[外语类试卷]大学英语四级模拟试卷413及答案与解析.doc
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1、大学英语四级模拟试卷 413及答案与解析 一、 Part I Writing (30 minutes) 1 For this part, you are allowed 30 minutes to write a short essay entitled My View on Harmonious Teacher-Student Relationship. You should write at least 120 words following the outline given below: 1现在国家主张建立和谐型社会。师生关系也应该和谐 2我心目中的和谐的师生关系 3我们应该如何去建立
2、这样的师生关系 二、 Part II Reading Comprehension (Skimming and Scanning) (15 minutes) Directions: In this part, you will have 15 minutes to go over the passage quickly and answer the questions attached to the passage. For questions 1-7, mark: Y (for YES) if the statement agrees with the information given in
3、 the passage; N (for NO) if the statement contradicts the information given in the passage; NG (for NOT GIVEN) if the information is not given in the passage. 1 Music to My Ears As a boy growing up in Shenyang, China, I practiced the piano six hours a day. I loved the instrument. My mother, Xiulan Z
4、hou, taught me to read notes, and my father, Guoren Lang, concertmaster of a local folk orchestra, showed me how to control the keys. At first I played on Chinese keyboards-cheap, but the best we could afford. Later my parents bought me a Swedish piano, but I broke half the strings on it Playing Tch
5、aikovsky (柴科夫斯基 ). Thats when my parents and my teacher decided I was too much for such an instrumentand for our hometown. To be a serious musician, I would have to move to Beijing, one of our cultural capitals. I was just eight years old then. My father, who played the erhu, a two-stringed instrume
6、nt, knew that life wouldnt be easy. Millions of pianists in China were competing for fame. “You need fortune,“ my father said. “If you dont work, no fortune comes.“ “But music is still music,“ he added, “and it exists to make us happy.“ To relocate to Beijing with me, he made a great sacrifice. He q
7、uit his concertmasters job, which he loved, and my mother stayed behind in Shenyang to keep working at her job at the science institute to support us. They both warned me, “Being a pianist is hard. Can you live without your mother?“ I said, “I want my mother!“ But I knew I needed to be in Beijing. I
8、n America, people often move and start over. But it is not in China, not in those days. Suddenly my father and I were newcomersoutsiders. To the others around us, we spoke with funny northern accents. The only apartment we could find for the money we had was in an unheated building, with five famili
9、es sharing one bathroom. My father cooked, cleaned and looked after me. He became a “house-husband“, basically. We lived far from my school, and since the bus was too expensive, my father would “drive“ me on his bicycle every day. It was an hour-and-a-half trip each way, and I was a heavy boy, much
10、heavier than I am as an adult. He did this in winter too. Imagine! During the coldest nights, when I practiced piano, my father would lie in my bed so it would be warm when I was tired. I was miserable, but not from the poverty or pressure. My new teacher in Beijing didnt like me. “You have no talen
11、t,“ she often told me. “You will never be a pianist.“ And one day. she “fired“ me. I was just nine years old. I was desperate. I didnt want to be a pianist anymore, I decided. I wanted to go home to be with my mother. In the next two weeks I didnt touch the piano. Wisely, my father didnt push. He ju
12、st waited. Sure enough, the day came at school when my teacher asked me to play some holiday songs. I didnt want to, but as I placed my fingers on the pianos keys, I realized I could show other people that I had talent after all. That day I told my father what hed been waiting to hearthat I wanted t
13、o study with a new teacher. From that point on, everything turned around. When Fortune Spots You I started winning competitions. We still had very little money-my father had to borrow $ 5 000 to pay for a trip to the International Young Pianists Competition in Ettlingen, Germany, in 1994, when I was
14、 12. I realized later how much pressure he was under as I watched footage (电影胶片 ) of the contest. Tears streamed down his face when it was announced that Id wonearning enough money to pay back our loan. It was soon clear I couldnt stay in China forever. To become a world-class musician, I had to pla
15、y on the worlds bigger stages. So in 1997, my father and I moved again, this time to Philadelphia, so I could attend The Curtis Institute of Music. Finally our money worries were easing. The school paid for us an apartment and even lent me a Steinway (斯坦威钢琴 ). At night, I would sneak into the living
16、 room just to touch the keys. Now that I was in America, I wanted to become famous, but my new teachers reminded me that I had a lot to learn. I spent two years practicing, and by 1999 I had worked hard enough for fortune to take over. The Chicago Symphony Orchestra heard me play and liked me, but o
17、rchestra schedules were set far in advance. I thought I might join them in a few years. The next morning, I got a call. The great pianist Andre Watts, who was to play the “Gala Benefit Evening“ at Chicagos Ravinia Festival, had become ill. I was asked to substitute him. That performance was, for me,
18、 the moment. After violinist Isaac Stern introduced me, I played Tchaikovskys Piano Concerto No.1. My fathers mouth hung open throughout the entire piece. Afterward, people celebratedmaybe they were a bit drunkand asked me to play Bachs Goldberg Variations. So I played until 3:30 a.m. I felt somethi
19、ng happening. Sure enough, concerts started pouring in Lincoln Center and Carnegie Hall. Still, my father kept telling me, “Youd better practice!“ But living in America with me was beginning to relax him. In Beijing Id been fathe made sure I ateand hed been skinny. Now I was getting thin. He wasnt.
20、I wanted to do something special for him for all he had done for me. So when I made my Carnegie Hall solo debut (初次登场 ) in 2003 at the age of 21, I included Chinese music, t wanted to bring back our familys Shenyang tradition of playing music. My father and I had often practiced a piece called “Hors
21、es“, a funny version for piano and erhu. That night in Carnegie Hall, after I played Chopin and Liszt, I brought Dad out on the stage, and we played our duet (二重奏 ). People went crazythey loved it. My father couldnt sleep for days. He was too happy to sleep. There have been lots of concerts in Carne
22、gie Hall, but for me playing there was especially sweet and made me recall the cold days in Beijing. Together, my father and I worked to reach the lucky place where fortune spots us, and lets us shine. 2 Who showed Lang Lang how to control the keys? ( A) His mother. ( B) His father. ( C) His uncle.
23、( D) His kindergarten teacher. 3 What happened when Lang Lang was eight years old? ( A) The whole family moved to Beijing. ( B) He and his father went to Beijing to learn piano. ( C) His mother got ill. ( D) His family objected to his learning in Beijing. 4 What do we know from the passage? ( A) Lan
24、g Langs mother is a world-famous scientist. ( B) Lang Langs father had no job before he went to Beijing. ( C) Lang Lang began to learn piano when he was eight years old. ( D) Lang Langs father is proud of him. 5 When living in Beijing, how did Lang Lang go to school? ( A) On foot. ( B) By bus. ( C)
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