大学英语四级（2013年12月考试改革适用）模拟试卷199及答案解析.doc

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1、大学英语四级（2013 年 12月考试改革适用）模拟试卷 199及答案解析(总分：118.00，做题时间：90 分钟)一、Writing(总题数：2，分数：4.00)1.Part I Writing（分数：2.00）_2.For this part, you are allowed 30 minutes to write an essay based on the picture below. You should start your essay with a brief description of the picture and then discuss the importance o

2、f reading. You should write at least 120 words but no more than 180 words. （分数：2.00）_二、Listening Comprehens(总题数：12，分数：50.00)3.Part II Listening Comprehension_4.Section A_A.They will be fined.B.They will lose their licences.C.They will be required to give a second sample.D.They will be in prison.A.Th

3、ey will be sent to a laboratory.B.They will lose their licences.C.They will be fined and could lose their licences.D.They will be sentenced guilty.A.November and December.B.October and November.C.November.D.December.A.5.B.15.C.35D.50A.One month.B.Two months.C.Three months.D.Four months.A.To construc

4、t a dam.B.To compensate villagers who are made landless by dam construction.C.To make the farmers and villagers give up the protest.D.To return land to the farmers and villagers.A.They accepted them because what they demanded has been met.B.They partially accepted them.C.They added some more demands

5、 to the measures.D.They were not satisfied with them because the measures didnt solve some very important problems.5.Section B_A.An experiment in Antarctica.B.Part of the Larsen Ice Shelf.C.Part of the ocean in Antarctica.D.An expedition in Antarctica.A.They could be a sign of global warning.B.They

6、are disturbing Antarctic bird habitats.C.They have destroyed research facilities.D.They refute current scientific theories.A.No melting has been observed.B.The past several winters have been unusually severe.C.Nothing unusual has happened in other parts of Antarctica.D.The ice shelf had remained int

7、act for centuries despite the weatherA.Warmer water temperatures.B.Less aquatic life.C.A rise in ocean level.D.Colder winds.A.The man wants to obtain an international drivers license that he can use both in the US and in his country.B.The man wants to take a drivers test to get an Arizona drivers li

8、cense.C.The man wants to know whether he can use his international drivers license in Arizona.D.The man wants to fill out an application for an Arizona drivers license.A.Show his student ID and pay ten dollars.B.Use his international drivers license.C.Take a drivers test and apply for a limited lice

9、nse.D.Show proof of temporary residence.A.Less than one year.B.Four yearsC.Five years.D.Ten years.A.Fill out an application.B.Go back to the university to get his ID.C.Go to see his friend.D.Take a written exam and an eye exam.6.Section C_A.Shops open early in the morning.B.Shops stay open for longe

10、r hours.C.They can buy really cheap things.D.They can shop with their friends.A.On 26th December.B.On 26th January.C.3:30 a. m. on 26th December.D.3:30 a. m. on 26th January.A.Buy Christmas presents.B.Shop online.C.Buy presents for next Christmas.D.All the above.A.New Zealand has quite liberal rules

11、 about naming children.B.Unusual names for children are becoming more popular.C.Names beginning with a number are not allowed in New Zealand.D.They decided to call him Superman instead.A.Popular culture, parents invention and super stars.B.Popular culture, sports and music.C.Parents invention, sport

12、s and super stars.D.Popular culture, parents invention and sports.A.Argentina, Germany and Japan.B.Germany, Japan and China.C.Argentina, Britain and Japan.D.Algeria, Japan and Argentina.A.TV shows.B.Old people.C.Celebrities.D.Professional dancers.A.The participation of celebrities.B.The designing of

13、 colorful costumes.C.The benefits it brings.D.A TV program.A.Performers have to wear colorful dresses and suits on the show.B.Performers have to wear simple style clothes on the show.C.Performers have to wear new clothes on the show.D.Performers have to be formally dressed on the show.A.Old people.B

