[外语类试卷]专业英语八级模拟试卷472及答案与解析.doc
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1、专业英语八级模拟试卷 472及答案与解析 SECTION A MINI-LECTURE Directions: In this section you sill hear a mini-lecture. You will hear the lecture ONCE ONLY. While listening, take notes on the important points. Your notes will not be marked, but you will need them to complete a gap-filling task after the mini-lecture.
2、 When the lecture is over, you will be given two minutes to check your notes, and another ten minutes to complete the gap-filling task on ANSWER SHEET ONE. Use the blank sheet for note-taking. 0 Chinese Calligraphy Calligraphy, the writing of characters, is one of the traditional four arts and has d
3、eveloped over centuries in the history of China. Today it still has a place in museums. I. Roles of calligraphy A. a means of communication B. a way of expressing the (1) of nature (1)_ II. Characteristics of calligraphy A. Calligraphy as an expressive art: to (2) the (2)_ identity of a man B. Calli
4、graphy as a practical fine art: to be used as ornaments III. Benefits of practicing calligraphy A. getting ones subconsciousness exercised B. bringing about (3) between the mind and the body (3)_ C. enabling one to enjoy healthy life and longevity IV. Five basic script types in Chinese calligraphy A
5、. the Seal Script the oldest style, making a signature-like impression generally used in (4) today (4)_ B. the Official or Clerical Script Characters appear (5) : strokes often start thin (5)_ and end thick. still common in printing because of its elegance C. the Regular Script Characters are regula
6、r, written (6) . (6)_ most widely used and the most legible D. the Running Script Strokes may run into one another. Characters are less (7) . (7)_ E. the Cursive Script a flowing style with few angular lines Strokes are altered or removed for smooth writing or purpose _(8)_ (8)_ V. Status and influe
7、nce of calligraphy A. an important (9) for imperial court to select officials (9)_ B. an art unique to Asian cultures C. a source of inspiration to (10) (10)_ SECTION B INTERVIEW Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follo
8、w. Questions 1 to 5 are based on an interview. At the end of the interview you will be given 10 seconds to answer each of the following five questions. Now listen to the interview. 11 From the conversation we get the impression that _. ( A) Jassie and Pauline are classmates ( B) Jassie is an oversea
9、s student from America ( C) Pauline and Jassie are talking about a picture ( D) They are having American geography 12 What has Jassie already known about White House? ( A) White House is on the south side of Pennsylvania Ave. ,Washingten,D.C.,facing Lafayette Square. ( B) The east and west terraces,
10、 the executive office, the east wing, and a penthouse and a bomb shetter are added to the main building. ( C) It was designed by James Hoban on a site chosen by George Washington. ( D) It is the oldest public building in Washington. 13 Which one is oval in shape in White House? ( A) The East Room. (
11、 B) The Red Room. ( C) The Blue Room. ( D) The Green Room. 14 Who is the first President to live in White House? ( A) Theodore Roosevelt. ( B) John Adams. ( C) George Washington. ( D) Thomas Jefforson. 15 According to the conversation which statement about the name of the White House is True? ( A) I
12、t became official before President Theodore Roosevelt had it engraved upon his stationery. ( B) It derives the name from the color of the building. ( C) The building was restored after being burned in 1814,so the smoke -stained gray stone walls were painted white. ( D) Actually the cognomen “White H
13、ouse” was applied to the building some time before it was painted. SECTION C NEWS BROADCAST Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. At the end of each news item, you will be given 10 seconds to answer the questions.
14、16 According to the report, the sound sources that need to be restrained do NOT include _. ( A) underwater explosions ( B) oil and gas exploration ( C) whistling of ships ( D) sonar navigation 16 The first intimation, apparently, was when three-year-old Yves told his mother that her shoes did not go
15、 with her dress. They were at home in Oran, a dull commercial town in French-ruled Algeria, where Yvess father sold insurance and ran a chain of Cinemas, and Mrs. Mathieu-Saint-Laurent cut an elegant figure in colonial society. Oran had once enjoyed some small renown as the westernmost outpost of th
16、e Ottoman empire, and was to gain more later as the setting for Albert Camuss “The Plague“. But after 1936 it had a genius in the making. So, at any rate, the tribute-payers are saying. “Pure genius“, “the worlds greatest fashion designer“, “the most important designer of the 20th century“: such sup
17、erlatives have been lavished on Yves Saint Laurent for years, and perhaps they are not meant to be taken at face value. The fashion business is, after all, a part of the entertainment industry, where sycophancy, exaggeration and gushing insincerity are not unknown. Mr. Saint Laurent fitted perfectly
18、 into it. He was, for a start, quite literally a showman, a shy and stage-frightened one, but what shows he could put on! Dazzling girls strutted down the catwalk, wearing startling creations of gauze, or velvet, or feathers, or not much at all. He was an artist, a delicate, attenuated figure who dr
19、ew his inspiration from the pages of Marcel Proust, the paintings of Braque, Matisse, Picasso and Van Gogh, and the counsels of his assistant, Loulou de la Falalse. And he was troubled: by drink, by drugs and by physical frailty. He teetered perpetually on the brink of emotional collapse and sometim
20、es fell over it. In 1961, when Mr. Saint Laurent set up shop in Paris under his own name, most couturiers were not quite like this. But the times were propitious for something new. He had by then done a stint at the House of Dior, whose reputation he had restored with some dramatic designs and, in 1
21、958, after the famous founder had died, an iconoclastic collection of his own. The summons to do military service, a ghastly mental dgringolade and dismissal from Dior then intervened, and might have cut short a great career had he not gone into partnership with Mr. Berg. As it was, a series of inno
22、vations followed, with Mr. Saint Laurent responsible for the designs, Mr. Berg for the business, including the scents, scarves, unguents and over 100 other products marketed with a YSL label. The dress designs now started flying off Mr. Saint Laurents drawing board, though increasingly often with th
23、e aid of helpers. Many were short-lived, this being fashion and fashion being, by definition, ephemeral. But two departures were to last. One was that haute couture, hitherto available only to the very rich or vicariously through magazines and newspapers, should be sold worldwide in ready-to-wear sh
24、ops at a fraction of the posh price. The other was that women should be put into mens clothessafari outfits, smoking jackets, trench coats and, most enduringly, trouser suits. Women, for some reason, saw this as liberation. He was always imaginative, taking inspiration not just from artists like Mon
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