SMPTE ST 2086-2014 Mastering Display Color Volume Metadata Supporting High Luminance and Wide Color Gamut Images.pdf

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1、Approved October 13, 2014 Copyright 2014 by THE SOCIETY OF MOTION PICTURE AND TELEVISION ENGINEERS 3 Barker Avenue., White Plains, NY 10601 (914) 761-1100 SMPTE ST 2086:2014 SMPTE STANDARD Mastering Display Color Volume Metadata Supporting High Luminance and Wide Color Gamut Images Page 1 of 6 pages

2、 Table of Contents Foreword . 2 Intellectual Property 2 Introduction 2 1 Scope . 4 2 Conformance Notation . 4 3 Normative References . 5 4 Terms and Definitions 5 5 Metadata 5 5.1 Display Primaries . 5 5.2 Chromaticity of White Point 5 5.3 Maximum Display Mastering Luminance . 6 5.4 Minimum Display

3、Mastering Luminance 6 SMPTE ST 2086:2014 Page 2 of 6 pages Foreword SMPTE (the Society of Motion Picture and Television Engineers) is an internationally-recognized standards developing organization. Headquartered and incorporated in the United States of America, SMPTE has members in over 80 countrie

4、s on six continents. SMPTEs Engineering Documents, including Standards, Recommended Practices, and Engineering Guidelines, are prepared by SMPTEs Technology Committees. Participation in these Committees is open to all with a bona fide interest in their work. SMPTE cooperates closely with other stand

5、ards-developing organizations, including ISO, IEC and ITU. SMPTE Engineering Documents are drafted in accordance with the rules given in its Standards Operations Manual. SMPTE ST 2086 was prepared by Technology Committee 10E. Intellectual Property At the time of publication no notice had been receiv

6、ed by SMPTE claiming patent rights essential to the implementation of this Engineering Document. However, attention is drawn to the possibility that some of the elements of this document may be the subject of patent rights. SMPTE shall not be held responsible for identifying any or all such patent r

7、ights. Introduction This section is entirely informative and does not form an integral part of this Engineering Document. The content mastering process begins when the creative talents (Director/Director of Photography/Studio) select a viewing environment and a look for the production. The creative

8、intent is established in this environment. The most common display color space examples are Digital Cinema P3 for theatrical distribution and Recommendation ITU-R BT.709 for home distribution of HD content. For distribution to the homes, the mastering process could be redone with creative adjustment

9、s performed on a mastering display. The mastering display is the display where creative work (adjustments and approval) is done during the mastering process. To improve the color reproduction of this mastered content when shown on other displays, it is useful to have optional information that can be

10、 used to more closely reproduce the creative intent originally achieved in the mastering suite. This document provides a specification of the metadata defining the color volume (the color primaries, white point, and luminance range) which can be used to assist in achieving consistent results on diff

11、erent displays. The color volume metadata are values that a mastering display is configured to. In a simple mastering process, the device native value, i.e., the value configured at the production plant, can be used. In a multifaceted mastering process, the set up value, i.e., the value configured a

12、t the viewing environment of the mastering room, would be used. This standard provides a first step towards improving color reproduction, but does not define the mastering environment or the method of measurement of color volume metadata that would be needed in the case of a multifaceted mastering p

13、rocess. The final archived master of digital imagery commonly includes encoded images only. In order to exactly reproduce the creative intent, it is useful to know the color volume specification of the original mastering display. This need is especially critical as the display technology continues t

14、o advance. This standard is well suited to describe the metadata for the current state of the art displays as well as the new generation of displays that exhibit high luminance and wide color gamut. SMPTE ST 2086:2014 Page 3 of 6 pages This standard is entirely devoted to providing the color volume

15、metadata of the display, and does not cover any additional layers of metadata regarding the visual appearance of images, or the color and tonal transformations that would be used to convert between different display color volumes. The information described herein is not the complete set of metadata

16、required for all of the image processing required for all steps in every workflow. Each implementation of a production and post-production workflow requires other types of metadata to characterize the image acquisition, processing and mastering environment. However, the information described in this

17、 standard represents the anticipated minimum metadata required for all implementations of any image processing workflow. Specific implementations of image processing workflows will require additional metadata, some specific to those particular implementations, which are out of scope of this standard

18、. If an application uses a digital representation with a precision exceeding that specified for the item, it is expected to round to the nearest value with the precision specified for that item before using it pursuant to this standard. SMPTE ST 2086:2014 Page 4 of 6 pages 1 Scope This standard spec