14、.Middle-aged people.C.Kids and young people.D.All of the above.三、Reading Comprehensio(总题数：8，分数：60.00)7.Part III Reading Comprehension_8.Section A_The biggest safety threat facing airlines today may not be a terrorist with a gun, but the man with the 1 computer in business class. In the last 15 years

15、, pilots have reported well over 100 2 that could have been caused by electromagnetic interference. The source of this interference 3unconfirmed, but increasingly, experts are pointing the blame at portable electronic device, such as portable computers, radio and cassette players and mobile telephon

16、es. RTCA, an organization which advises the aviation (航空) industry, has recommended that all airlines ban(禁止) such devices from being used during “ 4“ stages of flight, 5 take-off and landing. Some experts have gone further, calling for a total ban during all flights. Currently, rules on using these

17、 devices are left up to individual airlines. And although some airlines prohibit passengers from using such equipment during take-off and landing, most are 6to enforce a total ban, given that many passengers want to work during flights. The difficulty is 7 how electromagnetic fields might affect an

18、aircrafts computers. Experts know that portable device emit radiation which 8 those wavelengths which aircrafts use for navigation and communication. But, because they have not been able to reproduce these effects in a laboratory, they have no way of knowing whether the interference might be dangero

19、us or not. The fact that aircraft may be vulnerable (易受损的)to interference raises the risk that terrorists may use radio systems in order to damage navigation 9. As worrying, though, is the passenger who cant hear the instructions to turn off his radio because the musics too 10.A) definite I) portabl

20、eB) incidents J) enormousC) effects K) predictingD) remains L) liberalE) critical M) affectsF) particularly N) equipmentG) reluctant O) loudH) refreshing（分数：20.00）填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_10.Section B_The Origins of TheatreA) In seeking to describe the or

21、igins of Theatre, one must rely primarily on speculation, since there is little concrete evidence on which to draw. The most widely accepted theory, championed by anthropologists in the late nineteenth and early twentieth century, envisions Theatre as emerging out of myth and ritual. The process per

22、ceived by these anthropologists may be summarized briefly. During the early stages of its development, a society becomes aware of forces that appear to influence or control its food supply and well-being. Having little understanding of natural causes, it attributes both desirable and undesirable occ

23、urrences to supernatural or magical forces, and it searches for means to win the favor of these forces. Perceiving an apparent connection between certain actions performed by the group and the result it desires, the group repeats, refines and formalizes those actions into fixed ceremonies, or ritual

24、s.B) Stories (myths) may then grow up around a ritual. Frequently the myths include representatives of those supernatural forces that the rites celebrate or hope to influence. Performers may wear costumes and masks to represent the mythical characters or supernatural forces in the rituals or in acco

25、mpanying celebrations. As a person becomes more sophisticated, its conceptions of supernatural forces and causal relationships may change. As a result, it may abandon or modify some rites. But the myths that have grown up around the rites may continue as part of the groups oral tradition and may eve

26、n come to be acted out under conditions divorced from these rites. When this occurs, the first step has been taken toward Theatre as an autonomous activity, and thereafter entertainment and aesthetic values may gradually replace the former mystical and socially efficacious concerns.C) Although origi

27、n in ritual has long been the most popular, it is by no means the only theory about how the Theatre came into being. Storytelling has been proposed as one alternative. Under this theory, relating and listening to stories are seen as fundamental human pleasures. Thus, the recalling of an event (a hun

28、t, a battle, or other feats) is elaborated through the narrators pantomime and impersonation and eventually through each role being assumed by a different person.D) A closely related theory sees Theatre as evolving out of dances that are primarily pantomimic, rhythmical or gymnastic, or from imitati

29、ons of animal noises and sounds. Admiration for the performers skill, virtuosity, and grace are seen as motivation for elaborating the activities into fully realized theatrical performances.E) In addition to exploring the possible antecedents of Theatre, scholars have also theorized about the motive

