[外语类试卷]笔译二级实务模拟试卷26及答案与解析.doc
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1、笔译二级实务模拟试卷 26及答案与解析 SECTION 1 Compulsory Translation (30 points) 1 The decision of the New York Philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical -music world ever since the sudden announcement of his appointment in 2009. For the most part, the response
2、has been favorable, to say the least. “Hooray! At last!“ wrote Anthony Tommasini, a sober-sided classical-music critic. One of the reasons why the appointment came as such a surprise, however, is that Gilbert is comparatively little known. Even Tommasini, who had advocated Gilberts appointment in th
3、e Times, calls him “ an unpretentious musician with no air of the formidable conductor about him. “ As a description of the next music director of an orchestra that has hitherto been led by musicians like Gustav Mahler and Pierre Boulez, that seems likely to have struck at least some Times readers a
4、s faint praise. For my part, I have no idea whether Gilbert is a great conductor or even a good one. To be sure, he performs an impressive variety of interesting compositions, but it is not necessary for me to visit Avery Fisher Hall, or anywhere else, to hear interesting orchestral music. All I hav
5、e to do is to go to my CD shelf, or boot up my computer and download still more recorded music from iTunes. Devoted concertgoers who reply that recordings are no substitute for live performance are missing the point. For the time, attention, and money of the art -loving public, classical instrumenta
6、lists must compete not only with opera houses, dance troupes, theater companies, and museums, but also with the recorded performances of the great classical musicians of the 20th century. There recordings are cheap, available everywhere, and very often much higher in artistic quality than todays liv
7、e performances; moreover, they can be “consumed“ at a time and place of the listeners choosing. The widespread availability of such recordings has thus brought about a crisis in the institution of the traditional classical concert. One possible response is for classical performers to program attract
8、ive new music that is not yet available on record. Gilberts own interest in new music has been widely noted; Alex Ross, a classical -music critic, has described him as a man who is capable of turning the Philharmonic into “ a markedly different, more vibrant organization. “ But what will be the natu
9、re of that difference? Merely expanding the orchestras repertoire will not be enough. If Gilbert and the Philharmonic are to succeed, they must first change the relationship between Americas oldest orchestra and the new audience it hopes to attract. 2 When Liam McGee departed as president of Bank of
10、 America in August, his explanation was surprisingly straight up. Rather than cloaking his exit in the usual vague excuses, he came right out and said he was leaving “to pursue my goal of running a company. “ Broadcasting his ambition was “very much my decision,“ McGee says. Within two weeks, he was
11、 talking for the first time with the board of Hartford Financial Services Group, which named him CEO and chairman on September 29. McGee says leaving without a position lined up gave him time to reflect on what kind of company he wanted to run. It also sent a clear message to the outside world about
12、 his aspirations. And McGee isnt alone. In recent weeks the No. 2 executives at Avon and American Express quit with the explanation that they were looking for a CEO post. As boards scrutinize succession plans in response to shareholder pressure, executives who dont get the nod also may wish to move
13、on. A turbulent business environment also has senior managers cautious of letting vague pronouncements cloud their reputations. As the first signs of recovery begin to take hold, deputy chiefs may be more willing to make the jump without a net. In the third quarter, CEO turnover was down 23% from a
14、year ago as nervous boards stuck with the leaders they had, according to Liberum Research. As the economy picks up, opportunities will abound for aspiring leaders. The decision to quit a senior position to look for a better one is unconventional. For years executives and headhunters have adhered to
15、the rule that the most attractive CEO candidates are the ones who must be poached. Says Korn/Ferry senior partner Dennis Carey: “I cant think of a single search Ive done where a board has not instructed me to look at sitting CEOs first. “ Those who jumped without a job havent always landed in top po
16、sitions quickly. Ellen Marram quit as chief of Tropicana a decade age, saying she wanted to be a CEO. It was a year before she became head of a tiny Internet-based commodities exchange. Robert Willumstad left Citigroup in 2005 with ambitions to be a CEO. He finally took that post at a major financia
17、l institution three years later. Many recruiters say the old disgrace is fading for top performers. The financial crisis has made it more acceptable to be between jobs or to leave a bad one. “The traditional rule was its safer to stay where you are, but thats been fundamentally inverted,“ says one h
18、eadhunter. “The people whove been hurt the worst are those whove stayed too long. “ SECTION 1 Compulsory Translation (20 points) 3 道别是一种社交礼仪,它象征一次活动的终结。 在英国、美国和其它许多西方国家,告别具有特定的程式化表达模式。这些表达模式依不同的时间、地点、参加人和文化而变化。一般来说,客人应该先向主人告别。参加同一活动的两位宾客应该谁先告别并没有特定要求。有意思的是,在西方国家,客人提出告辞后不会马上离开,而是会再多呆上 10到 15分钟再离开。出于礼
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- 外语类 试卷 笔译 二级 实务 模拟 26 答案 解析 DOC
