[外语类试卷]大学英语六级(阅读)模拟试卷16及答案与解析.doc
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1、大学英语六级(阅读)模拟试卷 16及答案与解析 Section B Directions: There are 2 passages in this section. Each passage is followed by some questions or unfinished statements. For each of them there are four choices marked A, B, C and D. You should decide on the best choice. 0 A night out at the opera to see an adaptation
2、 of an obscure 17th-century English play may sound like an expensive nap. But what if audience members were handed Venetian masks and invited to wander around the theater as the action unfolded? Thats exactly what the London-based theater company Punchdrunk and the English National Opera have done w
3、ith The Duchess of Malfi, which opened July 13 in an empty office complex outside the city. With dancers, opera singers, and musicians roving throughout the three-story building, the audience is turned loose to explore an elaborate set that includes Victorian sitting rooms, rustic teahouses which of
4、fer actual cocktails a ghostly forest, and macabre(恐怖的 )offices. Along the way, viewers stumble upon random scenes, which they must piece together before everyone gathers in a warehouse for the grand finale. The show, which immediately sold out, is just Londons latest example of immersive theater, a
5、 popular new genre that blends high drama with haunted-house theatrics in a strange mashup of acting, performance art, and choose-your-own-adventure storytelling. “Its a combination of spectacle and intimacy, “ says Felix Barrett, Punchdrunks artistic director, who believes the hunger for deeper, mo
6、re personalized theater experiences reflects a backlash against the shallow immediacy of todays Internet culture. “Some people have gotten lazy. And The Duchess of Malfi is something that, really, you have to work for. Its a theatrical puzzle the audience needs to solve themselves. “ For David Jubb,
7、 the artistic director at Londons Battersea Arts Centre, who has worked closely with Punchdrunk on past productions, having participants construct their own narrative is part of the “democratization“ of the art form. “Too often, theater is something where you sit, and could happen if you were there
8、or not, “ he says. “Its an experience that needs to catch up with the times. “ As with any democracy, participation is key, which is why Jubb is staging a One-on-One Festival this month showcasing a variety of short works performed for one viewer at a time. In most of them, all thats required is a g
9、ood-natured willingness to play along. For example, in Rotating in a Room of Images, by the group Lundahl & Seitl, audience members wear headphones while a whispering voice and delicate hands guide them alone through dark rooms, past haunting scenes resembling Dutch Renaissance paintings. Immersive
10、moments are also making their way into more standard fare. Some of the best are the least expected. At a staging of La Boheme at the Cock Tavern Theatre in North London earlier this year, ticketholders filed down to the pub at intermission only to be surprised by a song-and-dance routine performed b
11、y actors pretending to be patrons sipping their beers. Encouraging audience participation has its risks. Blood has even been spilled. During a performance of Money a piece by the theater company Shunt that takes place on a dystopian(反乌托邦的 ). machinelike stage set an overzealous audience member head-
12、butted one of the actors midscene. Rule No. 1 in immersive theatergoing: get your mask at the door, but bring your own helmet. 1 What can we learn about traditional theaters from the passage? ( A) Traditional theaters put on performances in the evening. ( B) Most people could not afford to go to the
13、 theaters. ( C) Sometimes audience was invited to join the play. ( D) Modern people become uninterested in old-time theaters. 2 What is said about immersive theater? ( A) People are reluctantly to buy the tickets of such theater. ( B) Its more popular than todays Internet culture. ( C) The audience
14、needs to participate in the theater. ( D) Often it can happen if the audience is there or not. 3 What is required of audience generally to join the short works performed on Jubbs One-on-One Festival? ( A) They should have experiences of performance before. ( B) They are willing to play in the short
15、works with actors. ( C) They had better have learned courses about acting. ( D) They must have enough courage to join the play. 4 What does the sentence “get your mask at the door, but bring your own helmet“(Lines 4-5, Para. 5)imply? ( A) Immersive theater requires the goers to wear a helmet. ( B) I
16、mmersive theaters security has not been perfect. ( C) Immersive theatergoers need to pay attention to safety. ( D) Immersive theatergoers must obey the theaters rules. 5 Which of the following can be the best title of the passage? ( A) Immersing Oneself in the Drama ( B) Going to the New-style Theat
17、er ( C) Theaters Add More Fun ( D) Two Sides of Immersive Theater 5 When oil sells at high market prices, the worlds leading oil consumers, the United States, Japan and the European Union(EU), will confront bigger difficulties in concluding their domestic economic policies. Oil enterprises will face
18、 rising production costs and falling revenues. Expensive oil will compel the United States and Japan to increase federal interest rates, while making it harder for the European Central Bank(ECB) to lower its rates to simulate its economy. The U. S. trade imbalance is more severe, peaking at $ 46 bil
19、lion last March. Soaring oil prices have contributed to this result. As for the growing markets in Asia, including China, higher oil prices raise import costs, drive consumer price hikes and increase inflation pressure. According to the estimation of the International Energy Agency, if the price of
20、oil increases by $ 10 per barrel within a year, the Asian economic growth rate will drop 0. 8 percentage points. Sometime this year, China is expected to replace Japan as the worlds second largest oil importer, after the United States. In 2005, Chinas oil imports are expected to reach 100 million to
21、ns. Since Chinas oil purchases are primarily spot transactions, a hike in oil prices will have an exaggerated effect on its economy and peoples consuming habits. Despite these ill effects, the overall global economic recovery will not be reversed. The current flux of oil prices began in January 2002
22、, yet it did not prevent the economies of the United States, Japan and the EU from pushing ahead since late 2003. A brisk increase of oil prices actually indicates, to some degree, that economic recovery spurs oil demand, though oil production has not been exceeded by demand in the international mar
23、ket. Aside from the impact of a cut in production by the Organization of Petroleum Exporting Countries(OPEC)and the tense situation in the Middle East, it has been the speculations of major international oil companies that have largely contributed to the spike in oil prices. This will have limited e
24、ffect on economic growth of the countries that are driven by sectors, such as the hi-tech and service industries. Impact will be severer in newer markets, whose economies rely more on manufacturing and are less dynamic. In fact, economic growth for the least developed countries could fall 2 percenta
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