19、ifies the metadata items to specify the color volume (the color primaries, white point, and luminance range) of the display that was used in mastering video content. The metadata is specified as a set of values independent of any specific digital representation. This standard is applicable to three-

20、color additive display systems, such as RGB displays. This standard does not specify the measurement methodologies and procedures for capturing the parameters of the metadata as well as any description of the mastering environment. Additionally, this standard does not fully specify all the informati

21、on that would be necessary to preserve the creative intent on displays with color volumes different from the mastering display color volume. As a specific example, this standard does not specify the Electro-Optical Transfer Function (EOTF) of the mastering display since it does not affect the color

22、volume. This standard only defines the mastering display color volume metadata items. System-specific solutions for storing, packaging, transmission, and end-use of this metadata are allowed, however the specification of these solutions is outside the scope of this standard. 2 Conformance Notation N

23、ormative text is text that describes elements of the design that are indispensable or contains the conformance language keywords: “shall“, “should“, or “may“. Informative text is text that is potentially helpful to the user, but not indispensable, and can be removed, changed, or added editorially wi

24、thout affecting interoperability. Informative text does not contain any conformance keywords. All text in this document is, by default, normative, except: the Introduction, any section explicitly labeled as “Informative“ or individual paragraphs that start with “Note:” The keywords “shall“ and “shal

25、l not“ indicate requirements strictly to be followed in order to conform to the document and from which no deviation is permitted. The keywords, “should“ and “should not“ indicate that, among several possibilities, one is recommended as particularly suitable, without mentioning or excluding others;

26、or that a certain course of action is preferred but not necessarily required; or that (in the negative form) a certain possibility or course of action is deprecated but not prohibited. The keywords “may“ and “need not“ indicate courses of action permissible within the limits of the document. The key

27、word “reserved” indicates a provision that is not defined at this time, shall not be used, and may be defined in the future. The keyword “forbidden” indicates “reserved” and in addition indicates that the provision will never be defined in the future. A conformant implementation according to this do

28、cument is one that includes all mandatory provisions (“shall“) and, if implemented, all recommended provisions (“should“) as described. A conformant implementation need not implement optional provisions (“may“) and need not implement them as described. SMPTE ST 2086:2014 Page 5 of 6 pages 3 Normativ

29、e References The following standards contain provisions which, through reference in this text, constitute provisions of this standard. At the time of publication, the editions indicated were valid. All standards are subject to revision, and parties to agreements based on this recommended practice ar

30、e encouraged to investigate the possibility of applying the most recent edition of the standards indicated below. CIE 15:2004, 3rd Edition, Colorimetry. 4 Terms and Definitions 4.1 color volume solid in colorimetric space containing all possible colors a display can produce. 4.2 xy chromaticity coor

31、dinates chromaticity coordinates x and y, as specified in CIE 15:2004 “Calculation of chromaticity coordinates” (Section 7.3). Note: The CIE 1931 xy chromaticity coordinates for real colors for mastering display as defined in this document are limited to between 0 and 1. 4.3 display primaries colors

32、 of a display from which all other colors of such display are formed through additive combinations, such as RGB displays. 4.4 mastering display three-color additive display or projection system that has been configured to the mastering color volume. 4.5 nominal as designed, behaving within expected

33、norm or operating level. 5 Metadata 5.1 Display Primaries The nominal primaries of the mastering display, as configured for the mastering process, shall be represented as three xy chromaticity coordinates. The metadata value shall be a number with four decimal places. 5.2 Chromaticity of White Point

34、 The nominal chromaticity of the white point of the mastering display, as configured for the mastering process, shall be represented as an xy chromaticity coordinate. The metadata value shall be a number with four decimal places. Note: At minimum luminance, the mastering display has the same nominal

35、 chromaticity as the white point. SMPTE ST 2086:2014 Page 6 of 6 pages 5.3 Maximum Display Mastering Luminance The nominal maximum display luminance of the mastering display, as configured for the mastering process, shall be represented in candelas per square meter (cd/m2). The metadata value shall

36、be a number with up to four significant digits and up to two decimal places. 5.4 Minimum Display Mastering Luminance The nominal minimum display luminance of the mastering display, as configured for the mastering process, shall be represented in candelas per square meter (cd/m2). The metadata value shall be a number with up to three significant digits and up to four decimal places.