SMPTE ST 112-2004 Motion-Picture Film (16-mm) - 100-Mil Magnetic Audio Record.pdf
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1、 1 Scope 1.1 This standard specifies the position, dimensions, and reproducing speed of the nominal 100-mil (2.54-mm) magnetic audio record on 16-mm motion-picture film. 1.2 This standard also specifies the longitudinal picture-audio displacement on the film. 2 Audio record 2.1 The lateral location
2、and width of the magnetic audio record shall be as specified in figure 1 and table 1. 2.2 The recording shall be made so that the azimuth of the record is at an angle of 90 5 to the reference edge of the film. 2.3 With the direction of travel as shown in figure 1, the magnetic coating is on the surf
3、ace toward the observer. 3 Reproducing speed The recording shall be made so that the audio record will reproduce properly at 24 perforations per second (approximately 36 ft 11 m per minute or 7.2 in 183 mm per second) which is 24 frames per second. 4 Longitudinal picture-audio displacement The magne
4、tic audio record on the film shall precede the center of the corresponding picture by a distance of 28 frames frame (see annex A.5). Page 1 of 3 pages SMPTE 112-2004 Revision of SMPTE 112-1999 SMPTE STANDARD for Motion-Picture Film (16-mm) 100-Mil Magnetic Audio Record Copyright 2004 by THE SOCIETY
5、OF MOTION PICTURE AND TELEVISION ENGINEERS 595 W. Hartsdale Ave., White Plains, NY 10607 (914) 761-1100 Approved November 8, 2004 SMPTE 112-2004 Page 2 of 3 pages Figure 1 Lateral location and width of magnetic audio record Table 1 Specifications Dimensions Inches Millimeters A 0.573 0.002 14.55 0.0
6、5 B 0.085 0.004 2.16 0.10 C 0.628 ref 15.95 ref SMPTE 112-2004 Page 3 of 3 pages Annex A (informative) Additional data A.1 Record width The width of the recorded area must be measured with great care as it enters directly into the calculation of flux per unit track width. When the recording head gap
7、 is narrower than the width of the coating or stripe, as is normal for all motion-picture test films, there is a measurement complication involving both the uncertainties in seeing the track and in determining the recording fringing. If the recording head is available, the track width is best measur
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