[考研类试卷]2010年北京外国语大学英语专业(英美文学)真题试卷及答案与解析.doc
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1、2010 年北京外国语大学英语专业(英美文学)真题试卷及答案与解析一、匹配题0 AuthorsA. Henry David Thoreau B. William Wordsworth C. Charles DickensD. Alexander Pope E. Francis Bacon F. Charlotte BronteG. Percy Bysshe Shelley H. Robert Frost I. Mark TwainJ. William Shakespeare K. Nathaniel Hawthorne L. Ralph W. EmersonM. William Blake1
2、Whoso would be a man must be a non-conformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of our own mind. Absolve you to yourself, and you shall have the suffrage of the world.2 It
3、was fifteen minutes before I could work myself up to go and humble myself to a niggerbut I done it, and I warnt ever sorry for it afterwards, neither. I didnt do him no more mean tricks, and I wouldnt done that one if Id a knowed it would make him feel that way.3 While arranging my hair, I looked at
4、 my face in the glass and felt it was no longer plain; there was hope in its aspect and life in its colour; and my eyes seemed as if they had beheld the fount of fruition and borrowed beams from the lustrous ripple. I had often been unwilling to look at my master, because I feared he could not be pl
5、eased at my look: but I was sure I might lift my face to his now, and not cool his affection by its expression.4 Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider.5 Some say the world will end in fire,Some say in ice.Fr
6、om what Ive tasted of desire,I hold with those who favor fire.But if it had to perish twice,I think I know enough of hateTo say that for destruction iceIs also greatAnd would suffice.6 I wander thro each charterd street,Near where the charterd Thames does flow,And mark in every face I meetMarks of w
7、eakness, marks of woe.7 Make me thy lyre, even as the forest is;What if my leaves are falling like its own!The tumult of thy mighty harmoniesWill take from both a deep, autumnal tone,Sweet though in sadness. Be thou, Spirit fierce,My spirit! Be thou me, impetuous one!8 Another thing in Joe that I co
8、uld not understand when it first began to develop itself, but which I soon arrived at sorrowful comprehension of, was this: As I became stronger and better, Joe became a little less easy with me.9 All Nature is but art, unknown to thee;All chance, direction, which thou canst not see;All discord, har
9、mony not understood;All partial evil, universal good;And, spite of pride, in erring reasons spite,One truth is clear; whatever is, is right.10 The grass-plot before the jail, in Prison Lane, on a certain summer morning, not tell than two centuries ago, was occupied by a pretty large number of the in
10、habitants of Boston, all with their eyes intently fastened on the iron-clamped oaken door. Amongst any other population, or at a later period in the history of New England, the grim rigidity that petrified the bearded physiognomies of these good people would have augured some awful business in hand.
11、 二、分析题10 The Enormous RadioJim and Irene Westcott were the kind of people who seem to strike that satisfactory average of income, endeavor, and respectability that is reached by the statistical reports in college alumni bulletins. They were the parents of two young children, they had been married ni
12、ne years, they lived on the twelfth floor of an apartmenthouse near Sutton Place, they went to the theater on an average of 10.3 times a year, and they hoped someday to live Westchester. Irene Westcott was a pleasant, rather plain girl with soft brown hair, and a wide, fine forehead upon which nothi
13、ng at all had been written, and in the cold weather she wore a coat of fitch skins dyed to resemble mink. You could not say that Jim Westcott looked younger than he was, but you could at least say of him that he seemed to feel younger. He wore his graying hair cut very short, he dressed in the kind
14、of clothes his class had worn at Andover, and his manner was earnest, vehement, and intentionally naive. The Westcotts differed from their friends, their classmates, and their neighbors, only in an interest they shared in serious music. They went to a great many concertsalthough they seldom mentione
15、d this to anyone and they spent a good deal of time listening to music on the radio.Their radio was an old instrument, sensitive, unpredictable, and beyond repair. He promised to buy flrene a new radio, and on Monday when he came home from work he told her that he had got one. He refused to describe
16、 it, and said it would be a surprise for her when it came.The radio was delivered at the kitchen door the following afternoon, and with the assistance of her maid and the handyman Irene uncrated it and brought it into the living room. She was struck at once with the physical ugliness of the large gu
17、mwood cabinet. Irene was proud of her living room, she had chosen its furnishings and colors as carefully as she chose her clothes, and now it seemed to her that her new radio stood among her intimate possessions like an aggressive intruder. She was confounded by the number of dials and switches on
18、the instrument panel, and she studied them thoroughly before she put the plug into a wall socket and turned the radio on. The deals flooded with a malevolent green light, and in the distance she heard the music of a piano quintet. The quintet was in the distance for only an instant; it bore down upo
19、n her with a speed greater than light and filled the apartment with the noise of music amplified so mightily that it knocked a china ornament from a table to the floor. She rushed to the instrument and reduced the volume. The violent forces that were snared in the ugly gumwood cabinet made her uneas
20、y. Her children came home from school then, and she took them to the park. It was not until later in the afternoon that she was able to return to the radio.The maid had given the children their suppers and was supervising their baths when Irene turned on the radio, reduced the volume, and sat down t
21、o listen to a Mozart quintet that she knew and enjoyed. The music came through clearly. The new instrument had a much purer tone, she thought, than the old one. She decided that tone was most important and that she could conceal the cabinet behind the sofa. But as soon as she had made her peace with
22、 the radio, the interference began. A crackling sound like the noise of a burning powder fuse began to accompany the singing of the strings. Beyond the music, there was a rustling that reminded Irene unpleasantly of the sea, and as the quintet progressed, these noises were joined by many others. She
23、 tried all the dials and switches but nothing dimmed the interference, and she sat down, disappointed and bewildered, and tried to trace the flight of the melody. The elevator shaft in her building ran beside the living-room wall, and it was the noise of the elevator that gave her a clue to the char
24、acter of the static. The rattling of the elevator cables and the opening and closing of the elevator doors, were reproduced in her loudspeaker, and, realizing that the radio was sensitive to electrical currents of all sorts, she began to discern through the Mozart the ringing of telephone bells, the
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