30、s that led people to develop Theatre. Why did Theatre develop, and why was it valued after it ceased to fulfill the function of ritual? Most answers fall back on the theories about the human mind and basic human needs. One, set forth by Aristotle in the fourth century BC, sees humans as naturally im

31、itativeas taking pleasure in imitating persons, things, and actions and in seeing such imitations. Another, advanced in the twentieth century, suggests that humans have a gift for fantasy, through which they seek to reshape reality into more satisfying forms than those encountered in daily life. Thu

32、s, fantasy or fiction (of which drama is one form) permits people to objectify their anxieties and fears, confront them, and fulfill their hopes in fiction if not fact. The Theatre, then, is one tool whereby people define and understand their world or escape from unpleasant realities.F) But neither

33、the human imitative instinct nor a penchant for fantasy by itself leads to an autonomous Theatre. Therefore, additional explanations are needed. One necessary condition seems to be a somewhat detached view of human problems. For example, one sign of this condition is the appearance of the comic visi

34、on, since comedy requires sufficient detachment to view some deviations from social norms as ridiculous rather than as serious threats to the welfare of the entire group. Another condition that contributes to the development of autonomous Theatre is the emergence of the aesthetic sense. For example,

35、 some early societies ceased to consider certain rites essential to their well-being and abandoned them, nevertheless, they retained as parts of their oral tradition the myths that had grown up around the rites and admired them for their artistic qualities rather than for their religious usefulness.

36、 G) Theatreis a collaborative form of fine art that uses live performers to present the experience of a real or imagined event before a live audience in a specific place. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. E

37、lements of design and stagecraft are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word “theatre“ as derived from the Ancient Greek word “theatron“, “a place for viewing“ , itself from “theaomai“ , “to see“ , “to

38、 watch“ , “to observe“. H) Modern Western theatre derives in large measure from ancient Greek drama, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre scholar Patrice Pavis defines theatricality, theatrical l

39、anguage, stage writing, and the specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts, literature, and the arts in general. I) Theatre today includes performances of plays and musicals. Although it can be defined broadly to include opera and balle

40、t, those art forms are outside the scope of this article. Western theatre developed and expanded considerably under the Romans. The Roman historian Livy wrote that the Romans first experienced theatre in the 4th century BCE, with a performance by Etruscan actors. The theatre of ancient Rome was a th

41、riving and diverse art form, ranging from festival performances of street theatre, nude dancing, and acrobatics, to the staging of Plautuss broadly appealing situation comedies, to the high-style, verbally elaborate tragedies of Seneca.（分数：20.00）(1).Because we can not find a lot of concrete evidence

42、, one must rely mainly on thinking, in order to find the origins of Theatre.（分数：2.00）填空项 1:_(2).Since there has been a long period from the beginning of theatre, which today includes performances of plays and musicals.（分数：2.00）填空项 1:_(3).In the old time, there were a lot of rituals from which the my

43、ths may then grow up and develop.（分数：2.00）填空项 1:_(4).Technical terminology, classification into genres, and themes, stock characters, and plot elements are the bases on which the modern western theatre is built.（分数：2.00）填空项 1:_(5).Since there are different groups of idea, the origin in ritual is by

44、no means the only theory about how the Theatre came into being.（分数：2.00）填空项 1:_(6).According to the Ancient Greek, the word “theatre“ means a place for viewing, a place to watch the program.（分数：2.00）填空项 1:_(7).Motivation for elaborating the activities is admiration for the performers skill, virtuosi

45、ty, and grace.（分数：2.00）填空项 1:_(8).The Theatre includes not only the human imitative instinct but also a penchant for fantasy to become self-sufficient.（分数：2.00）填空项 1:_(9).According to Aristotle, all human beings share the same imitative instinct, which is taking pleasure in imitating persons.（分数：2.00）填空项 1:_(10).Some rites are abandoned by people in the early society because the members dont think the rites have a close relationship with their expectation.（分数：2.00）填空项 1:_11.Section C_No surprisethose Facebook photos of your friends and relati