[考研类试卷]考研英语(阅读)模拟试卷320及答案与解析.doc
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1、考研英语(阅读)模拟试卷 320 及答案与解析Part B (10 points) 0 Coinciding with the groundbreaking theory of biological evolution proposed by British naturalist Charles Darwin in the 1860s, British social philosopher Herbert Spencer put forward his own theory of biological and cultural evolution. Spencer argued that al
2、l worldly phenomena, including human societies, changed over time, advancing toward perfection.【C1】_.American social scientist Lewis Henry Morgan introduced another theory of cultural evolution in the late 1800s. Morgan helped found modern anthropologythe scientific study of human societies, customs
3、 and beliefsthus becoming one of the earliest anthropologists. In his work, he attempted to show how all aspects of culture changed together in the evolution of societies.【C2】_.In the early 1900s in North America, German-born American anthropologist Franz Boas developed a new theory of culture known
4、 as Historical particularism, which emphasized the uniqueness of all cultures, gave new direction to anthropology.【C3 】_.Boas felt that the culture of any society must be understood as the result of a unique history and not as one of many cultures belonging to a broader evolutionary stage or type of
5、 culture . 【C4 】_.Historical particularism became a dominant approach to the study of culture in American anthropology, largely through the influence of many students ofBoas. But a number of anthropologists in the early 1900s also rejected the particularist theory of culture in favor of diffusionism
6、 Some attributed virtually every important cultural achievement to the inventions of a few, especially gifted peoples that, according to diffiisionists, then spread to other cultures.【C5】_.Also in the early 1900s, French sociologist Emile Durkheim developed a theory of culture that would greatly inf
7、luence anthropology. Durkheim proposed that religious beliefs functioned to reinforce social solidarity. An interest in the relationship between the function of society and culture became a major theme in European, and especially British, anthropology.AOther anthropologists believed that cultural in
8、novations, such as inventions, had a single origin and passed from society to society. This theory was known as diffusionism.BIn order to study particular cultures as completely as possible, he became skilled in linguistics, the study of languages, and in physical anthropology, the study of human bi
9、ology and anatomy.CHe argued that human evolution was characterized by a struggle he called the “survival of the fittest,“ in which weaker races and societies must eventually be replaced by stronger, more advanced races and societies.DThey also focused on important rituals that appeared to preserve
10、a people s social structure, such as initiation ceremonies that formally signify children s entrance into adulthood.EThus, in his view, diverse aspects of culture, such as the structure of families, forms of marriage, categories of kinship, ownership of property, forms of government, technology, and
11、 systems of food production, all changed as societies evolved.FSupporters of the theory viewed culture as a collection of integrated parts that work together to keep a society functioning.GFor example, British anthropologists Grafton Elliot Smith and W. J. Perry incorrectly suggested, on the basis o
12、f inadequate information, that farming, pottery making, and metallurgy all originated in ancient Egypt and diffused throughout the world. In fact, all of these cultural developments occurred separately at different times in many parts of the world.1 【C1 】2 【C2 】3 【C3 】4 【C4 】5 【C5 】5 Think of those
13、fleeting moments when you look out of an aeroplane window and realise that you are flying, higher than a bird. Now think of your laptop, thinner than a brown-paper envelope, or your cellphone in the palm of your hand. Take a moment or two to wonder at those marvels. You are the lucky inheritor of a
14、dream come true.The second half of the 20th century saw a collection of geniuses, warriors, entrepreneurs and visionaries labour to create a fabulous machine that could function as a typewriter and printing press, studio and theatre, paintbrush and gallery, piano and radio, the mail as well as the m
15、ail carrier.【C1】_.The networked computer is an amazing device, the first media machine that serves as the mode of production, means of distribution, site of reception, and place of praise and critique. The computer is the 21 st century s culture machine.But for all the reasons there are to celebrate
16、 the computer, we must also tread with caution.【C2】_. I call it a secret war for two reasons. First, most people do not realize that there are strong commercial agendas at work to keep them in passive consumption mode. Second, the majority of people who use networked computers to upload are not even
17、 aware of the significance of what they are doing.All animals download, but only a few upload. Beavers build dams and birds make nests. Yet for the most part, the animal kingdom moves through the world downloading. Humans are unique in their capacity to not only make tools but then turn around and u
18、se them to create superfluous material goodspaintings, sculpture and architectureand superfluous experiences music, literature, religion and philosophy.【C3】_.For all the possibilities of our new culture machines, most people are still stuck in download mode. Even after the advent of widespread socia
19、l media, a pyramid of production remains, with a small number of people uploading material, a slightly larger group commenting on or modifying that content, and a huge percentage remaining content to just consume.【 C4】_ .Television is a one-way tap flowing into our homes. The hardest task that telev
20、ision asks of anyone is to turn the power off after he has turned it on.【C5】_.What counts as meaningful uploading? My definition revolves around the concept of “stickiness“creations and experiences to which others adhere.AOf course, it is precisely these superfluous things that define human culture
21、and ultimately what it is to be human. Downloading and consuming culture requires great skills, but failing to move beyond downloading is to strip oneself of a defining constituent of humanity.BApplications like , which allow users to combine pictures, words and other media in creative ways and then
22、 share them, have the potential to add stickiness by amusing, entertaining and enlightening others.CNot only did they develop such a device but by the turn of the millennium they had also managed to embed it in a worldwide system accessed by billions of people every day.DThis is because the networke
23、d computer has sparked a secret war between downloading and uploadingbetween passive consumption and active creationwhose outcome will shape our collective future in ways we can only begin to imagine.EThe challenge the computer mounts to television thus bears little similarity to one format being re
24、placed by another in the manner of record players being replaced by CD players.FOne reason for the persistence of this pyramid of production is that for the past half-century, much of the world s media culture has been defined by a single medium televisionand television is defined by downloading.GTh
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