【考研类试卷】考研英语81及答案解析.doc
《【考研类试卷】考研英语81及答案解析.doc》由会员分享,可在线阅读,更多相关《【考研类试卷】考研英语81及答案解析.doc(18页珍藏版)》请在麦多课文档分享上搜索。
1、考研英语 81及答案解析(总分:36.00,做题时间:180 分钟)一、Section Use of (总题数:1,分数:1.00)Industrial safety does not just happen. Companies -|_|- low accident rates plan their safety programs, work hard to organize them, and continue working to keep them -|_|- and active. When the work is well done, a -|_|- of accident-fre
2、e operations is established -|_|- time lost due to injuries is kept at a minimum. Successful safety programs may -|_|- greatly in the emphasis placed on certain aspects of the program. place great emphasis on mechanical guarding. Others stress safe work practices by -|_|- roles or s. -|_|- others de
3、pend on an emotional appeal to the worker. But, there are certain basic ideas that must be used in every program if maximum results are to be obtained. There can be no question about the value of a safety program. From a financial standpoint alone, safety -|_|- . The fewer the injury -|_|- , the bet
4、ter the workmans insurance rate. This may mean the difference between operating at -|_|- or at a loss. Industrial safety does not just happen. Companies -|_|- low accident rates plan their safety programs, work hard to organize them, and continue working to keep them -|_|- and active. When the work
5、is well done, a -|_|- of accident-free operations is established -|_|- time lost due to injuries is kept at a minimum. Successful safety programs may -|_|- greatly in the emphasis placed on certain aspects of the program. place great emphasis on mechanical guarding. Others stress safe work practices
6、 by -|_|- roles or s. -|_|- others depend on an emotional appeal to the worker. But, there are certain basic ideas that must be used in every program if maximum results are to be obtained. There can be no question about the value of a safety program. From a financial standpoint alone, safety -|_|- .
7、 The fewer the injury -|_|- , the better the workmans insurance rate. This may mean the difference between operating at -|_|- or at a loss. (分数:1.00)A.atB.inC.onD.with二、Section Writing(总题数:1,分数:1.00)2. Study the following cartoon carefully and write an essay in which you should 1) describe the carto
8、on, 2) interpret its meaning and 3) suggest possible courses to take. You should write about 160-200 words neatly on ANSWER SHEET 2. (20 points) Study the following cartoon carefully and write an essay in which you should 1) describe the cartoon, 2) interpret its meaning and 3) suggest possible cour
9、ses to take. You should write about 160-200 words neatly on ANSWER SHEET 2. (20 points)* (分数:1.00)_三、Section Reading(总题数:4,分数:4.00)Among the many other things it is, a portrait is always a record of the personal and artistic encounter that produced it. It is possible for artists to produce portraits
10、 of individuals who have not sat for them, but the portrait that finally emerges normally betrays the restrictions under which the artist has been forced to labor. Even when an artists portrait is simply a copy of someone elses work-as in the many portraits of Queen Elizabeth I that were produced du
11、ring her lifetime-the never-changing features of a ruler who refused to sit for her court painters reflect not only the supposed powers of an ever-youthful queen but the remoteness of those attempting to depict her as well. Portraits are “occasional“ not only in the sense that they are closely tied
12、to particular events in the lives of their subjects but in the sense that there is usually an occasion-however brief, uncomfortable, artificial, or unsatisfactory it may prove to be-in which the artist and subject directly confront each other;and thus the encounter a portrait records is most really
13、the sitting itself. The sitting may be brief or extended, collegial or confrontational. Cartier-Bresson has expressed his passion for portrait photography by characterizing it as “a duel without rules“. While Cartier-Bresson reveals himself as an interloper and opportunist, Richard Avedon confesses
14、to a role as diagnostician and psychic healer: not as someone who necessarily transforms his subjects, but as someone who reveals their essential nature. Both photographers appear to agree on one basis, however, which is that the fundamental dynamic in this process lies squarely in the hands of the
15、artist. A quite-different example has its roots not in confrontation or consultation but in active collaboration between the artist and sitter. This very different kind of relationship was formulated most vividly by William Hazlitt in his essay entitled “On Sitting for Ones Picture“. To Hazlitt, the
16、 “bond of connection“ between painter and sitter is most like the relationship between two lovers: “They are always thinking and talking of the same thing, in which their self love finds an equal counterpart.“ Hazlitt flashes out his thesis by recounting particular episodes from the career of Sir Jo
17、shua Reynolds. According to Hazlitt, Reynolds sitters, accompanied by their friends, were meant to enjoy an atmosphere that was both comfortable for them and conductive to the enterprise of the portrait painter, who was simultaneously their host and their contractual employee. In the case of artists
18、 like Reynolds, no fundamental difference exists between the artists studio and all those other rooms in which the sitters spin out the days of their lives. The act of entering Reynolds studio did not necessarily transform those who sat for him. Collaboration in portraiture such as Reynolds is based
19、 on the sitters comfort and security as well as on his or her desire to experiment with something new, and it is in this “creation of another self“, as Hazlitt put it, that the painters subjects may properly see themselves for the first time. (分数:1.00)(1). In referring to Queen Elizabeth I as “ever-
20、youthful“, the author implies that(分数:0.20)A.she instructed court painters to portray her younger than she actually was.B.all her portraits available for copying were painted when she was young.C.she intended her portrait to be painted young to reflect her ruling powers.D.artists purposely made her
21、portraits appear younger than her actual age.(2).The author quotes Cartier-Bresson in order to(分数:0.20)A.refute Avedons conception about a portrait sitting.B.provide one perspective of the portraiture encounter.C.exemplify time restriction of the sitting for portraiture.D.support the thesis on the u
22、ncertainty of a collegial sitting(3).It would be most consistent with the text to infer that Reynolds(分数:0.20)A.may have provided a transforming experience for some sitters.B.must have worked primarily with experienced portrait subjects.C.might have frequently painted portraits at his subjects homes
23、.D.could have been alone with his sitters while portraying them.(4).Which of the following best characterizes the portraiture experience as viewed by Avedon?(分数:0.20)A.A collaboration.B.A mutual accommodation.C.A consultation.D.A comfortable encounter.(5).A portrait artist operating under the Reynol
24、ds example would probably disagree that(分数:0.20)A.a portrait sitting often changes the way the sitter views himself/herself.B.portraiture helps both artist and subject to display their vanity.C.a portrait sitting may frequently heighten the sitters self-knowledge.D.portraiture depends more on the su
- 1.请仔细阅读文档,确保文档完整性,对于不预览、不比对内容而直接下载带来的问题本站不予受理。
- 2.下载的文档,不会出现我们的网址水印。
- 3、该文档所得收入(下载+内容+预览)归上传者、原创作者;如果您是本文档原作者,请点此认领!既往收益都归您。
下载文档到电脑,查找使用更方便
2000 积分 0人已下载
下载 | 加入VIP,交流精品资源 |
- 配套讲稿:
如PPT文件的首页显示word图标,表示该PPT已包含配套word讲稿。双击word图标可打开word文档。
- 特殊限制:
部分文档作品中含有的国旗、国徽等图片,仅作为作品整体效果示例展示,禁止商用。设计者仅对作品中独创性部分享有著作权。
- 关 键 词:
- 考研 试卷 英语 81 答案 解析 DOC
