专业八级-595及答案解析.doc
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1、专业八级-595 及答案解析(总分:78.00,做题时间:90 分钟)一、PART LISTENING COM(总题数:0,分数:0.00)二、SECTION A(总题数:1,分数:15.00)Sitcoms as a Tool for ELTEnglish teachers have been using videos in the classroom for decades and now sitcoms emerge in classrooms for the following reasons: 1. Suitable 1 effect: keeping students focuse
2、d 2. Repetitive characters with their 2 effect: making students more 3 3. Authentic English “Sit“ often refers to 4 that are real to students. In contrast, traditional English teaching videos often involve 5 in implausible situations. 4. 6 element focus: 7 communication effect: improving understandi
3、ng of the words spoken and underlying 8 5. Fun effect: creating a 9 and impressive learning experience 6. 10 references focus: regional differences, class systems, 11 effect: bringing in brand-new experience with the country and the culture 7. Varieties of English effect: there is 12 version of the
4、language. 8. Comparisons between British culture and students“ 13 culture focus: 14 effect: English is not a language 15 any more. (分数:15.00)填空项 1:_三、SECTION B(总题数:2,分数:10.00)(分数:5.00)A.He is a physician.B.He is a psychologist.C.He is a Ph.D.D.He is an editor for a fashion magazine.A.Because a recen
5、t survey shows that many people are extremely stressful.B.Because this is the time people get great pressure from different areas.C.Because it is demanded by the program“s sponsors.D.Because people are overloaded by the shopping season.A.Because women still bear the burden for the holidays.B.Because
6、 women are feeling a lot of pressure with family obligation.C.Because women are going to meet many unfamiliar relatives.D.Because women will spare no effort to meet their children“s expectation.A.Women should be careful with the details of holidays.B.Women should do better than their mothers on holi
7、days.C.Women assume a lot of expectation from others.D.Women often spoil their spouses and children.A.To find out where the expectation is from.B.To find out mothers“ and grandmothers“ accounts of the past.C.To find out how to get rid of guilt and prioritize one“s own need.D.To investigate a cold ca
8、se on an airplane.(分数:5.00)A.Saving it.B.Spending it.C.Using credit cards.D.Making a plan.A.Choosing simple things.B.Avoiding online shopping.C.Shopping online.D.Getting free gifts.A.Because people are social animals.B.Because people love to be part of the holidays.C.Because people like to be needed
9、.D.Because it is too heavy to be borne by one person.A.Giving oneself a little time and going to parties.B.Eating right.C.Getting enough rest.D.Listening to one“s own body and focusing on oneself.A.Parties.B.Family gathering.C.Some time alone.D.Food.四、PART READING COMPR(总题数:1,分数:22.00)PASSAGE ONE Of
10、 the French writers of romance of the latter part of the nineteenth century no one made a reputation as quickly as did Guy de Maupassant. Not one has preserved that reputation with more ease, not only during life, but in death. None so completely hides his personality in his glory. In an epoch of th
11、e utmost publicity, in which the most insignificant deeds of a celebrated man are spied, recorded, and commented on, the author of “Boule de Suif“, of Pierre et Jean, of Notre Coeur, found a way of effacing his personality in his work. Of De Maupassant we know that he was born in Normandy; that he w
12、as the favorite pupil, if one may so express it, the literary protege, of Gustave Flaubert; that he made his debut with a novel inserted in a small collection, published by Emile Zola and his young friends, under the title: “The Soirees of Medan“; that subsequently he did not fail to publish stories
13、 and romances every year up to 1891; and that he finally died in 1893 without having recovered his reason. We know, too, that he passionately loved a strenuous physical life and long journeys, particularly long journeys upon the sea. He owned a little sailing yacht, named after one of his books, Bel
14、-Ami, in which he used to sojourn for weeks and months. These meager details are almost the only ones that have been gathered as food for the curiosity of the public. I leave the legendary side, which is always in evidence in the case of a celebrated manthat gossip, for example, which avers that Mau
15、passant was a high liver and a worldling. The very number of his volumes is a protest to the contrary. One could not write so large a number of pages in so small a number of years without the virtue of industry, a virtue incompatible with habits of dissipation. This does not mean that the writer of
16、these great romances had no love for pleasure and had not tasted the world, but that for him these were secondary things. The psychology of his work ought, then, to find an interpretation other than that afforded by wholly false or exaggerated anecdotes. And first, what does that anxiety to conceal
17、his personality prove, carried as it was to such an extreme degree? The answer rises spontaneously in the minds of those who have studied closely the history of literature. The absolute silence about himself, preserved by one whose position among us was that of a Tourgenief, or of a Merimee, and of
18、a Moliere or a Shakespeare among the classic great, reveals, to a person of instinct, a nervous sensibility of extreme depth. There are many chances for an artist of his kind, however timid, or for one who has some grief, to show the depth of his emotion. To take up again only two of the names just
19、cited, this was the case with the author of Terres Vierges, and with the writer of Colomba. A somewhat minute analysis of the novels and romances of Maupassant would suffice to demonstrate, even if we did not know the nature of the incidents which prompted them, that he also suffered from an excess
20、of nervous emotionalism. His imagination aims to represent the human being as imprisoned in a situation at once insupportable and inevitable. The spell of this grief and trouble exerts such a power upon the writer that he ends stories commenced in pleasantry with some sinister drama. This is the lea
21、ding trait in the literary physiognomy of Maupassant, as it is the leading and most profound trait in the psychology of his work, viz, that human life is a snare laid by nature, where joy is always changed to misery, where noble words and the highest professions of faith serve the lowest plans and t
22、he most cruel egoism, where chagrin, crime, and folly are forever on hand to pursue implacably our hopes, nullify our virtues, and annihilate our wisdom. Maupassant has been called a literary nihilistbut in him nihilism finds itself coexistent with an animal energy so fresh and .so intense that for
23、a long time it deceives the closest observer. In an eloquent discourse, pronounced over his premature grave, Emile Zola well defined this illusion: “We congratulated him,“ said he, “upon that health which seemed unbreakable, and justly credited him with the soundest constitution of our band, as well
24、 as with the clearest mind and the sanest reason. It was then that this frightful thunderbolt destroyed him.“ It is not exact to say that the lofty genius of De Maupassant was that of an absolutely sane man. We comprehend it today, and, on re-reading him, we find traces everywhere of his final malad
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