专业八级-401及答案解析.doc
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1、专业八级-401 及答案解析(总分:100.00,做题时间:90 分钟)一、PART LISTENING COM(总题数:0,分数:0.00)二、SECTION A(总题数:1,分数:10.00)Situation ComedyToday“s lecture is about situation comedy, its history, its characteristics and some famous comedies in the Western countries. A sitcom or situation comedy is a genre of comedy 1 origina
2、lly devised for radio but today typically found on television. In a daily life environment, 2 stories go on with some recurring characters. History With situation comedy format originated on 3 in the 1920s, Sam and Henry , the first situation comedy was up in Chicago. The first network situation com
3、edy was Amos but a few months of marriage had shown this to be merely one of the many delusions created by perfect features and noble expression. Everything about her had been smooth and definite, even the tones of her voice and the way her light brown hair, which she wore a Pompadour, was rolled st
4、iffly back from her forehead and coiled in a burnished rope on the top of her head. A serious young man, ambitious to attain a place in the world more brilliant than the secluded seat of his ancestors, he had been impressed at their first meeting by the compactness and precision of Victoria“s orderl
5、y mind. For in that earnest period the minds, as well as the emotions, of lovers were orderly. It was an age when eager young men flocked to church on Sunday morning, and eloquent divines discoursed upon the Victorian poets in the middle of the week. He could afford to smile now when he recalled the
6、 solemn Browning class in which he had first lost his heart. How passionately he had admired Victoria“s virginal features! How fervently he had envied her competent but caressing way with the poet! Incredible as it seemed to him now, he had fallen in love with her while she recited from the more pon
7、derous passages in The Ring and the Book . He had fallen in love with her then, though he had never really enjoyed Browning, and it had been a relief to him when The Unseen , in company with its illustrious poet, had at last gone out to fashion. Yet, since he was disposed to admire all the qualities
8、 he did not possess, he had never ceased to respect the firmness with which Victoria continued to deal in other forms with the Absolute. As the placid years passed, and she came to rely less upon her virginal features, it seemed to him that the ripe opinions of her youth began to shrink and flatten
9、as fruit does that has hung too long on the tree. She had never changed, he realized, since he had first known her; she had become merely riper, softer, and sweeter in nature. Her advantage rested where advantage never fails to rest, in moral fervour. To be invariably right was her single wifely fai
10、ling. For his wife, he singed, with the vague unrest of a husband whose infidelities are imaginary, was a genuinely good woman. She was as far removed from pretence as she was from the posturing virtues that flourish in the credulous world of the drama. The pity of it was that even the least exactin
11、g husband should so often desire something more piquant than goodness.(分数:5.00)(1).In her husband“s eye, Victoria has all the following qualities EXCEPT _(分数:1.00)A.delicacy.B.beauty.C.humbleness.D.intelligence.(2).We get the impression that Virginius is a man of _(分数:1.00)A.harmless vanity.B.profou
12、nd knowledge.C.high aspiration.D.immovable confidence.(3).When Browning“s poem became unpopular, Virginius felt _(分数:1.00)A.sympathy for it.B.free from it.C.annoyed at it.D.regret for it.(4).Virginius would feel more or less guilty when he _(分数:1.00)A.fancied being disloyal to Victoria.B.thought abo
13、ut Victoria“s perfection.C.tried to find fault with Victoria.D.began to dislike Victoria“s features.(5).The word “piquant“ in the last paragraph probably means _(分数:1.00)A.adventurous.B.unusual.C.lofty.D.interesting.八、TEXT C(总题数:1,分数:6.00)All through my boyhood and youth, I was known as an idler; an
14、d yet I was always busy on my own private end, which was to learn to write. I kept always two books in my pocket, one to read, one to write in. As I walked, mind was busy fitting what I saw with appropriate words; when I sat by the roadside, I would either read, or a pencil and a note-book would be
15、in my hand, to note down the features of the scene or write some poor lines of verse. Thus I lived with words. And what I thus wrote was for no further use; it was written consciously for practice. It is not so much that I wished to be an author (though I wished that too) as that I had vowed that I
16、would learn to write. That was a proficiency that tempted me; and I practiced to acquire it. Description was the principal field of my exercise; for to anyone with senses there is always something worth describing, and town and country are but one continuous subject. But I worked in other ways also;
17、 I often accompanied my walks with dramatic dialogues, in which I played many parts; and often exercised myself in writing down conversations from memory. This was all excellent, no doubt. And yet this was not the most efficient part of my training. Good as it was, it only taught me the choice of th
18、e essential note and the fight word. And regarded as training, it had one grave defect; for it set me no standard of achievement. So that there was perhaps more profit, as there was certainly more effort, in my secret hours at home. Whenever I read a book or a passage that particularly pleased me, i
19、n which a thing was said or an effect rendered with propriety, in which there was either some conspicuous force or some happy distinction in the style, I must sit down at once and set myself to ape that quality. I was unsuccessful, and I knew it; and tried again, and was again unsuccessful and alway
20、s unsuccessful; but at least in these vain bouts I got some practice in the rhythm, in harmony, in construction and the coordination of parts. I have thus played the sedulous ape to Hazlitt, to Lamb, to Wordsworth, to Defoe, to Hawthorne. That, like it or not, is the way to learn to write; whether I
21、 have profited or not, that is the way. It was so, if we could trace it out, that all men have learned. Perhaps I hear someone cry out: but this is not the way to be original! It is not; nor is there any way but to be born so. Nor yet, if you are born original, is there anything in this training tha
22、t shall clip the wings of your originality. Burns is the very type of a most original force in letters; he was of all men the most imitative. Shakespeare himself proceeds directly from a school. It is only from a school that we can expect to have good writers; it is almost invariably from a school t
23、hat great writers issue. Nor is there anything here that should astonish the considerate. Before he can tell what cadences he truly prefers, the student should have tried all that are possible; before he can choose a fitting key of words, he should long have practiced the literary scales; and it is
24、only after years of such exercises that he can sit down at last, legions of words swarming to his call, dozens of turns of phrases simultaneously bidding for his choice, and he himself knowing what he wants to do and (within the narrow limit of a man“s ability) able to do it.(分数:6.00)(1).In his earl
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- 专业 401 答案 解析 DOC
