案解析(总分:90.00,做题时间:90 分钟)一、Part Cloze Test(总题数:1,分数:15.00)There are so many new books about dying that there are now special shelves set aside for them in bookshops, along with the health-diet and home-repair paperbacks. Some of them are so 21 with detailed information and step-by-step
2、instructions for performing the function, that you“d think this was a new sort of 22 which all of us are now required to learn. The strongest impression the casual reader gets is that proper dying has become an extraordinary, 23 an exotic experience, something only the specially trained can do. 24 ,
3、 you could be led to believe that we are the only 25 capable of being aware of death, and that when the rest of nature is experiencing the life cycle and dying, one generation after 26 , it is a different kind of process, done automatically and trivially, or more “natural“, as we say. An elm in our
4、backyard 27 the blight (枯萎病) this summer and dropped stone dead, leafless, almost overnight. One weekend 28 was a normal-looking elm, maybe a little bare in spots but 29 alarming, and the next weekend it was gone, passed over, departed, taken. Taken is right, for the tree surgeon came by yesterday w
5、ith his 30 of young helpers and their cherry picker, and took it down branch by branch and carted it off in the back of a red truck, everyone 31 . The dying 32 a field mouse, at the jaws of an amiable household cat, is a spectacle I have beheld many times. It 33 to make me wince. However, early in l
6、ife I gave up throwing sticks 34 the cat to make him drop the mouse, 35 the dropped mouse regularly went ahead and died anyway.(分数:15.00)A.containedB.embracedC.packedD.litteredA.abilityB.skillC.qualityD.technologyA.andB.evenC.yetD.butA.FurthermoreB.HoweverC.Even soD.Since thenA.racesB.creaturesC.peo
7、pleD.humanA.the otherB.anotherC.the nextD.the followingA.caughtB.heldC.tookD.pickedA.thatB.whichC.itD.thisA.somethingB.anythingC.nothingD.everythingA.crewB.membersC.corpsD.fellowsA.singsB.sangC.sungD.singingA.toB.inC.forD.ofA.wasB.was usedC.usedD.was aboutA.intoB.onC.atD.offA.butB.becauseC.whileD.in
8、 order that二、Part Reading Compr(总题数:0,分数:0.00)三、Section A(总题数:0,分数:0.00)四、Passage 1(总题数:1,分数:6.00)Writing about music is like dancing about architecture, or so the saying goes. Sometimes attributed to Frank Zappa, other times to Elvis Costello, this quote is usually intended to convey the futility o
9、f such an endeavor, if not the complete silliness of even attempting it. But Glenn Kurtz“s graceful memoir, Practicing- A Musician“s Return to Music, turns the expression on its head, giving it a different meaning by creating a lovely, unique book. Kurtz picked up the guitar as a kid in a music-lovi
10、ng family, attended the Long Island music school, and went on to play on Merv Griffin“s TV show before graduating from Tufts University. Motivating the young Kurtz was the dream of reinventing classical guitar, as if by his great ambition alone he could push it from the margins of popular interest t
11、o center stage-something not even accomplished by the late Spanish guitarist Andres Segovia, perhaps the only artist of the form ever to reach anything resembling widespread celebrity. This book reads like a love story of sorts: Boy meets guitar. Boy loves guitar. Guitar breaks boy“s heart or, more
12、precisely, the ordinariness of a working musician“s life does so. “I“d just imagined the artist“s life naively, childishly, with too much longing, too much poetry and innocence and purity,“ Kurtz writes. “The guitar had been the instrument of my dreams. Now the dream was over.“ Boy leaves guitar. We
13、re the story to end here, this book would be a tragedy, but after nearly a decade the boy returns to guitar, and although he has lost the enthusiasm he had in his youth, he finds his love of the guitar again in a way he never could have appreciated before. Although Kurtz is writing about a unique mu
14、sical path, his journey speaks eloquently to the heart of anyone who has ever desperately yearned to achieve something and felt the sting of disappointment. “Everyone who gives up a serious childhood dream-of becoming an artist, a doctor, an engineer, an athlete-lives the rest of their life with a s
15、ense of loss, with nagging what ifs, “he writes. “Is that time and effort, that talent and ambition, truly wasted?“(分数:6.00)(1).The quotation mentioned in Paragraph I implies that writing about music is_(分数:1.00)A.an ambitious attemptB.a modem form of artC.an impossible taskD.a rewarding experience(
16、2).As a young man Glenn Kurtz wanted to_(分数:1.00)A.surpass Andres Segovia“s achievementB.Transform classical guitarC.become a TV music starD.live on arts(3).What does the passage say about classical guitar?(分数:1.00)A.It is not popular with the public.B.It is not an easy skill to master.C.It is a fav
17、orite of many young people.D.It is a craze in some countries like Spain.(4).According to the passage, Andres Segovia_(分数:1.00)A.helped Glenn Kurtz to become a good guitaristB.made classical guitar become a popular formC.was a well-known classical guitaristD.was Glenn Kurtz“s role model(5).Paragraph
18、3 suggests that what “the ordinariness of a working musician“s life“ does to the boy is_(分数:1.00)A.keep him in great excitementB.bring him great disappointmentC.help him create great musicD.tell him a great musician“s duty(6).The book Practicing: A Musician“s Return to Music mainly tells that_(分数:1.
19、00)A.one will be made bitter by his frustrationB.reliving old dreams can be rewardingC.without dreams life is incompleteD.it“s inevitable for a musician to experience setbacks五、Passage 2(总题数:1,分数:6.00)As with any work of art, the merit of Chapman Kelley“s “Wildflower Works I“ was in the eye of the b
20、eholder. Kelley, who normally works with paint and canvas, considered the twin oval gardens planted in 1984 at Daley Bicentennial Park his most important piece. The Chicago Park District considered it a patch of raggedy vegetation on public property that could be dug up and replanted at will like th
21、e flower boxes along Michigan Avenue. And that“s what happened in June 2004, when the district decided to create a more orderly vista for pedestrians crossing from Millennium Park via the new Frank Gehry footbridge. If you“re looking for evidence that the rubes who run the Park District don“t know a
22、rt when they see it, all you have to do is visit what“s left of Kelley“s masterpiece. The exuberant 1.5-acre tangle of leggy wildflowers is now confined to a tidy rectangle, restrained on all sides by a knee-high hedge and surrounded by a closely cropped lawn. White hydrangeas and pink shrub roses c
23、omplete the look. We don“t know who“s responsible for the redesign, but we“ll bet the carpet in his home doesn“t go with the furniture. Still, you“d think the Park District was within its rights to plow under the prairie. Wrong. Kelley just won at lawsuit in which he argued that the garden was publi
24、c are and therefore protected by the federal Visual Artists Rights Act. Under that law, the district should have given him 90 days“ notice that it intended to mess with his artwork instead of rushing headlong into the demolition, a la Meigs Field. That way Kelley could have mounted a legal challenge
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